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Going Home
 
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Going Home [ペーパーバック]

Doris Lessing
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"Africa belongs to the Africans; the sooner they take it back the better. But--a country also belongs to those who feel at home in it. Perhaps it may be that love of Africa the country will be strong enough to link people who hate each other now. Perhaps..."

Going Home is Doris Lessing's account of her first journey back to Africa, the land in which she grew up and in which so much of her emotion and her concern are still invested. Returning to Southern Rhodesia in 1956, she found that her love of Africa had remained as strong as her hatred of the idea of "white supremacy" espoused by its ruling class. Going Home evokes brilliantly the experience of thepeople, black and white, who have shaped and will shape a beloved country.

Book Description

"Africa belongs to the Africans; the sooner they take it back the better. But--a country also belongs to those who feel at home in it. Perhaps it may be that love of Africa the country will be strong enough to link people who hate each other now. Perhaps..."

Going Home is Doris Lessing's account of her first journey back to Africa, the land in which she grew up and in which so much of her emotion and her concern are still invested. Returning to Southern Rhodesia in 1956, she found that her love of Africa had remained as strong as her hatred of the idea of "white supremacy" espoused by its ruling class. Going Home evokes brilliantly the experience of thepeople, black and white, who have shaped and will shape a beloved country.


登録情報

  • ペーパーバック: 256ページ
  • 出版社: Harper Perennial; 1st HarperPerennial Ed版 (1996/3/1)
  • 言語 英語, 英語, 英語
  • ISBN-10: 0060976306
  • ISBN-13: 978-0060976309
  • 発売日: 1996/3/1
  • 商品の寸法: 20.3 x 13.4 x 1.6 cm
  • おすすめ度: 5つ星のうち 4.0  レビューをすべて見る (1 カスタマーレビュー)
  • Amazon ベストセラー商品ランキング: 洋書 - 1,229,403位 (洋書のベストセラーを見る)
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1 人中、1人の方が、「このレビューが参考になった」と投票しています。
By recluse VINE™ メンバー
形式:ペーパーバック|Amazonが確認した購入
悲しい作品です。というのは、この作品を読む私たちは、その後の悲しい歴史と悲惨な現状を知っているわけで、その前提の中で、この1956年の記録を読み直すことになるからです。究極的には徒労と化した白人たちの無知頑迷ぶりを現時点の価値観から追体験するのは簡単な行為です。むしろ彼らをここまでして”反動”ならしめた仕組みとその心理状況の解明こそ必要なものかもしれません。でも著者は同じイギリス人としてこの仕組みの解明には余り深入りはしません。もっぱらこの現状への普遍的な立場(共産主義者)からの弾劾とローデシアという消えつつある風景の描写が中心となります。話は、著者がジャーナリストとして故郷ローデシアを数年ぶりに(1956年)に訪れることから始まります。作品はまずアフリカの大地の描写から始まり、次に戦後の非植民地化の波に襲われたローデシアの現状とその”消えつつある風景”がさまざまな側面からルポされていきます。住宅や土地、教育政策そして産業化の現状が描写されます。どの現状も変化と抵抗そして政治的な妥協の力学に特徴付けられていますが、そこに一貫しているのは根強い白人の合法的な装いをまとったエゴです。抵抗する白人たちの行動は、ここでもイギリスの社会の階級構造と価値観に規定されています。著者自身はローデシアの英連邦からの離脱とその後の政治的な混迷を近未来の現象として予測することには成功してはいません。著者の主張は政治的な願望の吐露です。願望は皮肉な形で実現しましたが、彼女の原風景でもある”ローデシア”という生活様式と風景は消えてしまいました。
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A review of Going Home by Doris Lessing 2007/11/25
By Philip Spires - (Amazon.com)
形式:ペーパーバック
It is fifty years since Doris Lessing published Going Home, an account of her return to Rhodesia, the country where she grew up. By then in her thirties, she had already achieved the status of restricted person because of her political allegiances and her declared opposition to illiberal white rule. These days Zimbabwe makes the news because of internal strife and oppression. It is worth remembering, however, that fifty years ago the very structures of Southern Rhodesian society were built upon oppression, an oppression based purely on race.

Fifty years on Doris Lessing's Going Home an historical record of this noxious system, a record that is more effective, indeed more powerful because of its reflective and observational, rather than analytical style. Doris Lessing, a one-time card-carrying Communist, laid a large slice of the blame for the perpetuation of discrimination firmly at the door of the white working class. Though not all white workers were rich - indeed she records that many were abjectly poor - what they had and sought to preserve was an elevated status relative to the black population. She describes white artisans as white first and artisans second. Though trade unions actively sought equal pay for equal work, they never campaigned for any kind of parity for black workers. On the contrary, they demanded the maintenance of racially differentiated pay rates. How's that for the spirit of socialist internationalism and brotherhood! (I accept there is a misplaced word there...). In fact Doris Lessing records that it was the relatively liberal capitalist enterprises that demanded more black labour, their motive of course arising from cost savings, not philanthropy. So trade unions spent much of their time making sure that companies hired their quota of higher paid, white labour.

Even in the 1950s, she remarks on the likelihood that many Africans were already better educated than their white counterparts. White youth shunned education as unnecessary, while Africans saw it as a possible salvation. She notes that the people who treated the African population the worst were recent immigrants from Europe, particularly those from Britain, who tended to be less educated themselves and drawn from the ranks of the politically reactionary. Such people, apparently, were equally critical of immigrants from southern Europe, and expected Spaniards and Greeks to work for African wages, not the white wages that they themselves demanded.

The situation in Rhodesia, clearly, had to change. Not only was such crass discrimination unsustainable, it was also comic, as are all racially posited class systems. While the South Africans over the border created honorary whites of the Japanese they increasingly had to do business with, the Rhodesians went through their own equally idiotic contortions. An example of such nonsense is quoted by Doris Lessing when she remarks that there was a privileged group of Africans who were granted the right not to carry passes with them at all times, as long as they carried a pass to record their exemption.

But it is also worth remembering that Doris Lessing, herself, was a banned person, unable to travel to certain places and very much under the watchful eyes of the authorities. In Going Home she observes a society that had to collapse under the weight of its unsustainable contradictions. The fact that this took more than twenty years after the book was written was nothing less than a crime, and probably contributed to the subsequent and equally lamentable reaction.

Doris Lessing records seeing a British film towards the end of her travels. She describes it as a "cosy little drama of provincial snobberies and homespun moralities played out in front of African farmers in their big cars". Fifty years on, Britain is probably cosy and provincial, and the snobberies are still rife. But now it is not Rhodesia where these reactionaries look down on people of other races overpay and under-educated themselves. It is not in Africa where corporations would dearly love to employ cheaper labour, imported if need be. Rhodesia's white privilege of the 1950s was obviously absurd. But there are some parallels with economic and class relations in the Britain of today and, like all good books, Doris Lessing's Going Home may even add prescience to its qualities.
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