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曲目リスト
| 1. Mass in E flat major: Kyrie |
| 2. Mass in E flat major: Gloria: Gloria in exclesis Deo |
| 3. Mass in E flat major: Gloria: Gratias agimus tibi |
| 4. Mass in E flat major: Gloria: Quoniam tu solas Sanctus |
| 5. Mass in E flat major: Credo: Credo in unum Deum |
| 6. Mass in E flat major: Credo: Et incarnatus est |
| 7. Mass in E flat major: Credo: Et resurrexit |
| 8. Mass in E flat major: Sanctus |
| 9. Mass in E flat major: Benedictus |
| 10. Mass in E flat major: Agnus Dei |
| 11. Mass in C major: Kyrie |
| 12. Mass in C major: Gloria: Gloria in exclesis Deo |
| 13. Mass in C major: Gloria: Gratias agimus tibi |
| 14. Mass in C major: Gloria: Quoniam tu solas Sanctus |
| 15. Mass in C major: Credo: credo in unum Deum |
| 16. Mass in C major: Credo: Et incarnatus est |
| 17. Mass in C major: Credo: Et resurrexit |
| 18. Mass in C major: Sanctus |
| 19. Mass in C major: Benedictus |
| 20. Mass in C major: Agnus Dei |
商品の説明
Amazonレビュー
Throughout his remarkable survey of Haydn's Masses, Richard Hickox has never been afraid to wear his heart on his sleeve, and nowhere more delightfully so than in this coupling of the Grosse Orgelmesse ("Great Organ Mass") and the Missa Cellensis. Combining the best of period-instrument practices with an unashamed romanticism, Hickox and his experienced team elicit all the meditative warmth from the Organ Mass, one of the more introspective of Haydn's settings in the unusual key of E flat. Shorn of celebratory fanfares, it is the interplay of chorus, cor anglais (substituting for oboes), and organ in the Gratias, Sanctus, and Agnus Dei that define the work's meditative nature. When the organ breaks free of its continuo role in the Benedictus, its plangent timbre is both surprising and moving.
A more traditional Mass is Haydn's second setting of the Missa Cellensis (1782), with its grounding in the bright tonality of C major and its glorifying trumpets and timpani. Yet this sophisticated and highly polished composition is a work of shifting moods, too, with Mozartean chromaticisms in the Et incarnatus and an operatic Benedictus (as the booklet notes, the music here is adapted from Il mondo della luna). Throughout both works, Hickox's warmhearted readings are matched by ever-sympathetic Chandos recording. Taken as a whole, this revelatory series firmly establishes Haydn's Masses as one of the greatest glories of the Classical repertoire. --Mark Walker
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