Amazon Kindleでは、 Johannes Brahms: A Biography (Vintage) をはじめとする200万冊以上の本をご利用いただけます。 詳細はこちら

Would you like to see this page in English? Click here.

この商品をお持ちですか? マーケットプレイスに出品する
Johannes Brahms: A Biography
 
 
1分以内にKindleで Johannes Brahms: A Biography (Vintage) をお読みいただけます。

Kindle をお持ちでない場合、こちらから購入いただけます。 Kindle 無料アプリのダウンロードはこちら

Johannes Brahms: A Biography [ハードカバー]

Jan Swafford


出品者からお求めいただけます。



会員なら、この商品は10%Amazonポイント還元 (ポイントが表示されている場合は、表示ポイント+10%還元)。

キャンペーンおよび追加情報

  • 掲載画像とお届けする商品の表紙が異なる場合があります。ご了承ください。


商品の説明

内容紹介

An illuminating new biography of one of the most beloved of all composers, published on the hundredth anniversary of his death, brilliantly written by a finalist for the 1996 National Book Critics Circle Award. Johannes Brahms has consistently eluded his biographers. Throughout his life, he attempted to erase traces of himself, wanting his music to be his sole legacy.

Now, in this masterful book, Jan Swafford, critically acclaimed as both biographer and composer, takes a fresh look at Brahms, giving us for the first time a fully realized portrait of the man who created the magnificent music. Brahms was a man with many friends and no intimates, who experienced triumphs few artists achieve in their lifetime. Yet he lived with a relentless loneliness and a growing fatalism about the future of music and the world.  The Brahms that emerges from these pages is not the bearded eminence of previous biographies but rather a fascinating assemblage of contradictions. Brought up in poverty, he was forced to play the piano in the brothels of Hamburg, where he met with both mental and physical abuse. At the same time, he was the golden boy of his teachers, who found themselves in awe of a stupendous talent: a miraculous young composer and pianist, poised between the emotionalism of the Romantics and the rigors of the composers he worshipped--Bach, Mozart, Beethoven. In 1853, Robert Schumann proclaimed the twenty-year-old Brahms the savior of German music.  Brahms spent the rest of his days trying to live up to that prophecy, ever fearful of proving unworthy of his musical inheritance.  We find here more of Brahms's words, his daily life and joys and sorrows, than in any other biography.  

With novelistic grace, Swafford shows us a warm-blooded but guarded genius who hid behind jokes and prickliness, rudeness and intractability with his friends as well as his enemies, but who was also a witty drinking companion and a consummate careerist skillfully courting the powerful. This is a book rich in secondary characters as well, including Robert Schumann, declining into madness as he hailed the advent of a new genius; Clara Schumann, the towering pianist, tormented personality, and great love of Brahms's life; Josef Joachim, the brilliant, self-lacerating violinist; the extraordinary musical amateur Elisabet von Herzogenberg, on whose exacting criticism Brahms relied; Brahms's rival and shadow, the malevolent genius Richard Wagner; and Eduard Hanslick, enemy of Wagner and apostle of Brahms, at once the most powerful and most wrongheaded music critic of his time. Among the characters in the book are two great cities: the stolid North German harbor town of Hamburg  where Johannes grew up, which later spurned him; and glittering, fickle, music-mad Vienna, where Brahms the self-proclaimed vagabond finally settled, to find his sweetest triumphs and his most bitter failures. Unique to this book is the way in which musical scholarship and biography are combined: in a style refreshingly free of pretentiousness, Jan Swafford takes us deep into the music--from the grandeur of the First Symphony and the intricacies of the chamber work to the sorrow of the German Requiem--allowing us to hear these familiar works in new and often surprising ways.  

This is a clear-eyed study of a remarkable man and a vivid portrait of an era in transition. Ultimately, Johannes Brahms is the story of a great, backward-looking artist who inspired musical revolutionaries of the following generations, yet who was no less a prophet of the darkness and violence of our century.  A biographical masterpiece at once wholly original and definitive.

著者について

JAN SWAFFORD received degrees from Harvard and the Yale School of Music and is the author of Charles Ives: A Life with Music, which was a finalist for the 1996 National Book Critics Circle Award for biography, won the PEN/Winship Award, and was hailed by Newsweek as "one of the best biographies in recent memory."  He is also the author of The Vintage Guide to Classical Music and a featured commentator on NPR's Performance Today. An award-winning composer whose work has been widely performed by ensembles here and abroad, he lives in Cambridge, Massachusetts.

登録情報

  • ハードカバー: 699ページ
  • 出版社: Knopf (1997/11/25)
  • 言語 英語, 英語, 英語
  • ISBN-10: 0679422617
  • ISBN-13: 978-0679422617
  • 発売日: 1997/11/25
  • 商品パッケージの寸法: 23.4 x 17 x 5.2 cm
  •  カタログ情報、または画像について報告

  • 目次を見る

この本のなか見!検索より (詳細はこちら
この本の別エディションの内容をブラウズ・検索
書き出し
IN 1826 JOHANN JAKOB BRAHMS, aged nineteen, his gray eyes full of hope and good humor, arrived in the port of Hamburg carrying musical instruments and a Certificate of Apprenticeship. 最初のページを読む
その他の機能
頻出単語一覧
この本のサンプルページを閲覧する
おもて表紙 | 著作権 | 目次 | 抜粋 | 索引
この本の中身を閲覧する:

