Dubus tells his tragic tale from the viewpoints of the two main adversaries, Behrani and Kathy. To both of them, the house represents something more than just a place to live. For the colonel, it is a foot in the door of the American dream; for Kathy, a reminder of a kinder, gentler past. In prose that is simple yet evocative, House of Sand and Fog builds to its inevitable denouement, one that is painfully dark but unfailingly honest. --Alix Wilber
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Dubus's brilliance at characterisation shines through this bleak and believable story. He climbs inside his characters' heads to give readers a chance to feel what it is like to be a recovering addict (Kathy Nicolo); what it is like to be first and second generation immigrants in pursuit of the "American Dream" (the Behrani family); and what it is like to be an ordinary man (Lester Burdon).
"House" is flawed; it is not perfectly written nor edited. Those who are familiar with the Northern California setting of this dark tale will note incongruities of detail. But one can forgive these imperfections because of the powerful emotions that Dubus can generate in his readers through his storytelling. "House" is not a tragedy of Greek proportion; there is no chorus of readers which will respond in uniformity to protagonists' or antagonists' moral claims. Rather, "House" reminds one of a kafkaesque travesty: a minor clerical error which compounds itself into misfortune, mayhem, and murderous revenge.
Dubus employs an experimental style of narration, with his deliberate shifting of points of view. This narrative device manipulates the reader's response to the characters, thereby creating in the reader's mind a frustration of not being able to solve the moral dilemma. (Tim O'Brien uses a similar technique in his short novel, "In the Lake of the Woods.")
I especially recommend this book to readers who like to weigh and measure their responses; to writers of fiction who wish to learn about characterisation; and to book discussion groups. Further, I recommend that readers explore the works of this writer's father, the late Andre Dubus, especially "Meditations from a Movable Chair" and "Dancing After Hours."
Despite a storyline that sounds less-than-inspiring, HOUSE OF SAND AND FOG captured my attention within the first few pages. The book begins in the stunningly realistic first-person voice of Massoud Behrani, once a Colonel in the Shah's army, now hunkered down in the United States because he and his family are marked for death in their mother country of Iran. Unable to find a job, Behrani is reduced to working for the county, picking garbage from the side of a California highway. Desperate to make a respectable life for his family, Behrani spends his family's dwindling savings to purchase a small house at auction, hoping to resell it at a large profit.
Enter Kathy Nicolo, a former drug addict, now barely keeping her head above water after her husband left her. The bungalow she inherited from her father is swept out from under her because of a delinquent tax bill she doesn't actually owe. Deputy Sheriff Lester Burdon takes a personal interest in Kathy's case, and becomes enmeshed in her struggle to win back her home. Despite a wife and two small children, he finds himself in love with Kathy. Dubus skillfully weaves the story of Kathy and Lester--a doomed, hopelessly codependent dance--against the backdrop of their fight for justice and the return of Kathy's house.
What truly makes this story come alive in the reader's mind is the amazing voice of each character. Dubus flawlessly takes us inside the heads of a proud and willful Iranian colonel, a troubled young woman, and an equally troubled law officer. The conflict continues to escalate, despite the fact that there truly are no "bad guys"--as readers, Dubus makes certain we understand BOTH sides. If anything, the antagonist of this story is exactly what the book jacket says, the character's "tragic inability to understand each other."
This is by far one of the most skillfully crafted novels I've ever read. And please don't equate literary merit with "boring." HOUSE OF SAND AND FOG kept me riveted. The book explodes when these forces--the desperate woman and her lover, and the equally desperate Behrani family--collide. I was forced to read the last 250 pages in one sitting (until 2 a.m., actually) because this book would simply not be denied. I expect great things from Andre Dubus III, and as a writer I could only read the last page, close the book in stunned admiration, and whisper, "Wow."
Before coming to America, Genob Sarhang Massoud Amir Behrani was a colonel in the Iranian Air Force. Forced to flee when the Shah fell, he escaped with his wife and two children and a couple hundred thousand dollars. Now resettled in the San Francisco area, but thus far unable to find work in the aerospace industry, Behrani works two full time jobs, on a road crew and as a convenience store clerk. This labor is necessary because the family's money is dwindling quickly, thanks to his wife's insistence on maintaining their old standard of living and the need to put on a sufficiently opulent facade to get his daughter safely married off--for instance, their apartment costs $3000 per month. Then one day, noticing an announcement of a tax auction in the newspaper, he decides to use their remaining savings to buy the house and then try to turn it around quickly for a profit.
Meanwhile, the house had previously belonged to Kathy Niccolo, a recovering alcoholic whose addict husband has run out on her. She works as an independent house cleaner, barely making ends meet and ignored the county tax bill because it should not have been assessed against her house. But now she has been evicted and, though Legal Aid lawyers help her to win a judgment from the county, they can not make Behrani give up the house, only compensate her. She also receives help from Sheriff Lester Burdon, whose marriage has lost it's passion, and the two become lovers. Together, and separately, they begin to take steps to force the Behranis out of their new home. Things get ugly.
This book is a page turner anyway, but it enveloped me in such a cloud of dread that I just kept reading faster and faster because I couldn't stand the thought of what was to come. I know some of the reviewers have said that Dubus evokes sympathy for all the characters; I strongly disagree. Colonel Behrani is a perfect example of why anti-immigration policies are insane. He works his tail off to provide a better life for his family and wants nothing from anyone except to be left alone to pursue the American Dream. He resembles a tragic hero, whose stubborn pride and unshakable faith in his dreams collude to help destroy him.
Kathy, on the other hand, even setting aside her addiction problems, has irresponsibly allowed legal events to get out of hand and now burns with a sense of false entitlement. Her lackadaisical approach to her job stands in stark contrast to Behrani's willingness to humble himself to take virtually any job. Her relationship with Lester results in his leaving a wife and two young children, a wife whose only failure is that Lester feels for her as he would towards a sister--hardly reason to destroy a family. And this step is merely Lester's first in a chain which becomes increasingly dubious, until his behavior can only be defined as pathological. By the end of the story I was begging Behrani to go and get a gun and put these two out of his misery.
Andre Dubus III is the son of one of America's greatest short story writers. His Dad having passed on, it's heartening to see him pick up the reigns. But please, have mercy on the reader; I could barely stand the last hundred pages of this book, I was so distraught. If you can withstand a story that is like watching a car accident in which one of your friends is driving, I heartily recommend this novel, but it's not for the faint of heart.
GRADE : A-
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