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A REVEALING BEHIND-THE-SCENES PORTRAIT OF THE AWARD-WINNING TV SHOW INSIDE THE ACTORS STUDIO AND ITS CREATOR AND HOST JAMES LIPTON
Each week Inside the Actors Studio takes the unique insights and intimate revelations of its celebrated guests into 84 million homes on the Bravo network and 125 countries. Now, with Inside Inside, James Lipton, the 2007 recipient of the Lifetime Achievement Emmy, is handing every one of us a backstage pass.
You will witness in unprecedented close-up the wit, wisdom and candor of a galaxy of stars, from Paul Newman to Barbra Streisand, Al Pacino, Steven Spielberg, Meryl Streep, Tom Hanks, Julia Roberts, Sean Penn, Clint Eastwood, Johnny Depp, Angelina Jolie, Anthony Hopkins, Ellen Burstyn, Tom Cruise, Harrison Ford, Martin Scorsese, Sharon Stone and many, many more, and marvel at the comic inventions of Billy Crystal, Robin Williams, Mike Myers, Chris Rock, Dave Chappelle and Will Ferrell as James Lipton on the Inside stage.
With the same candor he demands of his guests, James Lipton reveals a life that began under the tutelage of a poet, his father, and a teacher, his mother; continued in the orbit of three theatrical giants, Stella Adler, Harold Clurman and Robert Lewis; and, as writer and producer, took him to the White House with two presidents, the Great Wall of China with Bob Hope, and a wild flight at the controls of an Alaskan bush plane, on his journey to Inside the Actors Studio.
Each week Inside the Actors Studio takes the unique insights and intimate revelations of its celebrated guests into 84 million homes on the Bravo network and 125 countries. Now, with Inside Inside, James Lipton, the 2007 recipient of the Lifetime Achievement Emmy, is handing every one of us a backstage pass.
You will witness in unprecedented close-up the wit, wisdom and candor of a galaxy of stars, from Paul Newman to Barbra Streisand, Al Pacino, Steven Spielberg, Meryl Streep, Tom Hanks, Julia Roberts, Sean Penn, Clint Eastwood, Johnny Depp, Angelina Jolie, Anthony Hopkins, Ellen Burstyn, Tom Cruise, Harrison Ford, Martin Scorsese, Sharon Stone and many, many more, and marvel at the comic inventions of Billy Crystal, Robin Williams, Mike Myers, Chris Rock, Dave Chappelle and Will Ferrell as James Lipton on the Inside stage.
With the same candor he demands of his guests, James Lipton reveals a life that began under the tutelage of a poet, his father, and a teacher, his mother; continued in the orbit of three theatrical giants, Stella Adler, Harold Clurman and Robert Lewis; and, as writer and producer, took him to the White House with two presidents, the Great Wall of China with Bob Hope, and a wild flight at the controls of an Alaskan bush plane, on his journey to Inside the Actors Studio.
From Publishers Weekly
When the Actors Studio faced possible extinction in 1994, Lipton (An Exaltation of Larks) engineered a partnership between the Studio and the New School for Social Research to create a degree-granting program. Thus was born the Actors Studio Drama School, with Lipton as both founder and dean. The school's craft seminars, in which Lipton interviewed leading actors and directors, became the basis for Bravo's Inside the Actors Studio, and since 1994, he has been that series' executive producer, writer and host. Looking back over the show's parade of personalities, he intercuts autobiographical flashbacks with quotes from the TV interview transcripts. These brief selections, excerpted from his sessions with Tom Hanks, Anthony Hopkins, Jack Lemmon, Mike Nichols, Sean Penn, Julia Roberts, Steven Spielberg, Meryl Streep and many more, may leave some readers wishing Lipton had published the transcripts in full. Raising the curtain on his own memories, he traces the path of his multifaceted career as radio actor (The Lone Ranger), TV actor (The Guiding Light), Broadway lyricist (Sherry!) and novelist (Mirrors). Along the way, theatrical truths emerge and amusing anecdotes abound since Lipton is a witty and engaging writer. The free-associative transitions from interviews to autobiography occasionally read like two different books shuffled together, but that only makes this exaltation of Lipton doubly enjoyable. The 48 illustrations include Al Hirschfeld's caricature of Lipton. (Oct. 18)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
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Amazon.com で最も参考になったカスタマーレビュー (beta)
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36件のカスタマーレビュー
74 人中、67人の方が、｢このレビューが参考になった｣と投票しています。
I respectfully disagree
2007/11/5
形式:ハードカバー|Amazonが確認した購入
I respectfully disagree with the reviewers above. In addition to being a fan of Inside the Actors Studio, I'm a fan of James Lipton's. His love of language was legendary before Inside - this is, after all, the author of An Exhaultation of Larks which celebrates the richness of the English language so well it's been in print for something near 40 years. Yes,Inside Inside is written using words that aren't as commonly encountered today as they once were. I consider it a treat to find them tucked into what I regard as his very readable prose.
Mr. Lipton has led a fascinating life and I'm glad he's shared it with readers. His show doesn't settle for trite interviews featuring anecdotes rather than thoughtful content and I was pleased to find his book didn't either. Perhaps the title should have indicated the breadth of the book rather than focus on the show, but, since he was the creator of the series, knowing his story does put you Inside Inside. If you want a simple book about actors, you'd do better elsewhere, but if you want a visit with an interesting man who has talked with many of the greats about their passion for their craft, this is a fine choice for you.
Mr. Lipton has led a fascinating life and I'm glad he's shared it with readers. His show doesn't settle for trite interviews featuring anecdotes rather than thoughtful content and I was pleased to find his book didn't either. Perhaps the title should have indicated the breadth of the book rather than focus on the show, but, since he was the creator of the series, knowing his story does put you Inside Inside. If you want a simple book about actors, you'd do better elsewhere, but if you want a visit with an interesting man who has talked with many of the greats about their passion for their craft, this is a fine choice for you.
