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Dos Passsos's book is like a running paragraph that only briefly stops to take us from one sub-scape to another - his voyeuristic way of relating the social current of WWI and 1920's New York to the everyday lives of people, many of whom are caught up in that current. Dos Passos does not quite uncover any new ground or dig deep into any one point - he covers a lot of ground - there is a sense of equilibrium one gets from reading his prose. Just a few just-below the surface issues he tackles are the budding concerns of untested feminism, the moral puritanism of the Prohibition; less oblique are the issues of unfettered capitalism.
Indisputably, Dos Passos's ability to weave in and out of lives while weaving the tapestry of an exciting period in NY and America is admirable. Still, there is an aloofness in a book whose characters are less important to the story than the social forces that encompass them. With no one to anchor the story (despite some possible tenable arguments for the recurring characters), the story just keeps floating along. It doesn't have to end after 400 pages, it can run on ad infinitum.
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