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Jim Jarmusch: Interviews (Conversations With Filmmakers Series)
 
 
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Jim Jarmusch: Interviews (Conversations With Filmmakers Series) [Abridged] [ペーパーバック]

Ludvig Hertzberg , Jim Jarmusch

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Perhaps the most gifted and invigorating of the American independent film directors of the past two decades, Jim Jarmusch (b. 1953) has presented moviegoers with his uniquely personal vision, from his first feature film, Permanent Vacation (1980), to his latest, Ghost Dog: The Way of the Samurai (1999). As the interviews in this volume reveal, Jarmusch has always been interested in mixing very different cultural ingredients to form something uncategorizably new in films that transcend the boundaries between high and low cultures. Jarmusch half-mockingly described his movie Stranger Than Paradise (1984), the film that first brought him substantial notice, as "a semi-neorealist black comedy in the style of an imaginary Eastern European film director obsessed with Ozu, and familiar with the 1950s American television show The Honeymooners." His unique approach to movie making jump-started the low-budget American independent film movement with Stranger Than Paradise, which won the Camera d'Or for best first feature at the Cannes Film Festival. Ranging from 1981 to 2000 this collection chronicles the career and sensibility of a thoroughly independent filmmaker. It features one previously unpublished interview, two that have never appeared in English, and another two which are presented in their entirety rather than in the abridged forms in which they were published. Jarmusch discusses the actors with whom he has worked (Johnny Depp, Forest Whitaker, and Roberto Benigni among them), the progression of his camera and editing techniques, his fascination with the co-existence of disparate and often opposing cultures, and his cult status as an independent movie director. He comes across as kind, modest, and attentive, with a warm sense of humor and an ever-glowing affection for and dedication to his art, and for all the small and marginalized aspects of the world. Ludvig Hertzberg is a freelance film critic and a doctoral candidate in cinema studies at Stockholm University, Sweden.

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THE TEXT IS COMPILED from interviews that Ralph Eue and Wolfgang Stukenbrock did with Jim Jarmusch on October 10, 1980, during the 29th Filmwoche in Mannheim, and on February 22, 1981, during the 11th International Forum for Young Film in Berlin. 最初のページを読む
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Amazon.com: 5つ星のうち 4.3  3件のカスタマーレビュー
20 人中、20人の方が、「このレビューが参考になった」と投票しています。
5つ星のうち 5.0 A True Visionary 2002/2/4
By Robert DeRose - (Amazon.com)
形式:ペーパーバック
"I consider myself a minor poet who write fairly small poems. I'd rather make a movie about a guy walking his dog than about the emperor of China."- Jim Jarmusch

Over the last few years, University Press of Mississippi has released several book under their "Conversations with Filmakers Series." Past directors in the series have included Martin Scorsese, Bernardo Bertolucci, Jean-Luc Godard, and Quentin Tarantino. I've read just about all of them, and I have to say this one, about American independent film director Jim Jarmusch, is one of my favorites.

The book consists of seventeen interviews of Jarmusch ranging from 1981 to 2000. During that time, Jarmusch has released independent classics starting with Stranger In Paradise(1984), Down By Law(staring a young Robert Benigni-1986), Mystery Train(1989), Dead Man(1995), and Ghost Dog:Way of the Samurai(1999).
These series of interviews reveal some of the meaning and influences that helped shape those films.

For those who might not know, Jarmusch is not only a brillaint director but he is also a facinating conversationalist. In the interviews, he describes his backgroung starting in Akron, Ohio and his early college years studying abroad in Paris, France. As an "outsider" studying in a foreign country, Jarmusch was never able to forget that feeling, and you can tell that when you watch his movies.

What's fascinating about Jarmusch is his mixing of "high' and "low" cultures which permeates his films. In the interviews, he admits being obsessed with the Japanese director Ozu and, at the same time, being influenced by the TV show "The Honeymooners."

I've been waiting for years on a biography about Jarmusch. Although this not a biography(or autobiography or that matter),
it is an excellent introduction this director's life and work. I recommend it to not only Jarmusch nuts, but to anybody who interested in American Independent movies.

1 人中、1人の方が、「このレビューが参考になった」と投票しています。
5つ星のうち 3.0 Great filmmaker but an okay book. 2009/1/17
By Hung Tran - (Amazon.com)
形式:ペーパーバック
If you read the first chapter, you will know everything you need to know about the rest of the book. The interviews are all the same and so are the answers. I got bored with the monotony so I never finished the book.
One good thing about the book is that you get to know Jim Jarmusch ideas and concept behind his films, a good reason to get the book if you are an admirers of his films like myself.
1 人中、1人の方が、「このレビューが参考になった」と投票しています。
5つ星のうち 5.0 As simple as his films 2008/7/5
By Cesar Diaz - (Amazon.com)
形式:ペーパーバック|Amazon.co.jpで購入済み
I found two volumes of this "Conversations With Filmmakers Series" at a university library in Japan, and as soon as I could, I bought both for my personal library: Jim Jarmusch and Peter Greenaway. The reason: I think that, if you do a map of contemporary filmmaking, the North Pole and the South Pole would be these two gentlemen. Everything else is somewhere in between. I don't know if any of these two directors is actually so clear, so witty and so self aware, or if it is just good editing work, but very few times you'll find books of film criticism to be so insightful, so revealing and yet, so simple. I know this sounds vulgar, but I'd give up stuff like Film Semiotics if only the University Press of Mississippi had published more books of these series. I just ordered a third book: Akira Kurosawa.
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