Modern Armenian Drama: An Anthology [ハードカバー]

Available in English for the first time, Modern Armenian Drama presents seven classic works from the Armenian stage. Spanning over a century (1871--1992), the plays explore such diverse themes science and religion, socioeconomic injustice, women's emancipation, and political reform through the medium of all the major European dramatic genres. Nishan Parlakian and S. Peter Cowe provide a comprehensive introduction to the history of Armenian drama, giving a valuable overview of its importance and development in Armenia, as well as a brief biography for each playwright. A preface to each play helps in placing the work within the context of historical and cultural issues of the time. Like the plays of Ibsen and O'Neill, the plays presented in this anthology are considered modern classics. They have an enduring quality and appeal to audiences who see them today. The editors have collected translations of the best examples of Armenian theater from its renaissance in the mid-nineteenth century to the present.

Available in English for the first time, Modern Armenian Drama presents seven classic works from the Armenian stage. Spanning over a century (18711992), the plays explore such diverse themes science and religion, socioeconomic injustice, women's emancipation, and political reform through the medium of all the major European dramatic genres. Highlighting Armenia's most esteemed playwrights, this anthology includes the following plays:  Pepo (1871) by Gabriel Sundukian  Honorable Beggars (1880) by Hagop Baronian  For the Sake of Honor (1904) by Aleksandr Shirvanzade  Ancient Gods (1908) by Lewon Shant  Nazar the Brave (1923) by Derenik Demirchyan  Unfinished Monologue (1981) by Perch Zeytuntsyan  Madmen of the World, Unite! (1992) by Anahit Aghasaryan Nishan Parlakian and S. Peter Cowe provide a comprehensive introduction to the history of Armenian drama, giving a valuable overview of its importance and development in Armenia, as well as a brief biography for each playwright. A preface to each play helps in placing the work within the context of historical and cultural issues of the time.

Nishan Parlakian is Professor Emeritus of Drama at John Jay College, City University of New York. He is a playwright, translator, and director who has directed plays in Armenian and in English. He has written extensively on Armenian theater, and is president of the Pirandello Society of America. S. Peter Cowe is Narekatsi Professor of Armenian Language and Culture at UCLA. He has written, edited, and translated many books on Armenian history and culture.