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内容説明
Offering meticulous descriptions of the body's anatomical features, Lanteri an intimate friend of Rodin covers modelling from casts and live models; measurements; frameworks; scale of proportions; composition in both relief and in the round; drapery; adding inscriptions; and much more. 107 full-page photographic plates. 27 other photographs. 175 drawings and diagrams.
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カスタマーレビュー
Amazon.com で最も参考になったカスタマーレビュー (beta)
Amazon.com:
20件のカスタマーレビュー
95 人中、94人の方が、｢このレビューが参考になった｣と投票しています。
Indispensable reference for the aspiring sculptor
1999/12/1
形式:ペーパーバック
This seminal work on figure sculpting has been a standard reference for both students and teachers of fine sculpture for almost two generations. Lanteri goes beyond typical systematic instruction for recreating anatomical form and demistifies techniques for infusing one's work with the humanity that will elevate it to the level of true sculpture. It is a text that is worth reading from cover to cover as it essentially encompasses a four year course in fine sculpture. It is also valuable as a reference for materials, anatomy and basic technique.
66 人中、65人の方が、｢このレビューが参考になった｣と投票しています。
The sculptor's best guide
1998/5/28
形式:ペーパーバック
After several years of sculpting I discovered Lanteri's book. What a revelation. I recently took a workshop with an acclaimed sculptor who also produced his copy of the book and recommended it as a "must read" for aspiring sculptors. Rodin referred to him as his "dear master". What higher recommendation is there?
42 人中、40人の方が、｢このレビューが参考になった｣と投票しています。
Good instruction for representational sculptors
1998/9/11
形式:ペーパーバック
This book was recommended to me by two different sculptor instructors. I found it very clear with many illustrations as it discussed both the technical and aesthetic considerations of creating good sculpture. I thought the chapter on the construction and aesthetics of drapery was especially valuable, applicable to drawing as well as sculpture, and worth the price of the book. Lanteri also shares a few thoughts about teaching art.
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