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Notes from Underground
 
 

Notes from Underground [ペーパーバック]

Fyodor Dostoyevsky

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この本とCrime and Punishment (Wordsworth Classics) ¥ 525 をあわせて買う

Notes from Underground + Crime and Punishment (Wordsworth Classics)
合計価格: ¥ 1,843

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  • 対象商品: Notes from Underground

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商品の説明

内容説明

This title comes from the award-winning translators of "Crime and Punishment", Richard Pevear and Larissa Volokhonsky. The apology and confession of a minor mid-19th-century Russian official, "Notes from Underground" is a half-desperate, half-mocking political critique and a powerful, at times absurdly comical, account of man's breakaway from society and descent 'underground'.

Book Description

This Norton Critical Edition contains Michael Katz's new translation of the 1863 novel, introduced and annotated specifically for English-speaking readers. Backgrounds and Sources, also freshly translated by the editor, includes excerpts from Dostoevsky's letters and notebooks and from "Winter Notes on Summer Impressions," as well as a substantial extract from N. G. Chernyshevsky's novel What Is to Be Done?, the utilitarianism of which Dostoevsky replies to in Notes from Underground. Since its publication, Notes from Underground has been emulated and parodied. By assembling varied responses to the text, Michael Katz links this seminal novel to the Underground-man-inspired works of Mikhail Saltykov-Shchendrin, Woody Allen, Robert Walser, Ralph Ellison, and John Lennon and Paul McCartney. A broad selection of criticism includes the work of both Russian and western critics from the nineteenth and twentieth centuries-from Nikolai Mikhailovsky and Lev Shestov to Ralph E. Matlaw and Joseph Frank. A Chronology of Dostoevsky's life and career is included, as are a List of Principle Translations and a Selected Bibliography.

No other series of classic texts equals the caliber of the Norton Critical Editions. Each volume combines the most authoritative text available with the comprehenive pedagogical apparatus necessary to appreciate the work fully. Careful editing, first-rate translation, and thorough explanatory annotations allow each text to meet the highest literary standards while remaining accessible to students. Each edition is printed on acid-free paper and every text in the series remains in print. Norton Critical Editions are the choice for excellence in scholarship for students at more than 2,000 universities worldwide.
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255 人中、235人の方が、「このレビューが参考になった」と投票しています。
More with the Mad Genius......... 2001/8/14
By Suzanne E. Anderson - (Amazon.com)
形式:ペーパーバック
Quick read? I finished Crime and Punishment and thought I'd zip through Notes like a snack before going on to the Brothers Karamozov, afterall, it's barely over 100 pages. Quick read? Think again.

Imagine being locked in a very small room with a verbose, insane, brilliant, jaded, before-his-times, clerk-come-philosopher....with a wicked sense of humor, and a toothache that's lasted a month. Pleasant company....are you searching for the door yet?

For the first hour, he's going to rant about his philosophy of revenge, the pointlessness of his life, his superiority, his failure, oh yeah, and his tooth. FOr the second half of the book, he's going to tell you a tale, with the title "Apropos of the Wet Snow". Because of course, there's wet snow outside on the ground.

I will leave you with this encouragement. If you can get through this book, you will appreciate Doestoevsky more, understand Crime and Punishment better, and probably enjoy a good laugh more than once.

Notes from the Underground is not light reading, but it is well worth the effort. And the translation by Pevear, including the translators notes at the back, is excellent.

110 人中、102人の方が、「このレビューが参考になった」と投票しています。
Deep analysis of the human condition 2001/4/27
By Bryan A. Pfleeger - (Amazon.com)
形式:ペーパーバック
Notes From The Underground is Dostoevsky's grand look at the human condition from the perspective of a man living on the fringes of society. The short novel provides the key to much of the author's later and more fleshed out novels.

Presented in two parts the novel tells the story of the unnamed Undergound Man who is forced into a life of inaction by the reason driven society that he finds himself in.

