11 years after the publication of Painted Ladies: San Francisco's Resplendent Victorians, Elizabeth Pomada returned to San Francisco to gaze anew upon its Victorians, and found a new concern for authenticity, subtlety, and sophistication in what she now calls the "Colorist Movement." The examples she shows here, while still splendidly detailed and richly pigmented, are for the most part less gaudy than those in the first book, reflecting the emergence of yuppies onto the preservationist stage earlier occupied by hippies and radicals. Almost the best part of the book, however, is the many interiors she has included, often by houseowners with a keen interest in authentic restoration. Architecture and interior-decorating buffs alike will want to own this volume.