- 出演: Leslie Howard, Ingrid Bergman, Edna Best, John Halliday, Cecil Kellaway
- 監督: Gregory Ratoff
- 形式: Import
- おすすめ度： 5つ星のうち 5.0 レビューをすべて見る (1 カスタマーレビュー)
- ASIN: 6301942620
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商品の説明
Amazon.com
Ingrid Bergman made her radiant Hollywood debut in this David O. Selznick-produced remake of a 1936 Swedish film, in which she played the same role, a gifted piano teacher. Leslie Howard costars as the brilliant violinist whose world tours often take him from the flow of life within his own family. Married to a fine woman (Edna Best) and blessed with two wonderful children, Howard's character only begins to realize that so much is passing by him when he falls for his concert pianist (Bergman). During a Riviera holiday, the two illicit lovers bask in passion while privately agonizing over the collapse of their separate destinies. Can two people find happiness built on the unhappiness of others? That's the question asked by the sage friend (Cecil Kellaway) whom they both share. In the same year Selznick cast Howard in Gone with the Wind, the sophisticated actor did a fine, sympathetic job penetrating the lost and tormented heart of his character in Intermezzo. But it is Bergman--the very picture of spring and a magnificent avatar of the perpetual conflict between mind and heart--who ultimately gives this film its soul. The Selznick machine, with its top-drawer production values and the dreamy gloss of its human stories, makes this film a more poignant experience than the average weepie. --Tom Keogh
Video Description
Anxious to recapture his youth, a family man leaves his wife and begins an illicit love affair with his daughter's piano teacher.
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カスタマーレビュー
最も参考になったカスタマーレビュー
形式:VHS
This David O. Selznick film is a remake of an earlier film with the same name. Ingrid also played in this one so it is easy to get them mixed-up at first.
The story is a classic and has been told in many ways. A famous violinist (Leslie Howard) falls in love with his daughter's piano teacher (Ingrid Bergman). Unlike many movies where the couple cause each other trouble and force the other one to beg his/her way back into good graces, the situations are real enough that you feel that you are part of the story. You will have to watch to find out how they deal with feelings and act on them.
You can easily get wrapped up in the story and forget that there is quit a bit of beautiful music in this film.
If you find this movie as intriguing as I do, your next story should be “Brief Encounter” - Criterion Collection (1945). See my review “When you feel like British, no other film will do as well.” May 6, 2001
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