The strength in Robb's In Death Series is in Eve Dallas' personal journey towards finding kindred spirits, kin and family. In an earlier novel, Eve justified her ploy to use herself to lure a murderer out of his craven cover by saying she could count on one hand the people who care for her and about whom she cares. Shaken, Roarke asks her how many cases she has had and how many dead she has "stood" for. Hundreds! Roarke knows that Eve cares profoundly and that she has never forgotten each face and name. We, too, care deeply about Eve and can not forget her.
Through out the In Death series, this brilliant, courageous, difficult and troubled heroine gathers kin, friends, love and family, the ultimate forces behind all of the books. Dr. Mira often reminds Eve that the cases are personal, a fact which drives Eve to right the wrongs, give dignity once again to the dead and restore them to their family. Indeed, family factors into this novel when a lovely daughter of a police captain is raped and murdered. Eve knows first hand the horror of the abuse this innocent suffered. Now she examines the dynamics and dysfunction of the murderer's family and other family units. What drives one terrorized child to kill and another equally terrorized to stand for the dead as Eve does?
On this quest Eve learns about herself. But this courageous defender is tentative and inexperienced in outward displays of affection. Brilliant and confident, Eve stands for the dead, yet awkward and vulnerable she stands before those who love her. Usually Robb surrounds Eve with people who love her, but this interaction is somehow lacking in this novel; the novel is more procedural and less personal. Indeed, Kindred is not perfect, but when one loves the characters, it matters less. But still I wanted more.
I wanted more interaction with Peabody and others, for a family and kindred baseline, a foil to the plot line. Eve and Roarke seemed on their own, missing the personal insights and touches friends provide. I wanted a car chase, of all things, featuring Eve's fully loaded, low profile car, a present from Roarke in Promises. Actually, I even wanted more of the Greek chorus-Summerset. He pushes the spitfire Eve to be a better person. I waited the entire book for a good Summerset dig. The funny exchange occurred when he remarked on Eve's banged up face: "I see you have had your monthly facial, Lieutenant." I laughed, at last, at the dialogue as I usually do throughout all of the novels.
Still Mira supported Eve. In one scene Dr. Mira escorts Eve on an interview and compliments Eve for her kindnesses. Amusingly, Eve shows off before Mira with a chase and take down of a petty thief, winning Mira's amazement and approval. Is it coincidence that Mira's name begins with M-for mother, or am I searching for a symbol? Wonderful scenes between motherly Mira and unfolding Eve appear in all of the books and in this one also. Mira matters to Eve. Even Mira's daughter reveals to Eve that Eve is a child of Mira's heart. Who could doubt Feeney's (F for father) protective, nurturing relationship to Eve and his developing kinship with Roarke, "son-in -law" and mutual defender of all things Eve. However, to some extent, the novel lacked Feeney's presence.
In Kindred, Robb surrounds Eve with families, some dysfunctional and dangerous, willing to destroy their own, and others growing and changing positively. Ultimately we needed to see more of Peabody's free- ager family or of Mira's, including Mr. Mira and grandchildren, or of Mavis, Leonardo and baby Belle Eve, all kindred souls who enfold Eve with their warmth, comfort and stability. In fact, we needed more of Charles and Louise whose wedding ceremony should have been the focus of the novel. Nevertheless, Robb's series is fantastic, and I eagerly await the next novel. I love Roarke and Eve, two self described "lost souls" who did cement their love and family ties while hosting Louise and Charles' wedding, a marriage of two kindred spirits held amidst their extended family- their kindred.