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Handel's Operas, 1704-26
 
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Handel's Operas, 1704-26 [ハードカバー]

Winton Dean , John Merrill Knapp


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ハードカバー ¥ 11,642  
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After two centures of near-total neglect, Handel's operas are now increasingly popular in the theatre, but modern productions are hampered by dependence on obsolete and inaccurate editions, and by ignorance of the musical and theatrical practice of Handel's age. Although Handel's autographs and performing scores have long been available, they have never before been fully studied, still less the very early manuscript copies. The manuscripts have yielded a great deal of unknown music, besides throwing fresh light on Handel's methods of composition and performance practice.
This book covers Handel's first seventeen surviving operas, including his greatest and most successful. Each opera has a chapter, with a full synopsis of the libretto (including all original stage directions) and a comparison with its literary and dramatic sources. Each chapter covers the history of the opera in performance and the different versions in the manuscripts. Every known surviving manuscript has been examined. Eight appendices cover all performances in Handel's time, borrowings, modern revivals, new information on his singers, and a complete index of Italian first lines in all Handel's works.

About the Authors:

Wynton Dean is the author of Handel's Dramatic Oratorios and Masques. John Merrill Knapp is Emeritus Professor of Music at Princeton University.

レビュー

One of the great monuments of musical scholarship of our day - a mine of information lucidly delved, sharply stimulating...a pleasure to read for its crisply expressed, infinitely discerning and above all loving responses to the works themselves. FINANCIAL TIMESThis volume is a monument to the source-critical method. It is a rigorous investigation of the bewilderingly abundant musical and literary sources of each opera, and its most lasting influence will be on future editions of Handel's music. EARLY MUSICThis is a volume that every listener to or viewer of Handel's operas will want to purchase, and examine at length...Top marks for this reissue. FANFARE --このテキストは、 ハードカバー 版に関連付けられています。

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Amazon.com: 5つ星のうち 5.0  3 件のカスタマーレビュー
14 人中、14人の方が、「このレビューが参考になった」と投票しています。
5つ星のうち 5.0 A Great Book about Handel's Operas 2000/7/20
投稿者 カスタマー - (Amazon.com)
形式:ペーパーバック
The interest in Handel's stage music has risen considerably in the last few decades, and one really needs a book like this for an in-depth reference about the genesis and analysis of his operas. Here one can find a bit about Handel's life as well, but the main focus is on the musico-dramatic structure of his works. I found the author's analysis of Handel's usage of da-capo conventions to create living characters particularly illuminating. The only warning to the potential buyers: this volume talks only about the operas written until 1724, so it does not include analyses of such major works as Alcina, Serse or Ariodante. We still have to wait for the next volume.
5 人中、5人の方が、「このレビューが参考になった」と投票しています。
5つ星のうち 5.0 In Depth and Easy To Read 2005/8/26
投稿者 C. Counts - (Amazon.com)
形式:ハードカバー
This is a remarkable book. I have been an avid Handel fan since before it was fashionable and I can't tell you how many times I have referred to this book. It contains incredible history and facts, as well as insights into the libretto (including plot structure), relationships of arias to other compositions (= Handel's famous "borrowing"), instrumentation, etc. A real wealth of knowledge.

I have been waiting since 1995 for Volume II where Handel's best (and conversely, most pathetic) works would be analyzed. Sadly, I understand that Mr. Dean has since passed away and thus, I doubt that I will ever see the work completed. If any of you out there are musicologists and/or music historians, please consider filling in this disappointing gap!
1 人中、1人の方が、「このレビューが参考になった」と投票しています。
5つ星のうち 5.0 the best from the best 2010/12/1
投稿者 Renato Baserga - (Amazon.com)
形式:ハードカバー|Amazonで購入
this is a scholarly book on Handel's operas, there is a 2nd volume that treat the operas after 1726. Both are by Dean Winton and he is the best critic on Handel's operas, and Handel's operas are the best Baroque operas. A winning combination. There is not much else to say. If you like Handel's operas, and you wish to understand them better, this book and its companion are a must.
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