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よく一緒に購入されている商品
商品の説明
内容説明
From the creator of RANMA 1/2 and INUYASHA comes one of Rumiko Takahashi's most beloved series, the romantic (sort of) comedy MAISON IKKOKU, re-presented in a second edition in its original episodic order, with a "missing" episode! Take a trip down memory lane back into Japan's nuttiest apartment house and meet its volatile inhabitants: Kyoko, the beautiful and mysterious new apartment manager; Yusaku, the exam-addled college student; Mrs. Ichinose, the drunken gossip; Kentaro, her bratty son; Akemi, the boozy bar hostess who runs around the house in flimsy lingerie; and the mooching and peeping Mr. Yotsuya.
著者について
Author and artist Rumiko Takahashi, the world's most popular and prolific female manga creator, has a large, devoted international fan base. Over 100 million copies of her work, such as URUSEI YATSURA, MAISON IKKOKU, RANMA 1/2 and MERMAID SCAR, have been sold worldwide. Takahashi's works have been the basis for four long-running animated series and over eight animated movies.
Other Rumiko Takahashi series available from VIZ
Inuyasha - anime, manga and ani-manga
Maison Ikkoku - anime and manga
Mermaid Scar - manga
Ranma 1/2 - anime and manga
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カスタマーレビュー
最も参考になったカスタマーレビュー
2 人中、2人の方が、｢このレビューが参考になった｣と投票しています。
形式:ペーパーバック
この作品は、小学館が発行している『ビッ
グコミックスピリッツ』で連載された伝説の
ラブコメディーを英訳された作品です。
一刻館というアパートを舞台に繰り広げら
れるドラマは、読者に感動と笑いを与えてく
れます。
この第１０巻では、三鷹の見合い相手の九
条明日菜が初登場する話やこずえちゃんと八
神が鉢合わせして火花を散らす話など盛り沢
山な内容になっています。
この作品と原作を読み比べて、どの様な表
現がされているのかを調べてみると、英語の
勉強にもなるし、結構面白いと思います。
グコミックスピリッツ』で連載された伝説の
ラブコメディーを英訳された作品です。
一刻館というアパートを舞台に繰り広げら
れるドラマは、読者に感動と笑いを与えてく
れます。
この第１０巻では、三鷹の見合い相手の九
条明日菜が初登場する話やこずえちゃんと八
神が鉢合わせして火花を散らす話など盛り沢
山な内容になっています。
この作品と原作を読み比べて、どの様な表
現がされているのかを調べてみると、英語の
勉強にもなるし、結構面白いと思います。
Amazon.com で最も参考になったカスタマーレビュー (beta)
Amazon.com:
2件のカスタマーレビュー
2 人中、2人の方が、｢このレビューが参考になった｣と投票しています。
Finally, something to goad these lovebirds into action...
2005/4/13
形式:ペーパーバック
Maison Ikkoku is a long, sometimes cheesy, yet very often endearing, romantic comedy from one of Japan's most popular authors/artists, Rumiko Takahashi.
Over the years (volumes) of story, we've seen the two main protagonists, Yusaku and Kyoko, fall into the same cycles of 'almost-but-not-quite-there' romance. With volume 10, things take a change in a fairly large way.
For one thing, Yusaku's graduating college and entering professinal life. That may not seem to have much to do with love, but from the standpoint of Yusaku and everyone involved, it is a big turning point. His rival for Kyoko's affections realizes this and sets up his own ultimatum. Unfortunately for Shun (the rival), he has his own marital issues to work out.
All of this builds and builds over the chapters to the final few panels in the book where... well, I'd better not spoil it for you.
To sum things up, volume ten is a wonderful book of building suspence (the happy kind) with a wonderful climax that left me salivating for volume eleven to be (re)release(d) immediately.
Over the years (volumes) of story, we've seen the two main protagonists, Yusaku and Kyoko, fall into the same cycles of 'almost-but-not-quite-there' romance. With volume 10, things take a change in a fairly large way.
For one thing, Yusaku's graduating college and entering professinal life. That may not seem to have much to do with love, but from the standpoint of Yusaku and everyone involved, it is a big turning point. His rival for Kyoko's affections realizes this and sets up his own ultimatum. Unfortunately for Shun (the rival), he has his own marital issues to work out.
All of this builds and builds over the chapters to the final few panels in the book where... well, I'd better not spoil it for you.
To sum things up, volume ten is a wonderful book of building suspence (the happy kind) with a wonderful climax that left me salivating for volume eleven to be (re)release(d) immediately.
1 人中、1人の方が、｢このレビューが参考になった｣と投票しています。
BLACKMAILING YOUR DAD
2007/3/17
形式:ペーパーバック
Godai just can't get a break. On the way to his interview with Mitsutomo Enterprises, one of the biggest and most prestigious companies in Japan, he had to help out a woman who was going into labor. He misses the interview, which infuriates Mr. Yagami, the father of Ibuki, the girl who had a crush on Godai when he was student teaching. Yagami refuses to give Godai a second chance, so Ibuki pulls a crazy stunt. She moves into Maison Ikkoku, specifically Godai's room, and refuses to budge until her dad does something to help Godai. You know who all the other residents are so it doesn't take long for tongues to start wagging. And it doesn't really help Godai and Kyoko's relationship...or whatever it is. Having Ibuki living with him is sure to start a scandal, but if it can somehow help him get work, he'll finally be able to ask Kyoko to marry him! Coach Mitaka isn't laying down for all this either. He point-blank asks Kyoko to make a decision about a future with him, so he can move on one way or the other. He has his own arranged marriage to think about!
After ten volumes, it's very easy to love these characters, imperfections and all...because they're so human. I sometimes wish Godai or Kyoko would be more forceful about what they feel, or at least decide WHAT they feel for each other. But then they wouldn't be Godai or Kyoko if they did! Rumiko Takahashi does a good job of keeping your interest and creating great comic moments from what should be a boring topic: namely, real life. Even though this series is now around 20 years old, it doesn't age at all. The character designs and situations are timeless. This is one of the best manga ever made. We'll be all the poorer when Takahashi stops drawing and writing one of these days.
After ten volumes, it's very easy to love these characters, imperfections and all...because they're so human. I sometimes wish Godai or Kyoko would be more forceful about what they feel, or at least decide WHAT they feel for each other. But then they wouldn't be Godai or Kyoko if they did! Rumiko Takahashi does a good job of keeping your interest and creating great comic moments from what should be a boring topic: namely, real life. Even though this series is now around 20 years old, it doesn't age at all. The character designs and situations are timeless. This is one of the best manga ever made. We'll be all the poorer when Takahashi stops drawing and writing one of these days.
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