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カスタマーレビュー
Amazon.com で最も参考になったカスタマーレビュー (beta)
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4件のカスタマーレビュー
8 人中、7人の方が、｢このレビューが参考になった｣と投票しています。
good overview.+ pictures + weak essay
2006/1/10
形式:ハードカバー|Amazonが確認した購入
if you are not familiar with the contemporary chinese art scene for the last 20 years, this book gives you a good overview of the various chinese artists that have made a name. mr. sigg, who was a swiss ambassador in china and far east, have accumulated an impressive collection in the manner of saatchi. however, the point of view is always from a western persepctive of what is interesting in china, and additionally, the criticism/essays are weak. many of the pop, expressionistic, photo reality-illusion, baconesque, and conceptual artworks created by the majority of the chinese artists are nothing more than copies of western artists from the 1930's to current except that the image is chinese. just because, mao appears in coca cola sign or mao is painted like richter or bacon doesn't make many of the artworks into anything significant other than it is documenting the art situation. there are very few chinese artists (such as xu bing, cai quo qiang) that are really interesting in both ideas and conception, but there are many nice copies of western ideas. as usual, even though the chinese contemporary artworld is still a baby, it is already catagorized such as "myths and legends, contemporary life, city vs. countryside, and etc."
however, this is the current situation of the chinese art world, and for those who need to see who/what is popular amongst western/chinese collectors of chinese works, this is an informative book.
however, this is the current situation of the chinese art world, and for those who need to see who/what is popular amongst western/chinese collectors of chinese works, this is an informative book.
3 人中、3人の方が、｢このレビューが参考になった｣と投票しています。
overview of the diversity of styles and subjects of contemporary Chinese art
2006/3/8
形式:ハードカバー
The more than 200 items (out of a total of 1200) from the collection of Uli Sigg, Switzerland's former ambassador to China, make an eclectic selection which convincingly demonstrates that Chinese art is now truly modern and contemporary; although many international art buyers have been aware of this for some time. Chinese art is no longer statist or propagandistic; although remnants of this can occasionally be seen. But parodies and in a few instances criticisms of the old statist or propagandistic models can more often be seen. And Chinese art has clearly moved away from its foundation in the cult of Mao and subjects and themes determined by this. In the many works handsomely presented, one finds all of the mediums and techniques, many of the subjects (e. g., popular culture), and some of the stances and perspectives (e. g., irony, iconoclasm) of contemporary art. Although as one would expect given the long domination of Chinese Communism and the nation's ingrained Confucianism, the outer reaches--or depths--of the pornographic and seedy have not been reached. One notes too that although there is a free use of many different types of materials, neither industrialization nor environmentalism have been incorporated into Chinese art. Despite such absences, Chinese art is seen as mostly a genre of international art; so much so that one of the essays raises the question, "Chineseness--Is There Such a Thing?" An informative survey of the best of Chinese art in all forms over the recent decades.
Eye opener for Chinese Modern Arts
2006/8/7
形式:ハードカバー
I haven't seen such a incredibly complete book on Chinese Today's arts as this book. It covers basically all areas and good interviews and essays. Must say that after viewing the whole book, I found a few difference between so called chinese modern arts and western modern arts. "Globalisation effects!!"
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