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Hellboy has finally returned from his adventures at sea, but no sooner has he settled on land than a conclave of witches drags him from his respite and into the heart of Russian folklore, where he becomes the quarry of the powerful and bloodthirsty witch Baba Yaga. Bent on revenge for the eye she had lost to Hellboy, Baba Yaga has enlisted the aid of a deathless warrior who will stop at nothing to destroy Hellboy. Creator Mike Mignola turns over drawing duties to Duncan Fegredo (Enigma, Ultimate Adventures) for a new chapter in the life of the World's Greatest Paranormal Investigator.
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カスタマーレビュー
最も参考になったカスタマーレビュー
7 人中、3人の方が、｢このレビューが参考になった｣と投票しています。
形式:ペーパーバック
このhelloy8は、1割がMignola氏で出来ています。この状況は、すでに翻訳済みの「プラハの吸血鬼」で兆候として見ることが出来ました。Mignolaファンはガッカリしていることと思います。
しかし、恐れる状況ではありません。
9割がDuncanFegredoという方のアートワークの様ですが、Fegredo氏はhellboyをうまく昇華しているように思います。Mignola氏のアートが無駄をそぎ落とし、どんどん"退化(退化は進化のひとつの形)"していくのに対して、
そのカウンターの様に現れた彼の、書き込むべき時にはに徹底して書き込む姿勢が、hellboy世界をじっくりと広げています。おそらく、今回のhellboy8がMignola氏のみで構成されていたならば、内容はそのままだとしても、ページ数は2/3程に減っていたのではないでしょうか。
申し訳程度に載せられたMignola氏のアート（EpilogueTwo）を見ていると、それはもうイメージイラストの域で、これから先のストーリー面でも、アートワーク面でも”躍動”は期待できない気もします。
それを含めても、Fegredo氏はより良い「hellboy」の後継者ではないでしょうか。
しかし、恐れる状況ではありません。
9割がDuncanFegredoという方のアートワークの様ですが、Fegredo氏はhellboyをうまく昇華しているように思います。Mignola氏のアートが無駄をそぎ落とし、どんどん"退化(退化は進化のひとつの形)"していくのに対して、
そのカウンターの様に現れた彼の、書き込むべき時にはに徹底して書き込む姿勢が、hellboy世界をじっくりと広げています。おそらく、今回のhellboy8がMignola氏のみで構成されていたならば、内容はそのままだとしても、ページ数は2/3程に減っていたのではないでしょうか。
申し訳程度に載せられたMignola氏のアート（EpilogueTwo）を見ていると、それはもうイメージイラストの域で、これから先のストーリー面でも、アートワーク面でも”躍動”は期待できない気もします。
それを含めても、Fegredo氏はより良い「hellboy」の後継者ではないでしょうか。
Amazon.com で最も参考になったカスタマーレビュー (beta)
Amazon.com:
17件のカスタマーレビュー
18 人中、16人の方が、｢このレビューが参考になった｣と投票しています。
Hellboy
2008/7/2
形式:ペーパーバック
Sometimes art doesn't matter. Sometimes it's the writing that carries a book through. Up to now, the Hellboy series has been a delicate balance between writing and artwork. Mignola's art is exceptional, and his writing is slightly more then above average. Unfortunatly this outing replaces his art with Duncan Fegredo's.
Fegredo is good, but, it is defiantly a step down from Mignola's work. Fortunately, Mignola continues the writing duties, which may well be the only reason the book really works.
Fegredo does his best to emulate Mignola's art style, and the book retains the limited color pallet common to the series. Unfortunately his art, which, while quite good, is also quite cluttered, and would probably benefit from a broader selection of colors. What his art lacks is the elegant surrealism that Mignola creates. The story itself retains every bit of Mignola's flavor, style and pacing.
If your primary interest in Mignola's work is in his writing, then this is every bit as good as what came before, as Hellboy explores a world of Russian folklore. If your love for the series comes primarily from his art, then expect to be disappointed. It's still Hellboy, but, somehow it feels less fluid then you've come to expect over the last 14 years.
Fegredo is good, but, it is defiantly a step down from Mignola's work. Fortunately, Mignola continues the writing duties, which may well be the only reason the book really works.
Fegredo does his best to emulate Mignola's art style, and the book retains the limited color pallet common to the series. Unfortunately his art, which, while quite good, is also quite cluttered, and would probably benefit from a broader selection of colors. What his art lacks is the elegant surrealism that Mignola creates. The story itself retains every bit of Mignola's flavor, style and pacing.
If your primary interest in Mignola's work is in his writing, then this is every bit as good as what came before, as Hellboy explores a world of Russian folklore. If your love for the series comes primarily from his art, then expect to be disappointed. It's still Hellboy, but, somehow it feels less fluid then you've come to expect over the last 14 years.
18 人中、16人の方が、｢このレビューが参考になった｣と投票しています。
Good Hellboy, Kick some A
2008/5/29
形式:ペーパーバック
This is not only a great story, but it also has amazing art. The artist who worked on this book did an amazing job that definitely impressed me. Being a fan of Mike's art work, I can sometimes me skeptical of other people that pick up the torch and illustrate his books. The art is amazing and I recommend it to any fan of Hellboy.
6 人中、5人の方が、｢このレビューが参考になった｣と投票しています。
Close-Read This One
2008/8/3
形式:ペーパーバック
I won't go into the plot much here, but I'll say this: close-read this one. Don't be surprised if you finish it quickly, only to find yourself missing a thing or two. Read it over a second time, taking it in slowly, and it should all fall into place.
That would be my main criticism, actually: Fegredo doesn't have the same sort of "leading" style that Mignola does, so it can be a challenge to know where the artist wants you to look. That interferes with the flow of the comic a little, and makes the circumstances of the initial conflict a little confusing.
Also, as much as Hellboy hates it, his adversaries usually talk more! The Council of Witches don't explicitly state what their problem is, and Gruagach (Hellboy: The Corpse) is vague as can be about what he's lugging around in that box. It's a little reminiscent of a short-lived Guy Davis project, the noir-superheroic "Nevermen", in that you have to read very closely, and even then, you have to infer some details.
I thoroughly enjoyed the tour through Russian history, though, and Mignola indulges us with a fight scene that, reminiscent of "The Wolves of Saint August" from The Chained Coffin and Other Stories (vol. 3), takes many pages indeed to come to a proper resolution. It's worth it, though: we get a stronger sense of the forces at work, and, as always, we see mythological figures taking themselves way too seriously. A delight!
That would be my main criticism, actually: Fegredo doesn't have the same sort of "leading" style that Mignola does, so it can be a challenge to know where the artist wants you to look. That interferes with the flow of the comic a little, and makes the circumstances of the initial conflict a little confusing.
Also, as much as Hellboy hates it, his adversaries usually talk more! The Council of Witches don't explicitly state what their problem is, and Gruagach (Hellboy: The Corpse) is vague as can be about what he's lugging around in that box. It's a little reminiscent of a short-lived Guy Davis project, the noir-superheroic "Nevermen", in that you have to read very closely, and even then, you have to infer some details.
I thoroughly enjoyed the tour through Russian history, though, and Mignola indulges us with a fight scene that, reminiscent of "The Wolves of Saint August" from The Chained Coffin and Other Stories (vol. 3), takes many pages indeed to come to a proper resolution. It's worth it, though: we get a stronger sense of the forces at work, and, as always, we see mythological figures taking themselves way too seriously. A delight!
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