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Overhearing Film Dialogue (英語) ハードカバー – 2000/2/27

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Since the birth of cinema, film has been lauded as a visual rather than a verbal medium; this sentiment was epitomized by John Ford's assertion in 1964 that, 'When a motion picture is at its best, it is long on action and short on dialogue.' Little serious work has been done on the subject of film dialogue, yet what characters say and how they say it has been crucial to our experience and understanding of every film since the coming of sound. Through informative discussions of dozens of classic and contemporary films - from "Bringing Up Baby" to "Terms of Endearment", from "Stagecoach" to "Reservoir Dogs" - this lively book provides the first full-length study of the use of dialogue in American film.Sarah Kozloff shows why dialogue has been neglected in the analysis of narrative film and uncovers the essential contributions dialogue makes to a film's development and impact. She uses narrative theory and drama theory to analyze the functions that dialogue typically serves in a film. The second part of the book is a comprehensive discussion of the role and nature of dialogue in four film genres: westerns, screwball comedies, gangster films, and melodramas. Focusing on topics such as class and ethnic dialects, censorship, and the effect of dramatic irony, Kozloff provides an illuminating new perspective on film genres.


"Kozloff's impressive work on dialogue in U.S. and some British films is often in agreement with French authority Michel Chion. Kozloff has the advantage of very readable prose with an almost encyclopedic knowledge of U.S sound films. . . . She illustrates the importance of both dialogue and sound in the work of many directors, e.g., Orson Welles, Robert Altman, Preston Sturges. She illustrates how dialogue is vital to various genres, providing examples in chapters on Westerns, screwball comedies, gangster films, and melodramas. "--Choice



  • ハードカバー: 323ページ
  • 出版社: Univ of California Pr (2000/2/27)
  • 言語: 英語
  • ISBN-10: 0520221370
  • ISBN-13: 978-0520221376
  • 発売日: 2000/2/27
  • 商品パッケージの寸法: 23.7 x 16 x 2.6 cm
  •  カタログ情報、または画像について報告

  • 目次を見る


The first questions to be asked when analyzing a segment of film dialogue may be: "Why are these lines here?" 最初のページを読む
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9 人中、8人の方が、「このレビューが参考になった」と投票しています。
essential reading 2000/4/28
投稿者 カスタマー - (
形式: ペーパーバック
You need only glance at the title of Sarah Kozloff's new book to realize that a major aspect of filmmaking has been utterly overlooked by scholars. It is only after you dive into the text, however, that Kozloff reveals how central dialogue has been to every aspect of Hollywood style and convention from editing devices to narrative strategies to genre patterns. In the tradition of the best formalist poetics Kozloff elaborates dialogue's essential role in the structuring of film texts. In the tradition of the most sophisticated and evenhanded feminist theory, Kozloff demonstrates how talk, gabbing, gossip, and silence have been gendered throughout the history of talkies. This book is a major scholarly contribution, yet it also manages to present arguments in lucid prose and hang theory on clear examples chosen from familiar films.
Five Stars 2014/11/25
投稿者 Bernadette Hackett - (
形式: ペーパーバック Amazonで購入
Very interesting!
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