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Cackle, cackle Mother Goose,
Have you any feathers loose?
Truly have I, pretty fellow,
Half enough to fill a pillow.
Here are quills, take one or two
And down to make a bed for you.
For over three centuries, Mother Goose has delighted children with nonsense rhymes, cautionary tales, and singsong verses. With the many renderings of Mother Goose that have appeared over the years, it's hard to imagine a strikingly original version. Yet with
Mother Goose Remembers, Clare Beaton strides into entirely new territory. Selecting many of her own childhood favorites, Beaton illustrates them with her hand-sewn designs, using antique fabrics, felt, beads, braids, lace, buttons, and bric-a-brac. The result is a truly charming treasury of poignantly old-fashioned portrayals of "The Queen of Hearts," "To Market, to Market," "Polly Put the Kettle On," "Little Jack Horner," and heaps more. The downy illustrations seem to leap out at the reader, who will want to touch the paper just to be sure it's not actually made of fabric and gewgaws. The title of each rhyme is sewn onto the soft-colored background in big, loose stitches, evoking bygone days when a child's education included embroidery and recitations. Onto each scene floats a single stitched feather for young readers to discover, providing a fun challenge as they "fill" a goose-down pillow for bedtime. (Ages 3 to 7)
--Emilie Coulter
--This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
Beaton (One Moose, Twenty Mice) stitches and appliqu's her way through 46 nursery rhymes, including a few less familiar treasures most notably, "There Was an Old Woman Up in a Basket," about a senior citizen who goes to great heights to sweep cobwebs from the moon. She exquisitely and inventively crafts each picture from felt, antique fabrics and bric-a-brac. In "I Had a Little Nut Tree," for example, the tree is made from eyelet fabric and dotted with tiny wooden beads. Beaton's work evokes the cozy domesticity and unhurried days of a bygone era, and many adults may find it refreshing to find a Mother Goose untainted by zingy modern ironies. But unlike How Big Is a Pig (reviewed below), the sewn illustrations don't quite transcend their inherently decorative quality. Beaton seldom plays with perspective, perhaps because the design necessitates that she devote space within each illustration to incorporate longer texts. While ambitious, this compendium unfortunately fails to find new visual energy in these old chestnuts. All ages. (Aug.)
Copyright 2000 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.