Would you like to see this page in English? Click here.

この商品をお持ちですか? マーケットプレイスに出品する
Great Pianists of the Century
 
イメージを拡大
 

Great Pianists of the Century [Import]

Rosalyn Tureck , Bach CD


出品者からお求めいただけます。



キャンペーンおよび追加情報

  • 輸入盤CD、一部簡易包装についてのお知らせ:輸入盤CDにつきましては、環境保護のため、ビニール包装、開封防止シールの貼付等がされていない場合があります。あらかじめご了承ください。

  • 【限定版/初回版・特典について】Amazonマーケットプレイスの出品者が販売、発送する商品の場合は、出品者のコメントをご確認いただくか、出品者にお問い合わせの上でご注文ください。


この商品をチェックした人はこんな商品もチェックしています


登録情報


ディスク:1
1. 'Goldberg' Variations, BWV 988 (Klavierubung IV): Aria
2. 'Goldberg' Variations, BWV 988 (Klavierubung IV): Variation I. a 1 Clav.
3. 'Goldberg' Variations, BWV 988 (Klavierubung IV): Variation II. a 1 Clav.
4. 'Goldberg' Variations, BWV 988 (Klavierubung IV): Variation III. Canone all'Unisono a 1 Clav.
5. 'Goldberg' Variations, BWV 988 (Klavierubung IV): Variation IV. a 1 Clav.
6. 'Goldberg' Variations, BWV 988 (Klavierubung IV): Variation V. a 1 ovvero 2 Clav.
7. 'Goldberg' Variations, BWV 988 (Klavierubung IV): Variation VI. Canone alla Seconda a 1 Clav.
8. 'Goldberg' Variations, BWV 988 (Klavierubung IV): Variation VII. a 1 ovvero 2 Clav. Al tempo di Giga
9. 'Goldberg' Variations, BWV 988 (Klavierubung IV): Variation VIII. a 2 Clav.
10. 'Goldberg' Variations, BWV 988 (Klavierubung IV): Variation IX. Canone alla Terza a 1 Clav.
全26曲を見る
ディスク:2
1. 'Goldberg' Variations: Variation XXVI. a 2 Clav.
2. 'Goldberg' Variations: Variation XXVII. Canone alla Nona a 2 Clav.
3. 'Goldberg' Variations: Variation XXVIII. a 2 Clav.
4. 'Goldberg' Variations: Variation XXIX. a 1 ovvero 2 Clav.
5. 'Goldberg' Variations: Variation XXX. Quodlibet a 1 Clav.
6. 'Goldberg' Variations: Aria
7. French Overture (Partita) In B Minor, BWV 831 (From: Klavierubung II): 1. Ouverture
8. French Overture (Partita) In B Minor, BWV 831 (From: Klavierubung II): 2. Courante
9. French Overture (Partita) In B Minor, BWV 831 (From: Klavierubung II): 3. Gavotte I & II
10. French Overture (Partita) In B Minor, BWV 831 (From: Klavierubung II): 4. Passepied I & II
全21曲を見る

商品の説明

Amazonレビュー

Ever since a New York Times critic labeled Rosalyn Tureck the "high priestess of Bach," the epithet has stuck. It seems appropriate on several levels at once: not just for the sense of ritual that emerges from Tureck's interpretations--which can give the impression of a medium making contact--but in the cultlike devotion the Chicago-born pianist has inspired over a very long career, beginning as a prodigy in the '30s. Curiously enough, the young Tureck was also an exponent of modern music, and in 1930 actually premiered Léon Thérémin's electronic keyboard in Carnegie Hall. But it's with the music of Bach that Tureck has become inextricably linked, preserving her unique approach to this composer against the tides of fashion as well as the juggernaut of the "historically informed performance" movement--including her conviction of the validity of performing Bach's keyboard works on the piano (in one famous Carnegie Hall concert, she gave the entire Goldberg Variations twice, on harpsichord and then on piano).

The Goldberg Variations may well be the ultimate Tureck touchstone; of the six commercial recordings she's made throughout her career (the most recent was taped in 1997), this account was made in the Abbey Road Studios in 1957 and may well be her most compelling. Despite the tape hiss, the late '50s--when the other recordings here were made as well--are vintage Tureck years. The quintessential vision--with the trademark slow tempos that can make time seem to stand still, the wondrous clarity of line, the deep focus of mind--is all there, as well as Tureck's sparkling, exquisite pointing and amazing independence of hands. It's less surprising than it might seem at first that Tureck's polar opposite, Glenn Gould, prized her interpretations so highly. And while it may come across as too mannered--or even pedantic--to latter-day listeners, Tureck's patience bears fruit in the most inward of the variations and, most impressive, in the aria's return--in her own words, "one of the most sublime moments in all music." The set includes beautifully marbled accounts of the Partita BWV 831 and duets from the Klavierübung, as well as an exuberant realization of the Italian Concerto in F. These are performances to savor over and over. --Thomas May



カスタマーレビュー

まだカスタマーレビューはありません。
星5つ
星4つ
星3つ
星2つ
星1つ
ARRAY(0xab75dea0)

クチコミ

クチコミは、商品やカテゴリー、トピックについて他のお客様と語り合う場です。お買いものに役立つ情報交換ができます。
この商品のクチコミ一覧
内容・タイトル 返答 最新の投稿
まだクチコミはありません

複数のお客様との意見交換を通じて、お買い物にお役立てください。
新しいクチコミを作成する
タイトル:
最初の投稿:
サインインが必要です
 

クチコミを検索
すべてのクチコミを検索
   


関連商品を探す


フィードバック