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カスタマーレビュー
Amazon.com で最も参考になったカスタマーレビュー (beta)
Amazon.com:
7件のカスタマーレビュー
24 人中、22人の方が、｢このレビューが参考になった｣と投票しています。
intention, invention: the creative process
2010/5/20
形式:ペーパーバック
For anyone fortunate enough to have seen the Donmar Warehouse production of RED with Alfred Molina and Eddie Redmayne it will come as no surprise that John Logan's script yields fresh fruit with each new reading. As literate and passionate exploration of the creative process, the play positively requires--demands--that most important aspect of art--the audience's participation, the audience's thinking. The immediate topical focus of the play, of course, is Mark Rothko, but its ultimate concerns lie far beyond the boundaries of one man's canvas. RED is a masterpiece.
13 人中、12人の方が、｢このレビューが参考になった｣と投票しています。
A brilliant play
2010/5/27
形式:ペーパーバック
I had read the play before seeing Alfred Molina's stunning performance on Broadway and the writing simply sang. Logan has created a true masterpiece with delicious roles for actors. A wonderful play and an engaging read! While Colette Freedman's Sister Cities used to be my favorite play, I believe it has been surpassed by this remarkably crafted aria.
22 人中、18人の方が、｢このレビューが参考になった｣と投票しています。
All the quotations. All the questions.
2010/7/7
形式:ペーパーバック|Amazonが確認した購入
I'm a sucker for think-pieces like this. I'm old fashioned enough that I actually want to be challenged by art. "Challenged"? Hell, I believe its essential to anyones proof of existence that they be willing to run directly at an oncoming train for the experience of being completely changed by the impact. And, yes, I'm the one with the father who would stand in the museums in the 1950's and say about abstract expressionism, "My kid coulda done that." Or, about Rothko, "If I painted a wall that unevenly, I'd be fired." Thankfully, I eventually moved to Houston and discovered the Rothko Chapel where I spent many quiet, dimly lit hours alone and in the company of friends with those paintings (thanks to Dominique deMenille). I returned to all of this (from New Hampshire) with the PBS broadcast of Simon Schama's Power of Art. The hour on Rothko's Seagram's Four Seasons mural was the climactic, eight episode in the series. All of the quotations are there. All of the questions are there. And the question of money and art gets a full-body slam. (Rothko famously told Philip Johnson, the architect, 'No one who pays that kind of money for that kind of food is going to see any paintings of mine,' and send the commissioning fee, the equivalent of $2 million, back.) Since I saw the Schama first and have watched it many times, I venture that the play dramatizes the contents of the Schama program (same source? collaboration between the authors? zeitgeist?) introducing the catalyst of an artists' assistant. No matter. If you're attracted to think pieces, especially think pieces devoted to contemporary (for me, anyway) art and contemporary issues in art, both the Schama and the Logan were created for you. Here's a two-engined train you should run at with all your might.
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