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"Simon Morrison has written a brilliant and riveting tale of love, intrigue, terror, and betrayal that forces us to confront the paradox of how great art can be made by unspeakably cruel and heartless individuals."
—Leon Botstein, music director and conductor, American Symphony Orchestra, and president of Bard College
"I knew my mother-in-law in the last fifteen years of her life and understood her as a person whose relationship with Prokofiev was the driving force of her life. She was someone who was unwilling to revisit the painful aspects of her past and yet longed for her story to be heard. This well-written and impeccably researched book is an authoritative and sensitive account of an extraordinary relationship."
"In the hagiographic hall of fame that is the Russian artist's wife — Sophia Tolstoy, Anna Dostoevsky, Nadezhda Mandelstam, all muses who stood watch while their men created things of genius, and then who jealously guarded the legacy — Lina Prokofiev is odd woman out. Her story almost cannot be believed, until Simon Morrison gained access to the documents (and the trust of the family) in order to tell it. Biography does not get more important than this."
—Caryl Emerson, author of Mikhail Bakhtin and The Life of Musorgsky
"An engrossing tale, beautifully told on the basis of new material that illuminates Prokofiev's life as well as Lina's. An attractive young cosmopolitan singer lands her man, the famous composer, and ends up with him in Moscow — and then alone in the gulag. Simon Morrison has given us her story, including the parts that were too painful for her to remember."
—Sheila Fitzpatrick, professor emerita of Soviet history, University of Chicago