カスタマーレビュー

Amazon.co.jp にはまだカスタマーレビューはありません
星5つ
星4つ
星3つ
星2つ
星1つ
Amazon.com で最も参考になったカスタマーレビュー (beta)
Amazon.com: 5つ星のうち 4.7  35件のカスタマーレビュー
38 人中、36人の方が、「このレビューが参考になった」と投票しています。
5つ星のうち 5.0 A great portrait of a MAN, not a COMPOSER 2001/1/19
By C. Noble - (Amazon.com)
形式:ペーパーバック
As I noted in the title of this review, this book is a great portrait of the man who was Brahms. The fact that he was a great composer is almost seconary. He had a fascinating life, with a great deal of personal intrigue, and a great unrequited love story spanning most of his adult life with Clara Schumann. As a musician, I appreciated the clear and understandable way that Swafford writes about the music of Brahms. His musical analysis is of sufficient depth for the me, and is not "dumbed down" material for the reader who is not musically trained. The best reason to purchase this book is the great and interesting man (and composer) who is examined. I highly recommend this book.
73 人中、63人の方が、「このレビューが参考になった」と投票しています。
5つ星のうち 3.0 Swafford's Brahms Ignores Recent Scholarship 2000/1/19
By カスタマー - (Amazon.com)
形式:ペーパーバック
Swafford's Brahms biography is certainly readable, and the author displays great sympathy with his subject. The problem with this book is that the author perpetuates-- even exaggerates-- a picture of Brahms that is now under serious revision. I don't know if Swafford is entirely to blame, as it is difficult to know to which documents he had access at the time of his writing. But recent work by Kurt Hoffman, and Styra Avin's edition of Brahms's letters show that the usual conception of Brahms's childhood as poverty-stricken and neglected is very inaccurate; and Swafford takes off from this picture of a pitiful childhood as a central principle in Brahms's life, relationships, etc. Hoffman has shown that Brahms could not have played the piano in brothels as a boy, yet Swafford paints us a lugubrious picture of young Brahms possibly suffering sexual trauma at the hands of both the prostitutes and their patrons. Avins's translations of Brahms's letters show us that Brahms had a warm and affectionate relationship with his parents, who did depend upon him to augment the family income, but knew when enough was enough for the boy, and did their best to give him a good education, plenty of diversion and rest. Avins's book has an illustration of Brahms's exquisite handwriting at age nine, which clearly shows that he had been meticulously schooled. Swafford's book is clearly a labor of great love, but _caveat emptor_.
40 人中、35人の方が、「このレビューが参考になった」と投票しています。
5つ星のうち 5.0 The Wisdom Of Solomon 2001/1/3
By Bruce Loveitt - (Amazon.com)
形式:ペーパーバック
If you have ever read Maynard Solomon's biographies of Mozart and Beethoven, and enjoyed them, you will definitely like Swafford's biography of Brahm's. The styles have a lot in common. Both authors write mostly with the lay reader in mind, so even someone like me who doesn't have any background in music can still enjoy the books. Both authors are interested in psychological reasons for behavior and, in my opinion, make convincing arguments concerning certain personality traits of these great musicians. However, both authors are also aware that some of the people that read these books are knowledgeable about music, so there are brief sections that get into technical analysis of the music. Solomon did this by including short chapters scattered throughout his book, devoted solely to musical analysis. Swafford chose to incorporate his musical analysis within the general flow of the book, a few paragraphs at a time. As a lay reader, I liked Swafford's approach better. Since I pretty much didn't understand the technical aspects, it was less boring to have this stuff just a little bit at a time! Swafford's book has two great strengths, besides the fact that he writes beautifully. He goes into detail concerning Brahms relationship with Clara Schumann, a friendship which lasted for approximately 40 years. The second strength is that piece by piece he builds up a picture of Brahms the man so that by the end of the book you will feel that you knew Brahms. The picture is well-rounded, too. Brahms could be rude and arrogant but he also could be sensitive and humble and generous. He also had a tremendous sense of humor. He was very witty, both in his conversation and in his correspondence. He was also a great practical joker. Swafford relates a story about the time Brahms went to lunch with a friend, who happened to be a Beethoven scholar. Brahms, before the lunch, had taken a popular song of the day and written it out in musical notation, but he did this imitating Beethoven's handwriting. He made arrangements for the fellow that waited on them in the restaurant to wrap up the scholar's takeout lunch in the "Beethoven" score. Brahms was quite amused when he saw the expression on his friend's face as he unwrapped his lunch and without saying a word, carefully folded up the score and just put it in his pocket. He probably thought he had made a great discovery until he got the score home and actually got to read the music! This was easily one of the best books I read last year and I have no hesitation in recommending it to anyone who loves good biography, even if you don't know anything about music!
これらのレビューは参考になりましたか?   ご意見はクチコミでお聞かせください。

クチコミ

クチコミは、商品やカテゴリー、トピックについて他のお客様と語り合う場です。お買いものに役立つ情報交換ができます。
この商品のクチコミ一覧
内容・タイトル 返答 最新の投稿
まだクチコミはありません

複数のお客様との意見交換を通じて、お買い物にお役立てください。
新しいクチコミを作成する
タイトル:
最初の投稿:
サインインが必要です
 

クチコミを検索
すべてのクチコミを検索
   


リストマニア

リストを作成

関連商品を探す


フィードバック