Would you like to see this page in English? Click here.

この商品をお持ちですか? マーケットプレイスに出品する
Maurice Ravel: A Life
 
イメージを拡大
 
Kindle化リクエスト
このタイトルのKindle化をご希望の場合、こちらをクリックしてください。

Kindle をお持ちでない場合、こちらから購入いただけます。 Kindle 無料アプリのダウンロードはこちら

Maurice Ravel: A Life [Illustrated] [ハードカバー]

Benjamin Ivry


出品者からお求めいただけます。



商品の説明

内容紹介

Maurice Ravel: A Life is the first convincing attempt to paint a portrait of the life and work of the hitherto enigmatic composer of Bolero, Piano Concerto for the Left Hand, and L'enfant Et Les Sortileges. Ivry offers here a convincing solution to the much-discussed "mystery" of Ravel's sexuality. More than simply "outing" Ravel as a gay man for the first time among numerous writers on this composer, this book discusses how his secretive sexuality impacted his work. Using unpublished documents, letters, articles and memoirs, many of which were previously unknown even to Arbie Orenstein, universally considered the world's leading scholar of Ravel studies, Ivry presents a more rounded view of Ravel, man and musician. Descriptions of musical works are in non-technical language, friendly to the reader with no specialized knowledge of classical music. Like Ivry's widely acclaimed biography of Poulenc, universally seen as the standard life of this composer in any language, his new Ravel is likely to become a classic of contemporary musical biography.

登録情報


カスタマーレビュー

Amazon.co.jp にはまだカスタマーレビューはありません
星5つ
星4つ
星3つ
星2つ
星1つ
Amazon.com で最も参考になったカスタマーレビュー (beta)
Amazon.com: 5つ星のうち 3.7  3 件のカスタマーレビュー
16 人中、13人の方が、「このレビューが参考になった」と投票しています。
5つ星のうち 3.0 good book, faulty premise 2001/1/26
By Mary Philipsek - (Amazon.com)
形式:ハードカバー
This book seems well researched and offers some new insight into the life of Maurice Ravel. However, the main premise of this book is the assertion that Ravel was homosexual. It is true that little is known about Ravel's personal life and it is also true that many fine biographies have been written about Ravel without delving into this subject. The problem is that Mr. Ivry offers little, in my opinion, to substantiate the claim. Still, this book offers much to Ravel fans. Besides, it really doesn't matter what Ravel's sexual preferance was. Mr. Ivry presents some interesting angles on Ravel's creative output. Though I have read at least 7 or 8 Ravel biographies prior to this one I still learned a few new things and for this I am grateful.
2 人中、2人の方が、「このレビューが参考になった」と投票しています。
5つ星のうち 3.0 An interesting read - probably best as an introduction for people unfamiliar with Ravel's music 2013/2/20
By Matthew Davidson - (Amazon.com)
形式:ハードカバー|Amazonで購入
No other composer of Ravel's stature has been so badly done-by as far as biographies are concerned. His music is not taken seriously in the academy, probably because of its "accessibility" (let's face it, it's not as fun to analyse as Berg's or Webern's permutations of various tone rows they have used). There is also probably always going to be a great deal concerning Ravel about which we will simply never know. However, most books on him are usually either boring or badly written. Orenstein has a good rep, but in my opinion, the best is by Nicols (in the "Master Musicians" series) even though he was not a Ravel specialist.

Ivry's book is neither boring nor badly written. Nonetheless, the first and most striking faux pas that one notices upon opening it, is the complete absence or omission of end notes or foot notes. While some people may feel that this is a small point, I believe it is absolutely essential for anyone who wants to make a serious contribution to the documented history of anything. My favourite biographer, Claire Tomalin, frequently emulates fictional literature in her approach. The openings of her books on Samuel Pepys and Thomas Hardy paint very dramatic scenes from an important or poignant part of their lives. Nonetheless, she fills her books with references and citations so as to let us know that if we were to do the same research we would most likely come to the same conclusions. This is not only a more humble approach, but also less secretive and lets us know that we can trust her. If some author says to me that I should just simply trust him or her based on their status as a published author, then I am inclined not to trust them at all, or at least be mightily suspicious that they are hiding something. If you're so confident that what you say is as objective and as factual as possible, then prove it to me that you are offering your information in good faith.

Now, I am not saying that Ivry is lying or making it all up. And certainly, taking the approach that Ravel was a gay man and that this had great import to his life and work is certainly worth investigating and the author makes a good case. But I'm sorry, I am not just going to "take his word for it" because he is a published author. For me, this makes the difference between "Maurice Ravel: A Life" being a three star and a five star book. If this book is published again, it would increase its credibility to give some citations and make me want to believe the author some more.

There are other problems with his research. He does not make it abundantly clear that it is more likely than not that Ravel NEVER conducted anything in a recording studio. My source for this is an article from THE ECONOMIST (p. 76, 1993-08-07) in which The Economist actually cites a source which Ivry talks about in passing as well, namely, Arbie Orenstein. In addition, I personally interviewed L. Douglas Henderson (in THE MISSISSIPPI RAG, p. 14, October 1997, "Debunking Piano Roll Mythology") in which Mr. Henderson (who has been active in the field of player piano roll production for decades) states that it is most likely that almost nobody ever recorded player piano rolls - the piano roll companies would use the names of famous performers or composers to help sell the piano rolls. But these issues are not dealt with satisfactorily or at all in Ivry's book.

But it certainly is a "fun read" despite its, at times, "gossipy" tone. A great deal of the time I found it very enjoyable to read, in spite of its shortcomings. However, I would recommend this book to people who are just learning about Ravel's music, as an introduction. I cannot recommend it to anyone who has a serious interest in either the composer or of re-investigating history. Once citations and other issues are dealt with accordingly, I could then recommend this book whole-heartedly.
4 人中、3人の方が、「このレビューが参考になった」と投票しています。
5つ星のうち 5.0 lots of new information about Ravel 2008/2/21
By guilhermo - (Amazon.com)
形式:ハードカバー
As the dean of Ravel studies, Professor Arbie Orenstein, states on the book cover, this book offers lots of new research and insights into the very famous composer of "Bolero" and other works. This volume is an essential companion to Prof. Orenstein's own works. It offers lots of previous unpublished items and facts about Ravel's creative milieu, in addition to the most plausible explanation of the relation between Ravel's life and music.
これらのレビューは参考になりましたか?   ご意見はクチコミでお聞かせください。

クチコミ

クチコミは、商品やカテゴリー、トピックについて他のお客様と語り合う場です。お買いものに役立つ情報交換ができます。
この商品のクチコミ一覧
内容・タイトル 返答 最新の投稿
まだクチコミはありません

複数のお客様との意見交換を通じて、お買い物にお役立てください。
新しいクチコミを作成する
タイトル:
最初の投稿:
サインインが必要です
 

クチコミを検索
すべてのクチコミを検索
   


関連商品を探す


フィードバック