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商品の説明
Book Description
Reader t.b.a.
approx. 3 hours
2 cassettes
Afer a dying criminal confesses that his loot has been stashed "in the tower" the Hardy Boys make an astonishing discover.
--このテキストは、絶版本またはこのタイトルには設定されていない版型に関連付けられています。
approx. 3 hours
2 cassettes
Afer a dying criminal confesses that his loot has been stashed "in the tower" the Hardy Boys make an astonishing discover.
--このテキストは、絶版本またはこのタイトルには設定されていない版型に関連付けられています。
著者について
Franklin W. Dixon and Carolyn Keene are the pen names for Edward L. Stratemeyer who originally began both series. It is not proven, but said, that his daughters updated and continued the series after their father's death in 1930.
--このテキストは、絶版本またはこのタイトルには設定されていない版型に関連付けられています。
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カスタマーレビュー
最も参考になったカスタマーレビュー
4 人中、4人の方が、｢このレビューが参考になった｣と投票しています。
形式:ハードカバー|Amazonが確認した購入
フランクは高校３年生、弟ジョーは高校２年生、有名な探偵を父に持つ兄弟だ。ある日友人チェトの大事な車が盗まれ、ハーディー兄弟は追跡を始めた。しかし町の人達は車泥棒どころではなく、町の名所になっている２つの塔のある大邸宅に泥棒が入った話題でもちきりだった。宝石と多額の株券が盗まれたというその事件で、犯人と目されたのは管理人ロビンソンだった。ロビンソンの息子スリムと同級生のフランクは、以前からロビンソン夫妻をよく知っており、絶対に彼が犯人であるはずがないと確信して、必ず真犯人を見つけようと弟ジョーと２人で調査を開始した．．．
多少の古くささは感じますが、それでも昭和２年に書かれたと聞けば、その当時の日米格差に驚くばかりです。そして何十年も前に書かれた英文には、私達が学校で習わないような極端に口語的な表現やスラングがあまり出てこず、また身の回りの着るものや食べ物の名称の多くも、すでにカタカナ語になっていますから、現代物の子供向けの本よりもずっと読みやすく感じます。「いつかペーパーバックが読めるようになりたい」と思っておられる方の練習用にも好適なシリーズだと思います。
形式:ハードカバー
アメリカの少年・ヤングアダルト向け探偵小説の古典である。高校生のFrankとJoeは、国際的な名探偵Fenton Hardyの息子。父親にあこがれる彼らは、級友たちとチームを結成し、赤毛の強盗事件、友人Chetの車盗難事件、Applegate家の資産盗難事件に挑む。
誤解をおそれず言ってしまうと、Hardy親子は「明智小五郎と小林少年×２」のイメージである。仲間たちとの共同調査は少年探偵団を連想させる。江戸川乱歩がもしこれを読んでいたら（読んでいたかどうかは知らないが）、大いに参考にした部分もあったのではないか。
古き良き少年探偵小説のイメージが濃厚に残っていて、それを期待して読む人にはおすすめできる。フォントがタイプライター調なのもそれっぽくていい。ただし、前半の強盗事件と後半の宝探しがうまくまとまっておらず、ひとつの作品として、プロット的に成功しているとは言い難い。『暗黒星』の一場面を思わせる謎めいた表紙のシーンも、あまり盛り上がることなくサラッと流されてしまう。幸い２巻は普通に面白かったので、こうした欠点はシリーズ共通のものではないようだ。これがシリーズのBigining of beginingsなわけだが、作者も力が入りすぎてしまったのだろうか。
誤解をおそれず言ってしまうと、Hardy親子は「明智小五郎と小林少年×２」のイメージである。仲間たちとの共同調査は少年探偵団を連想させる。江戸川乱歩がもしこれを読んでいたら（読んでいたかどうかは知らないが）、大いに参考にした部分もあったのではないか。
古き良き少年探偵小説のイメージが濃厚に残っていて、それを期待して読む人にはおすすめできる。フォントがタイプライター調なのもそれっぽくていい。ただし、前半の強盗事件と後半の宝探しがうまくまとまっておらず、ひとつの作品として、プロット的に成功しているとは言い難い。『暗黒星』の一場面を思わせる謎めいた表紙のシーンも、あまり盛り上がることなくサラッと流されてしまう。幸い２巻は普通に面白かったので、こうした欠点はシリーズ共通のものではないようだ。これがシリーズのBigining of beginingsなわけだが、作者も力が入りすぎてしまったのだろうか。
Amazon.com で最も参考になったカスタマーレビュー (beta)
Amazon.com:
82個のレビュー
62 人中、59人の方が、｢このレビューが参考になった｣と投票しています。
Shades of My Misspent Youth
2003/2/23
形式:ハードカバー|Amazonが確認した購入
Hopefully, the reader will not mind if I wax nostalgic for a paragraph, but The Hardy Boys were an important part of my childhood. I got one book on the holidays and one for my birthday for some 5 years straight, and these were my entire personal library for some time. I owe all the thousands of books I have come to enjoy to a royal elephant, a detective pig, and Frank and Joe, the two inquisitive sons of Fenton Hardy. Now it is forty-some years later, and the temptation to see if I could go back again is simply too strong.
