"Imagining the Balkans" is an examination and critical analysis of perceptions of the Balkans, both by outsiders and Balkan residents. In this, Todorova emphasizes the concept of Balkanism, similar to Edward Said's Orientalism, but with some crucial differences - the main ones being that the Balkans are a more concrete concept than the rather vague "Orient," and the lack of a clear `us vs. them' dichotomy between the Balkans and the `West' (Balkan peoples are white, and largely Christian). The first chapter provides an extremely useful and informative exploration of the origins of the very word Balkan and the geographic area it was/is meant to designate over the years. The following chapters provide a historical survey and critical analysis of how the Balkans were defined and perceived, mainly by outsiders, but also by the peoples of the Balkans. There is also a much-needed critique of the concept of Central Europe which first emerged during the early 1980s. Perhaps the only shortcoming involves Todorova's frequent emphasis on her native Bulgaria and her apparent lack of expertise in relation to Yugoslavia; thus, discussion of the entire Balkans vs. Europe debate in places like Croatia, Serbia, Bosnia and Slovenia is completely ignored. Even more surprising is the complete lack of critical treatment of Rebecca West's "Black Lamb and Grey Falcon," perhaps one of the central texts of 20th century `Balkanism.' Nevertheless, "Imagining the Balkans" is a valuable, thought-provoking and fascinating book - one of the most important, although implicit points Todorova seems to make is that it is generally pointless, illogical and often ludicrous to imbue geographic/regional locations with a number of value-ridden stereotypes and cultural, `civilizational' designations, even as people constantly need to create such categories.