If you've been finding haiku and tanka either stuffy, obscure, or dreary and are wondering why so many people seem to like it, this book will set the matter straight. Contained within its pages are dozens of truly excellent poems that engage the reader with surprising, eloquent, original, and evocative images and sensations. Covering far more than the usual range of expression, they touch on everything from being interrogation by the police to motherhood. Usually 'women's literature' tends to focus on the author's narrow view of what women 'ought' to be; this book presents a broad range of women experiencing all manner of things with all sorts of attitudes.
Unfortunately, the book shares one fault with many others of its kind: The notes are insufficient. Yes, each poem should and does stand on its own, but not all of them make them make it across the cultural divide as well as others. For example, Nakamura's 'land-locked bride / tempted offshore -- / the open sea' can be read as the straightforward longing of a woman for a broader horizon, but if the reader also knows that Japanese women often commit suicide by wading into the sea and drowning, then it acquires an intensity that lifts it from the realm of the good to the excellent.
The other thing that disappointed me is that the Japanese originals were not included in the book. For those of us that can read a little Japanese, being able to decipher even a few of the poems in their original form is a great gift. Even those who can't can still look at the shape of the poem on the page and note patterns of sound and syllable that helps to convey some idea of the original.
Nonetheless, the poetry works and works well. It is a breathtakingly beautiful work, and compares favorably to that hoary old classic, Ueda's Modern Japanese Tanka. If you're wanting to introduce somebody to modern Japanese poetry, I'd give them this book over Ueda's book any day - male readers included.