Part I of the novel is a long monologue to an invisible audience which explains how the Underground Man came into existence. It is a masterpiece of Existentialist fiction and has been the cornerstone for many later writers including Freud and Camus. The ideas expressed in this part of the novel deal with the character's interactions with himself. This is also the mother of all anti-hero literature. Through the Underground Man's speech we identify him as an over sensitive man of great intellegence. We begin to identify with the character and understand him. While this part of the novel is idea laden it presents one of the great characters of modern fiction.

Part II of the novel is much more accessible to today's reader. This part of the novel deals with the Underground Man's interactions with the society around him. It is in this section that we see that he incapable of reacting in a normal way with the persons that he comes into contact with. He is not the rational man of Part I but a person driven to inaction by his own personal circumstances. He is spiteful, mean spirited and incapable of giving or receiving love to or from others.

On the whole this is a very important piece of world literature which deserves a very careful reading. The novel reads like an onion with each new chapter giving us deeper and deeper insight into the character. The modern reader may well grow tired of the writing style of the novel but if one has patience and reads carefully he will be rewarded.

103 人中、90人の方が、「このレビューが参考になった」と投票しています。
A Slime of His Time 2003/6/19
By Robert S. Newman - (Amazon.com)
形式:ペーパーバック
The first words of this deeply disturbing, but powerful, novel are "I am a sick man....I am a spiteful man." and these may refer equally to the main character and to the author. Dostoevsky has written an amazing portrait of a loner, whose introverted, sick thoughts spill out on the pages in demented brilliance. The novel is a product of European cynicism, nihilism, and inertia, all of which reached a certain height in the paralyzed upper circles of 19th century Russia. Nobody could write such a book without some personal acquaintance with the mean moods of this anti-hero. The main character, who does nothing except hide from the world, is a total misfit, a loser in life at home, at work, and in love---a jerk, a dweeb, a dork, a geek in modern American parlance---yet through Dostoyevsky's clear prose, we see into his wounded soul. "Actually, I hold no brief for suffering, nor am I arguing for well-being." he writes, "I argue for...my own whim and the assurance of my right to it, if need be." He is apart from society, recognizes no social obligation. He argues that suffering is still better than mere consciousness, because it sharpens the awareness of your being, therefore suffering is in man's interest Someone who can argue that is not going to write an average novel. This is in fact not an average novel at all, but a book concerned with the play of ideas, ideas that flash around like comets and meteorites inside Dostoevsky's head. It can no more escape Dostoevsky's brain than a Woody Allen movie can escape Woody Allen.

The plot line of NOTES FROM UNDERGROUND is extremely slim. It concerns an underground man, a man like a rat or a bug, who lives outside, or more likely, underneath the world's gaze. It is a lonely, tortured life lived inside a single skull with almost no contacts with the rest of the world except for a vicious servant. The "action" of the book comes only when the protagonist worms his way into a dinner with former schoolmates. They don't want him, he despises all of them. So, as you can imagine, a good time is had by all. The underground man winds up in a brothel with an innocent, hapless prostitute named Liza. He wishes for some relationship, he immediately abhors the very thought of contact with another person. The result is worse than you can predict, though I will say that it involves "the beneficial nature of insults and hatred".

In the tradition of novels of introspective self-hatred, Dostoevsky's has to be one of the first. I wondered as I read how much Kafka owed him, for after all, the hero here is a cockroach too, only remaining in human form. I realized how much Dostoevsky had influenced the Japanese writers of the 20th century---Tanizaki, Mishima, Soseki, Kawabata, and others. The pages are brilliant, but full of vile stupidity, useless, arid intellectualism, hatred of one's best and love of one's worst qualities, withdrawal from life, and self-loathing. A less American novel would be hard to imagine. But, some of these characteristics are found in almost everyone at some point in their life, unpleasant as that realization may be. I have to give NOTES FROM UNDERGROUND five stars, though I can't say I enjoyed it. It is simply one of the most impressive novels ever written.


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