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Noise: The Political Economy of Music (Theory and History of Literature) (英語) ペーパーバック – 1985/6


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商品の説明

内容紹介

Noise is a model of cultural historiography. . . . In its general theoretical argument on the relations of culture to economy, but also in its specialized concentration, Noise has much that is of importance to critical theory today. SubStance For Attali, music is not simply a reflection of culture, but a harbinger of change, an anticipatory abstraction of the shape of things to come. The book s title refers specifically to the reception of musics that sonically rival normative social orders. Noise is Attali s metaphor for a broad, historical vanguardism, for the radical soundscapes of the western continuum that express structurally the course of social development. EthnomusicologyJacques Attali is the author of numerous books, including Millennium: Winners and Losers in the Coming World Order and Labyrinth in Culture and Society."

著者について

Jacques Attali

Brian Massumi is Professor in the Department of Communication Sciences at the University of Montreal. He is the author of "Parables for the Virtual: Movement, Affect, Sensation" and "A User's Guide to Capitalism and Schizophrenia: Deviations from Deleuze and Guattari "(MIT Press).

Susan McClary is Professor of Musicology at the University of California, Los Angeles, and author of "Feminine Endings: Music, Gender, and Sexuality" (1991) and "Georges Bizet: Carmen" (1992).

Fredric Jameson is Distinguished Professor of Comparative Literature at Duke University. The author of numerous books, he has over the last three decades developed a richly nuanced vision of Western culture's relation to political economy. He was a recipient of the 2008 Holberg International Memorial Prize. He is the author of many books, including Postmodernism, Or, The Cultural Logic of Late Capitalism, The Cultural Turn, A Singular Modernity, The Modernist Papers, Archaeologies of the Future, Brecht and Method, Ideologies of Theory, Valences of the Dialectic, The Hegel Variations and Representing Capital.


登録情報

  • ペーパーバック: 196ページ
  • 出版社: Univ of Minnesota Pr (1985/06)
  • 言語: 英語
  • ISBN-10: 0816612870
  • ISBN-13: 978-0816612871
  • 発売日: 1985/06
  • 商品パッケージの寸法: 15.2 x 1.5 x 22.9 cm
  • おすすめ度: この商品の最初のレビューを書き込んでください。
  • Amazon 売れ筋ランキング: 洋書 - 135,328位 (洋書の売れ筋ランキングを見る)
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Amazon.com: 5つ星のうち HASH(0x9091e330) 11 件のカスタマーレビュー
58 人中、52人の方が、「このレビューが参考になった」と投票しています。
5つ星のうち HASH(0x902af570) Music as commidity and predictor of social change. 1997/6/16
投稿者 カスタマー - (Amazon.com)
形式: ペーパーバック
This is an essential work for anyone interested in the sociology of music. The author follows 2 significant threads of thought in this work; the commidification of music, and music as indicator (predictor) of social change. Using sophisiticated but well written theories and examples Attali demonstrates how music acts as
the subconsciousness of society, validating and testing new social and political realities.

Among the powerful analogies he draws is that of how modern people stockpile musical recordings, in some instances more than can possibly ever listen too, much in the same way nations stockpile weapons. In describing the
evolution of the orchestra he compares the conductor to the king conducting his flanks
of violins and horns with the same dictorial
presence of command as one would dispatch foot
soldiers and calvaries.

Attali clearly has a passion for music drawing
examples from Bach to improvisational jazz. In the end this is an optimistic book, illuminating indications of both social and musical evolution
during the 20th century.

D.L. Jonsson <Reviewer>
64 人中、55人の方が、「このレビューが参考になった」と投票しています。
5つ星のうち HASH(0x8fed699c) Not Literary {wind} 2000/11/23
投稿者 Joseph L. Keohane - (Amazon.com)
形式: ペーパーバック
Sometimes lazy people like to use phrases like "literary{wind} " to justify their inability to understand difficult topics, or to cover for their own, lacking, vocabularies. The foregoing review did just that. The fact is, sometimes precise thought demands precise language.
Anyway, this book provides valuable insight into the relationship of fringe art/music, and the future of society. Attali postulates that society is founded upon the idea that bad noise must be subverted. Therefore, all forces effecting social change, at some time, have been subverted. Given time though, they find their way into society by way of, here, music, and begin to cause change.
This is a very interesting and well conceived book. A great read for philosophy student and musician alike. It puts a new spin on the effect of music on culture, and the reciprocal relationship between art and society. Good stuff.
In closing, and in response to the previous reviewer, "college isn't taken as seriously as it once was" simply because the hallowed halls are clogged with students who readily dismiss works of sound thought because they don't like having to look up words or work for their own enlightenment.ENDs
15 人中、12人の方が、「このレビューが参考になった」と投票しています。
5つ星のうち HASH(0x8fec0570) Such a wonderful book, I read it twice. 2005/12/11
投稿者 Adie - (Amazon.com)
形式: ペーパーバック
A musicology professor of mine recommended I use this book in a presentation I gave on aesthetics. I compared Attali's approach to that of Benjamin and Adorno and found myself highlighting and smiling and nodding. I found this book to be so brilliant and hopeful (where Adorno was so pessimistic) that I used it again in a presentation for another graduate musicology seminar.

If you don't like to read books that use complex sentences and multi-syllabic words, you should not be in higher education in the first place. Attali makes arguments that may seem outlandish, but with more thought and consideration, prove to be intelligent, fresh, and seemingly common sense.
6 人中、5人の方が、「このレビューが参考になった」と投票しています。
5つ星のうち HASH(0x902b6dec) A stimulating read 2009/8/9
投稿者 banananino - (Amazon.com)
形式: ペーパーバック
I agree with the difficulty in the read, but I will blame it on a poor translation than Attali's writing prowess (not that I have compared with the French version). The ideas in the book are not very complex, so they do not necessarily require such awkward phrasing.

It is too bad, because there is a lot of value in this text, but its language is holding it back from reaching a wider audience, which is sort of ironic since Attali urges renewed study and composition of music by non-specialists. Many advanced topics (which this text does not really contain) can be explained to almost anyone if they truly understand a topic. If a new edition is printed, please revise the translation!!
13 人中、10人の方が、「このレビューが参考になった」と投票しています。
5つ星のうち HASH(0x90073c54) A must read.. 2000/12/22
投稿者 カスタマー - (Amazon.com)
形式: ペーパーバック
... because it is so outrageous to be brilliantly thought provoking. Sometimes I think he is out to lunch and I am not confident that he understands everything he wrote. (or maybe the translation is not right.) Still, the mythology he presents is detailed and well developed and whether you agree with it or not, is fascinating.
There is a lot of coverage of European classical music in terms of "Who is paying whom" as well as the current recording industry. He also gets some things wrong, such as his coverage of Free Jazz (Carly Bley is black?), to which he nevertheless is sympathetic towards.
Therefore, I don't know how much you can trust his conclusions, but at the same time it gets the reader's mind to consider all sorts of new facets, and that is why this book is great.
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