'The Tower Treasure' is the very first, in which Frank and Joe start out trying to track down a stolen car for a friend, and suddenly find themselves embroiled in a jewel theft at the Tower Mansion. The father of another of their friends is a suspect, and the boys join with their father in the effort to bring the right man to justice.
What makes these books work is that, while the plots are not particularly convolute, the books are peopled with many delightful characters and narrative. Adventures are had, wonderful secrets are divulged, the bad are punished and the good rewarded. In this day and age of equivocal messages, the clean, straightforward approach to life of Frank and Joe Hardy is like a breath of fresh air.
I found the book quite engaging, even after all these years. I was quite envious of the Hardys, who even had their own motorcycles, and I find flickers of the same feelings even today. After all, I still don't have a motorcycle. I wish I could have grown up solving mysteries and adventuring with my sibling and father, but books like 'The Tower Treasure' turned out to be the next think. I learned a lot from Frank and Joe, and I think those values are still worth promoting.
30 人中、26人の方が、｢このレビューが参考になった｣と投票しています。
The book that began a dynasty!
1998/8/27
形式:ハードカバー
Kudos to Applewood books for re-issuing this original text Hardy Boys book that started a line- up of great stories for youth that are still being published today. Most younger baby-boomers will not remember this story in its original form, as the text was substantially revised in the latter 1950's. This earlier, more hearty (no pun intended) story makes the revision pale by comparison. Applewood's reissue of Tower Treasure puts the series in its proper context. This story is truly the reader's introduction to Frank and Joe Hardy, and their mysteries. More than just nostalgia, this book is fun to read. If you read it to your children, you may have to put some of it in proper historical context, but that's part of the fun. I have found all of the original-text stories much more entertaining and substantial than the revised editions. Applewood has released six original-text Hardy's so far. I own them all, and highly recommend each one. In fact, I plan to purchase any of the original text Hardy stories Applewood will issue.
42 人中、35人の方が、｢このレビューが参考になった｣と投票しています。
Bowdlerized Imitation
2006/3/31
形式:ハードカバー
Starting in the mid-1960s, the publisher of this series started to rewrite these books.
In part, of course, this was to spike sales. The publishers were sure that sagging sales in the 60s were due to obsolete slang terms, and that spiffing the language up would help. So, "roadster" becomes "hot rod," "bowler" becomes "hat," and "hip flask" becomes "stash."
If only this was the end of it, though. In 1927, it was just fine to use ethnic stereotypes and labels. The white people in the book casually used shocking terms to describe women, Mexicans and African Americans.
I won't repeat them here, in deference to today's well-placed sensibilities. But Franklin W. Dixon also rendered ethnic speech in a literal sense not seen today, and this, too, fell victim to the revisionist sensibilities that informed the editing job. Art is lost.
Given the opportunity, the "rewriters" also could have resolved several unsolved problems in the 1927 original. These issues remain a mystery, even eighty years later:
1. How did Chet actually recover his yellow roadster?
2. It seems, on page 67 of the original, that Frank and Joe actually trade identities. Did they ever revert to their actual selves before the end?
3. Who's Peggy?
4. The purpose for which the Tower was built is never established.
If you can get a hold of any copy of the rare 1927 original, you'll like it better. Well, in any event, this is a fun read, even as deconstructed.
In part, of course, this was to spike sales. The publishers were sure that sagging sales in the 60s were due to obsolete slang terms, and that spiffing the language up would help. So, "roadster" becomes "hot rod," "bowler" becomes "hat," and "hip flask" becomes "stash."
If only this was the end of it, though. In 1927, it was just fine to use ethnic stereotypes and labels. The white people in the book casually used shocking terms to describe women, Mexicans and African Americans.
I won't repeat them here, in deference to today's well-placed sensibilities. But Franklin W. Dixon also rendered ethnic speech in a literal sense not seen today, and this, too, fell victim to the revisionist sensibilities that informed the editing job. Art is lost.
Given the opportunity, the "rewriters" also could have resolved several unsolved problems in the 1927 original. These issues remain a mystery, even eighty years later:
1. How did Chet actually recover his yellow roadster?
2. It seems, on page 67 of the original, that Frank and Joe actually trade identities. Did they ever revert to their actual selves before the end?
3. Who's Peggy?
4. The purpose for which the Tower was built is never established.
If you can get a hold of any copy of the rare 1927 original, you'll like it better. Well, in any event, this is a fun read, even as deconstructed.
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