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キャンペーンおよび追加情報
商品の説明
内容説明
& Western approaches to Africa's visual culture have until recently separated 'traditional' from 'modern' as if the two categories had no common ground, and as if only the former was authentically African. Yet 'tradition' is also an active process of handing on, one subject to evolution, development and history. This book explores a burgeoning body of West African artistic production that draws upon photography, advertising, graphic design, European art history and Ghanaian history and culture. As such it constitutes an envisioning of a local modernity centred upon Kumasi, a vibrant trading city at the centre of local, national and international networks, whether historical, economic, political, educational, religious or aesthetic. The art described here, whatever its immediate purpose, reflects and interprets this intense and unique local context. Among the Ghanaian painters discussed are E.V. Asihene, Grace Kwami, E.K.J. Tetteh, Ablade Glover, Ato Delaquis, B. Offei Nyako, Atta Kwami, kari'kacha seid'ou, Bob Acheampong and many others whose practice was college based. Kwami also discusses the art and lives of Kumasi's leading sign painters - King Samino (King Samino Sign Art Services), Alex Amofa (Supreme Art Works), Kwame Akoto (Almighty God Art Works), Isaac Azey Otchere (Azey Alberto Art Sign Service), and Isumaila Moro (Iss Hi-Tech Prints) - thereby exploring the interrelationship of two entwined traditions, two art worlds of modern painting centred at either the university and/or the signpainter's workshop.
著者について
Atta Kwami completed his PhD in Art History at The Open University in 2007. Formerly a Senior Lecturer, he taught painting and printmaking for twenty years at the College of Art, Kwame Nkrumah University of Science and Technology, Kumasi. His paintings are held in major public collections including the National Museums of Ghana and Kenya, the V&A Museum, London, the National Museum of African Art, Washington DC, The Metropolitan Museum of Art, New York and The British Museum. He is a Research Fellow (2012/2013) with the Cambridge / Africa Collaborative Research Programme - Art and Museums in Africa.
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