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Combining ethnomusicological and art historical methods with history and lore, this text examines how musicians of Hindustan encountered and Indianized music from the Persian cultural sphere. Exploring the visual sources available in illustrated manuscripts and paintings of the Mughal Empire (1526-1858), Bonnie Wade focuses first on Akbar, to show how political and cultural agendas intertwined in the portrayal of Mughal court life. Wade then follows the depictions of music-making through paintings for Akbar's successors Jahangir and Shah Jahan to trace the gradual synthesis of Persian and Indian culture. She also provides an explicit and implicit focus on the role of women in Mughal culture and music. Richly illustrated with reproductions of Mughal paintings, this work should appeal to anyone interested in Indian history, art history, and ethnomusicology.
Book Description
Combining ethnomusicological and art historical methods with history and lore, Bonnie C. Wade examines how musicians of Hindustan encountered and Indianized music from the Persian cultural sphere. Exploring the visual sources available in illustrated manuscripts and paintings of the Mughal Empire (1526-1858), Wade focuses first on Akbar, to show how political and cultural agendas intertwined in the portrayal of Mughal court life. Wade then follows the depictions of music-making through paintings for Akbar's successors Jahangir and Shah Jahan to trace the gradual synthesis of Persian and Indian culture. She also provides an explicit and implicit focus on the role of women in Mughal culture and music. Richly illustrated with reproductions of Mughal paintings, this work will appeal broadly to anyone interested in Indian history, art history, and ethnomusicology.
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Fantastic pictures
2003/6/7
形式:ペーパーバック
This book is an exploration of 16th century Mughal paintings that include musicians and instruments. Much of the book is devoted to explaining the stories behind the paintings, starting with who was Akbar the Great? Wade elucidates the history of Akbar's family, and how they came to rule India. She relates the chronicles to scenes depicted in specific historical paintings. Each of the paintings includes musicians in some form, and Wade describes in detail the instruments that the musicians are playing and the reason for their inclusion in the work. The paintings themselves are exquisite, with 165 plates reproduced in black and white and 20 in full color. The book also includes family trees of the Mughals, maps, and a glossary of musical terms.
Although the book is extraordinarily well done, it wasn't quite what I was looking for. From the title of the book, I had expected Wade to focus the text on the music of the Mughals rather than on their general history. I had expected more of the book to consider questions such as which instruments were played in Mughal times, how the instruments changed from then until now, and more generally, how much we can learn about the history of music by examining contemporary visual art works. Nevertheless, the book exemplifies excellent scholarship and it is, in itself, a magnificent work of art.
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