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The epic battle between man and monster reaches its greatest pitch in the famous story of Frankenstein. In trying to create life, the young student Victor Frankenstein unleashes forces beyond his control, setting into motion a long and tragic chain of events that brings Victor himself to the very brink. How he tries to destroy his creation, as it destroys everything Victor loves, is a powerful story of love, friendship …and horror.
@NotoriousDOC Just did a bit-torrent-style grave robbery. My new ‘man’ will be an artful collage. Also, good conversation starter.
It’s alive! I’d better beat it over the head repeatedly with a fire extinguisher.
So sometimes you build something, and it gets away. They’re gonna can me at the university if they find out about this.
From Twitterature: The World's Greatest Books in Twenty Tweets or Less
Amazon.com
Frankenstein, loved by many decades of readers and praised by such eminent literary critics as Harold Bloom, seems hardly to need a recommendation. If you haven't read it recently, though, you may not remember the sweeping force of the prose, the grotesque, surreal imagery, and the multilayered doppelgänger themes of Mary Shelley's masterpiece. As fantasy writer Jane Yolen writes of this (the reviewer's favorite) edition, "The strong black and whites of the main text [illustrations] are dark and brooding, with unremitting shadows and stark contrasts. But the central conversation with the monster--who owes nothing to the overused movie image but is rather the novel's charnel-house composite--is where [Barry] Moser's illustrations show their greatest power ... The viewer can all but smell the powerful stench of the monster's breath as its words spill out across the page. Strong book-making for one of the world's strongest and most remarkable books." Includes an illuminating afterword by Joyce Carol Oates.
--このテキストは、絶版本またはこのタイトルには設定されていない版型に関連付けられています。
--このテキストは、絶版本またはこのタイトルには設定されていない版型に関連付けられています。
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形式:マスマーケット
この本は一般に知られている「フランケンシュタイン」の原作（英語）です。 どの本もどの映画も原作には忠実ではありません。このモンスターはただ普通の人間として存在したいだけです。知性的で純粋な内面を持っています。 生まれた意味がないと絶望し、創造主、すべてを恨み、 モンスターの殺戮の日々が始まります。 しかし、最後でわかる根底にある殺戮の「理由」が切ない。１９世紀の最初に書かれたこの物語は心理学、哲学的な意味を含んでいます。人間という生き物をを深く掘り下げている物語です。 知性も心もない「フランケンシュタイン」しかしらない人は 原書も読んでみて欲しいです。
1 人中、1人の方が、｢このレビューが参考になった｣と投票しています。
形式:ハードカバー
Victor grew up reading the works of Paracelsus, Agrippa, and Albertus Magnus, the alchemists of the time. Toss in a little natural philosophy (sciences) and you have the making of a monster. Or at least a being that after being spurned for looking ugly becomes ugly. So for revenge the creature decides unless Victor makes another (female this time) creature, that Victor will also suffer the loss of friends and relatives. What is victor to do? Bow to the wishes and needs of his creation? Or challenge it to the death? What would you do?
Although the concept of the monster is good, and the conflicts of the story well thought out, Shelly suffers from the writing style of the time. Many people do not finish the book as the language is stilted and verbose for example when was the last time you said, “Little did I then expect the calamity that was in a few moments to overwhelm me and extinguish in horror and despair all fear of ignominy of death.”
Much of the book seems like travel log filler. More time describing the surroundings of Europe than the reason for traveling or just traveling. Many writers use traveling to reflect time passing or the character growing in stature or knowledge. In this story they just travel a lot.
This book is definitely worth plodding through for moviegoers. The record needs to be set strait. First shock is that the creator is named Victor Frankenstein; the creature is just “monster” not Frankenstein. And it is Victor that is backwards which added in him doing the impossible by not knowing any better. The monster is well read in “Sorrows of a Young Werther,” “Paradise Lost,” and Plutarch’s “Lives.” The debate (mixed with a few murders) rages on as to whether the monster was doing evil because of his nature or because he was spurned?
Although the concept of the monster is good, and the conflicts of the story well thought out, Shelly suffers from the writing style of the time. Many people do not finish the book as the language is stilted and verbose for example when was the last time you said, “Little did I then expect the calamity that was in a few moments to overwhelm me and extinguish in horror and despair all fear of ignominy of death.”
Much of the book seems like travel log filler. More time describing the surroundings of Europe than the reason for traveling or just traveling. Many writers use traveling to reflect time passing or the character growing in stature or knowledge. In this story they just travel a lot.
This book is definitely worth plodding through for moviegoers. The record needs to be set strait. First shock is that the creator is named Victor Frankenstein; the creature is just “monster” not Frankenstein. And it is Victor that is backwards which added in him doing the impossible by not knowing any better. The monster is well read in “Sorrows of a Young Werther,” “Paradise Lost,” and Plutarch’s “Lives.” The debate (mixed with a few murders) rages on as to whether the monster was doing evil because of his nature or because he was spurned?
形式:ハードカバー
簡略版ですが、CDが入っているのが魅力です。
フランケンシュタインの不気味さが表されているCDです。
文字だけでなく、音でも楽しめます。
フランケンシュタインの不気味さが表されているCDです。
文字だけでなく、音でも楽しめます。
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