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Themes of sin and justice weave in and out of the plot of this mystery, which is set at a London publishing house. The publisher has been murdered, gassed to death by a fireplace accident, with a stuffed snake wrapped around his neck. Suspicion centers around the publisher's various employees and a disgruntled midlist author whose contract has been cancelled. The publisher's death comes close on the heels on on on-site suicide of a longtime employee of the firm. By the novel's end, several more corpses make an appearance, maybe one more than is necessary.
Then there's the solution. I won't say anything about it except that it has been perfectly set up, and yet somehow the conclusion is just outside the grasp of the reader's mind, giving you one of those "Of course!" reactions.
Well worth the read... I can now see why James is considered the best in her field.
P.D. James has written that, for her, "... one of the fascinations of detective fiction is the exploration of character under the revealing trauma of a murder enquiry." In 'Original Sin,' James deftly explores a diversity of complex characters (the directors and those among the staff at Innocent House who are central to the plot, as well as several sharply delineated secondary characters) as they undergo the sagacious questioning of Dalgliesh and his team.
Besides the splendid palazzo, James treats the reader to another strikingly effective mood-setter: the River Thames itself, arcane, enduring and somewhat sinister, the compelling secrets of its dark past forever threatening to surface before our eyes (and in one memorable scene, they do). Architectural descriptions and historical anecdotes weave seamlessly throughout the narrative, as another bonus.
Further, there is an interesting look at a small London publishing house as it evolves from the "preserve of gentlemen" (Henry Peverell and Jean-Philippe Etienne) to the present-day leadership of a 21st Century Machiavellian (Gerard Etienne).
P.D. James has expressed the view that rather than feel sympathy for the murderer, the reader should feel empathy and understanding. Here in 'Original Sin' she has provided such a murderer. It is the reader's ability to empathize that makes this murderer's motivations credible.
At its heart, 'Original Sin' is about redress. In this instance, we learn that revenge (which the killer calls "justice") is not sweet, that it sometimes requires multiple acts of murder, and that it may necessitate sacrificing the innocent. The lucky reader, however, gains this harsh lesson by way of the impeccable prose of this distinguished writer.
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