81 人中、71人の方が、｢このレビューが参考になった｣と投票しています。
Too much Lipton, too little "Inside"
2007/10/25
形式:ハードカバー
This isn't really an inside look at "Inside the Actor's Studio." It's an inside look at James Lipton, with occasional tales about the show and the actors who've graced its stage.
On the tv show "Inside the Actor's Studio," James Lipton comes across as pompous and pedantic and far too impressed with himself. This impression is only reinforced by this book, where Lipton manages to quote Charles Dickens, Chaucer, Moby Dick, John Donne, Yeats, Coleridge, Robert DeNiro, Orson Welles, and Irving Berlin and refer to DW Griffith, Renoir, Eisenstein, Scorsese, Spielberg, W. C. Fields, James Bond, Fellini, Marcello Mastrioanni, Will Ferrell and more in just the first five pages. Lipton's linguistic showing off gets tiresome quickly. It doesn't support him as a story-teller; it just makes Lipton sound like he's trying much too hard to sound clever.
Which isn't to say that Lipton is not intelligent. As he goes through the history of acting theory and of the Actor's Studio, it's apparent that Lipton is thoughtful and insightful about his world. He sees common themes among different people, and he knows how to bring them together and display them in the context of the performing arts world. That ability -- one of the strengths of Inside the Actor's Studio -- is at work here, too. But this book would have been so much stronger if he'd gotten himself out of the way, even a bit.
Indeed, while promising that the book won't be about him as much as "the vibrant troop of other people who have quickened the most exciting adventures of my life," Lipton goes on at far too great a length about himself. As with Inside the Actor's Studio, the high points of this book are the words and stories told by guests on show -- their words, not Lipton's. The low points are Lipton's floridly written tales of his own life.
Still, if you can skim through (or skip over) those parts, the book is worth reading as a collection of reflections by some of the most talented actors of our time. Here, Lipton collects their comments thematically, which provides for interesting and enjoyable contrast. And, as on the tv show, hearing these artists talk about how they approach the art and craft in their work is fascinating and enlightening.
On the tv show "Inside the Actor's Studio," James Lipton comes across as pompous and pedantic and far too impressed with himself. This impression is only reinforced by this book, where Lipton manages to quote Charles Dickens, Chaucer, Moby Dick, John Donne, Yeats, Coleridge, Robert DeNiro, Orson Welles, and Irving Berlin and refer to DW Griffith, Renoir, Eisenstein, Scorsese, Spielberg, W. C. Fields, James Bond, Fellini, Marcello Mastrioanni, Will Ferrell and more in just the first five pages. Lipton's linguistic showing off gets tiresome quickly. It doesn't support him as a story-teller; it just makes Lipton sound like he's trying much too hard to sound clever.
Which isn't to say that Lipton is not intelligent. As he goes through the history of acting theory and of the Actor's Studio, it's apparent that Lipton is thoughtful and insightful about his world. He sees common themes among different people, and he knows how to bring them together and display them in the context of the performing arts world. That ability -- one of the strengths of Inside the Actor's Studio -- is at work here, too. But this book would have been so much stronger if he'd gotten himself out of the way, even a bit.
Indeed, while promising that the book won't be about him as much as "the vibrant troop of other people who have quickened the most exciting adventures of my life," Lipton goes on at far too great a length about himself. As with Inside the Actor's Studio, the high points of this book are the words and stories told by guests on show -- their words, not Lipton's. The low points are Lipton's floridly written tales of his own life.
Still, if you can skim through (or skip over) those parts, the book is worth reading as a collection of reflections by some of the most talented actors of our time. Here, Lipton collects their comments thematically, which provides for interesting and enjoyable contrast. And, as on the tv show, hearing these artists talk about how they approach the art and craft in their work is fascinating and enlightening.
45 人中、38人の方が、｢このレビューが参考になった｣と投票しています。
Was there no editor on this book???
2007/10/29
形式:ハードカバー
This book struggles with every problem mentioned in the "too much of Lipton" review, and then some. Not only is the first 1/3 to 1/2 of the book almost strictly about Lipton, his stories are so buried in flowery, pompous prose that it's hard to understand what he's talking about.
The rest of the book, while somewhat entertaining, is perhaps the most poorly edited book I've ever read. There is no flow, and apparently no rhyme or reason as to which guests and Lipton anecdotes are paired up in the various chapters. One passage begins with the interview with Michael Caine, then abruptly shifts to a discussion of how an appearance on the show can help to garner an Oscar nod. This happens constantly throughout the book, and is enough to give you literary whiplash.
Much of the book is basically a transcript of snippets of interviews, interspersed with anecdotes designed to make Lipton appear charming, clever, or a powerful member of Hollywood's inner circle.
All in all, entertaining enough if you enjoy watching the show, but if you've watched the show, you won't get much new info about the guests. If you want to read endless drivel about Lipton, you've found the book for you!
The rest of the book, while somewhat entertaining, is perhaps the most poorly edited book I've ever read. There is no flow, and apparently no rhyme or reason as to which guests and Lipton anecdotes are paired up in the various chapters. One passage begins with the interview with Michael Caine, then abruptly shifts to a discussion of how an appearance on the show can help to garner an Oscar nod. This happens constantly throughout the book, and is enough to give you literary whiplash.
Much of the book is basically a transcript of snippets of interviews, interspersed with anecdotes designed to make Lipton appear charming, clever, or a powerful member of Hollywood's inner circle.
All in all, entertaining enough if you enjoy watching the show, but if you've watched the show, you won't get much new info about the guests. If you want to read endless drivel about Lipton, you've found the book for you!
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