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曲目リスト
| ディスク：1 | |||
|---|---|---|---|
| 1. No. 1 Sinfonia (Overture) | |||
| 2. No. 2 Recitative (Tenor): Comfort Ye My People | |||
| 3. No. 3 Air (Tenor): Every Valley Shall Be Exhalted | |||
| 4. No. 4 Chorus: And The Glory Of The Lord | |||
| 5. No. 5 Recitative (Bass): Thus Saith The Lord | |||
| 6. No. 6 Air (Alto): But Who May Abide The Day Of His Coming? | |||
| 7. No. 7 Chorus: And He Shall Purify | |||
| 8. No. 8 Recitative (Alto): Behold, A Virgin Shall Conceive | |||
| 9. No. 9 Air (Alto) And Chorus: O Thou That Tellest GoodTidings To Zion | |||
| 10. No. 10 Recitative (Bass): For Behold, Darkness Shall Cover The Earth | |||
全23曲を見る
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| ディスク：2 | |||
| 1. No. 24 Chorus: Surely He Hath Borne Our Griefs | |||
| 2. No. 25 Chorus: And With His Stripes We Are Healed | |||
| 3. No. 26 Chorus: All We Like Sheep Have Gone Astray | |||
| 4. No. 27 Recitative (Tenor): All They That See Him Laugh Him To Scorn | |||
| 5. No. 28 Chorus: He Trusted In God | |||
| 6. No. 29 Recitative (Tenor): Thy Rebuke Hath Broken His Heart | |||
| 7. No. 30 Air (Tenor): Behold, And See If There Be Any Sorrow | |||
| 8. No. 31 Recitative (Soprano): He Was Cut Off Out Of The Land Of The Living | |||
| 9. No. 32 Air (Soprano): But Thou Didst Not Leave His Soul In Hell | |||
| 10. No. 33 Chorus: Lift Up Your Heads, O Ye Gates | |||
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全30曲を見る
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商品の説明
Amazonレビュー
Every year brings a slew of new and reissued versions of this most beloved of Handel's works. This one first saw daylight in 1966, but lest you think it's outdated, this refurbished classic remains a source of listening pleasure. Obviously, it cannot reflect the historically informed performance practices of today. But it is one of the pioneering precursors of contemporary style, with sustained forward momentum, dancing rhythms, and an orchestra slimmed down from the prevailing norms of the 1960s. The singing is fine, with special kudos to the high-flying soprano, Judith Raskin, along with Florence Kopleff, a true alto, and Richard Lewis, a premier Handelian of the period. It also has what all Robert Shaw choral recordings have: first-rate choral singing and an emotional immediacy that goes to the heart of the music's message. I had to tilt the balance control to the left to bring the stage picture into focus, but once that was done, pure bliss followed. --Dan Davis
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