1893年のある日、9歳のジミー・コりガンは、巨大なビルの屋上で、無口で不機嫌な父親に捨てられる。(「わしは、空と、地上の人波を見つめながら、父親が戻ってくるのをじっと待っていた。もちろん、二度と戻ってきてはくれなかったがね」)それから百年後のまたある日、父親に捨てられた男の孫で、何の取り得もなく友人さえいないもう1人のジミー・コリガンは、一通の手紙を受け取る。驚いたことに、生まれてから一度も会ったことのない無責任な父親から送られた「会いにきてほしい」という内容の手紙だった。
本書は、奇妙で哀れなほど滑稽な、親子の再会の物語だ。そもそも曽祖父が息子を捨てたことに端を発する一家の精神的遺産からは決して逃れられないこと、地に足をつけた人生を送るよりもすばらしい人生を夢見るだけのほうが気楽だというコリガン家の男の血は百年たってもめんめんと流れ続けていることを、コリガン一族は互いに知ることとなる。
イラストはフルカラー。新聞や雑誌のコマ割り漫画を思わせる単純な画風ながら、その構成は複雑かつ創意工夫に富んでいる。コマ割りの仕方ひとつで、愛されていない子どもの失望感を如実に再現するテクニックは実に見事だ。
Copyright 2000 Reed Business Information, Inc.
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I came across this book after a brief EW mention of it, rating it very high. Intrigued, I purchased a copy, and attempted to delve into its layers. Instead of intrigue, I found frustration, mainly because I simply didn't know how to look at the book. I didn't know where my eyes were supposed to go, so many of the early pages were difficult to read. Plus, the characters constant and sudden lapses into their daydreams made for early confusion.
So, I returned it, happy of my decision. And then, I attended a live version of "This American Life" that prominently featured the work of Ware. His artwork captivated me, enough to rebuy the book and try again. What I found was an entralling, captivating tale, multi-layered, and worth all the work to learn the language of his drawings.
It's the story of Jimmy Corrigan, an everyman without much of a life at all, who is contacted by his long lost father for a Thanksgiving reunion. Jimmy agrees to attend, which leads him on a retrospective journey of his life and his family. The story is both moving and rich, full of layers upon layers. Once you learn Ware's language, and what he tries to communicate, the story begins to shine like a lighthouse beacon through the pages. I was surprised to find myself crying at certain parts of the book; my brain was telling me this is simply a comic story, but my heart was breaking along with the characters. That alone is impressive.
Ware's drawings are incredible. He communicates so much through each drawing, you need to "read" this slowly, and internalize the story. Whereas you tend to want to skip the less important drawings, quite often they will give you the most information. This book is not one to read quickly, but enjoy, like a fine, fine wine.
I look forward to more work from Chris Ware. His artist's eye is impressive, but his storytelling is even more so.
This work realizes the dream of Scott McCloud's literary graphic novel in a way that has no precedent that I have found. It is both accessible and intellectual. Its the story of an emotionally destitute and pitiful character named Jimmy Corrigan (actually a couple of them, if you want to get technical) and his search for a meaningful relationship with his/thier father(s). To tell any more than that (even that is too much) will destroy the story for you. Its a story that unwinds over the course of its reading, yet is present from the very first page.
Things to think about as your read: The lack of female faces actually shown in any given frame, the significance of misshapen and flawed objects, changes in text, the irony of the title, and the pervasive exploration of the father-son relationship as is stands in the late 20th-early 21st century. Notice, also, how these presentations could not have been made as effective in traditional all-text presentation.
Even more interesting is the presentation of the character(s) of Jimmy Corrigan. In Scott McCloud's first book, he talks about the popularity of cartooning, and how we relate to cartoon characters because their features are so simple. To put it another way, the more details a character has, the less it is us and the more it is someone else. All the Jimmy Corrigan characters, but especially the main one, are drawn super-simply. If they resemble anything, they seem infantile (and an ugly infant at that).
One type 2 person (the book-putting-down type) told me that they had to take a break because they were "starting to feel like Jimmy Corrigan". Hmmmm.............
If you are familiar with the graphic novel, this is the one. It could be studied. However, even if you don't like "comics", I would suggest trying this as an introduction, although I would hardly call it comic. Jimmy Corrigan represents the insecure child in all of us that reaches out for help in any form it can find and recoils when the help is hard and cold. If you ever wanted to put your head in you hands and cry because you thought no one liked you, Jimmy Corrigan is floating around in your psyche. Make sure he knows he's not alone.
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