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登録情報
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曲目リスト
| ディスク：1 | |||
|---|---|---|---|
| 1. Orfeo ed Euridice: Ouverture | |||
| 2. Orfeo ed Euridice: Atto Primo : Sventurata, che fo? (Euridice) | |||
| 3. Orfeo ed Euridice: Atto Primo : Ferma, ferma il piede, o principessa! | |||
| 4. Orfeo ed Euridice: Atto Primo : Che chiedete da me? (Euridice) | |||
| 5. Orfeo ed Euridice: Atto Primo : Filomena abbandonata (Euridice) | |||
| 6. Orfeo ed Euridice: Atto Primo : Cieli! Soccorso! Aita! | |||
| 7. Orfeo ed Euridice: Atto Primo : Rendete a questo seno (Orfeo) | |||
| 8. Orfeo ed Euridice: Atto Primo : Cara speme! Alme di scoglio! (Orfeo) | |||
| 9. Orfeo ed Euridice: Atto Primo : Oh prodigio, oh stupor | |||
| 10. Orfeo ed Euridice: Atto Primo : O poter dell'armonia! | |||
全26曲を見る
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| ディスク：2 | |||
| 1. Orfeo ed Euridice: Atto Terzo : Ah, sposo infelice! | |||
| 2. Orfeo ed Euridice: Atto Terzo : Al cielo te ne voli (Orfeo) | |||
| 3. Orfeo ed Euridice: Atto Terzo : Ah, sposo infelice! | |||
| 4. Orfeo ed Euridice: Atto Terzo : Che sar mai d'Orfeo? (Creonte) | |||
| 5. Orfeo ed Euridice: Atto Terzo : Chi spira e non spera (Creonte) | |||
| 6. Orfeo ed Euridice: Atto Terzo : Venerata Sibilla (Orfeo) | |||
| 7. Orfeo ed Euridice: Atto Terzo : Al tuo seno fortunato | |||
| 8. Orfeo ed Euridice: Atto Terzo : Costanza a me si chiede? (Orfeo) | |||
| 9. Orfeo ed Euridice: Atto Terzo : La giustizia in cor regina | |||
| 10. Orfeo ed Euridice: Atto Quarto : Infelici ombre dolenti | |||
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全27曲を見る
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商品の説明
Amazon.com essential recording
A surprising fact from the musicological realm is that Haydn wrote about the same number of operas as Mozart--though it's true that some of them were written for the marionette theater at Esterhaza, rather than the opera house. In other words, old "Gius[eppe] Haydn"--as the title page of this opera refers to him--was a master. Better known to some by its alternate title, L'anima del filosofo, Haydn's Orfeo ed Euridice was written in 1791 for the King's Theater, Haymarket, during the composer's first English sojourn, but went unperformed there or anywhere else until 1950. The libretto, by Carlo Francesco Badini, is based on Ovid's Metamorphoses, with its decidedly unhappy ending to the story (Euridice dies a second time, Orpheus is poisoned, and the Bacchantes perish in a storm). While the score as a whole does not possess the kind of momentum or dramatic sweep one finds in Mozart, it nonetheless is vintage Haydn: highly imaginative in its use of a large orchestra, with numerous fine choruses and beautiful arias. A strong cast has been assembled for this recording, with Cecilia Bartoli a special delight in two roles--Euridice, a lyric role requiring remarkable agility, and the Genio (or Sybill), originally written for a castrato, whose one aria ("Al tuo seno fortunato") is a coloratura tour de force. The score is played with marvelous fluency by the Academy of Ancient Music under the direction of Christopher Hogwood, contributing to a realization that is, in every respect, elegantly informed. --Ted Libbey
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- ミュージック > 輸入盤 > Classical > Opera & Vocal > Performers > Mezzo-Soprano > Bartoli, Cecilia
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