|
||||||||||||||||||||
|
||||||||||||||||||||
|
||||||||||||||||||||
商品の説明
内容説明
The introduction gives an overview of Hitchcock's long career, with special attention to the varied influences on his work; themes that run through many of his films, from the 'transference of guilt', to the connection between knowledge and danger; the overlooked importance of his presence within his films, including his famous cameo appearances and characters who represent him within the story; his fascination with performance and the ambiguities of illusion and reality; the question of viewing him and his work through the auteur theory; and other issues. Also discussed is the relationship between Hitchcock as a serious, even tormented artist and Hitchcock as a magician with a weakness for cinematic practical jokes. Six chapters then provide in-depth examinations of key films: Blackmail, his first talkie; Shadow of a Doubt, one of his personal favourites; The Wrong Man, which questions the nature of guilt and innocence; Vertigo, arguably his most profound work; Psycho, his most savage look at the nature of evil; and The Birds, his last masterpiece and one of his most widely misunderstood works.
Book Description
The introduction gives an overview of Hitchcock's long career, with special attention to the varied influences on his work; themes that run through many of his films, from the "transference of guilt," to the connection between knowledge and danger; the overlooked importance of his presence within his films, including his famous cameo appearances and characters who represent him within the story; his fascination with performance and the ambiguities of illusion and reality; the question of viewing him and his work through the auteur theory; and other issues. Also discussed is the relationship between Hitchcock as a serious, even tormented artist and Hitchcock as a magician with a weakness for cinematic practical jokes. Six chapters then provide in-depth examinations of key films: Blackmail, his first talkie; Shadow of a Doubt, one of his personal favorites; The Wrong Man, which questions the nature of guilt and innocence; Vertigo, arguably his most profound work; Psycho, his most savage look at the nature of evil; and The Birds, his last masterpiece and one of his most widely misunderstood works. David Sterritt is film critic at The Christian Science Monitor and Adjunct Assistant Professor in the Graduate Film Division of Columbia University.
登録情報
|
この本のなか見！検索より
（詳細はこちら）
この商品を見た後に買っているのは？
この商品にタグをつける(詳細)タグは、商品との関連性が非常に強いキーワードまたはラベルのようなものです。
タグにより、すべてのお客様がお気に入りの商品の整理と確認を行うことができます。 ※タグは初期設定で公開になっています。詳しくはこちら |
カスタマーレビュー
Amazon.com で最も参考になったカスタマーレビュー (beta)
Amazon.com:
1個のレビュー
23 人中、20人の方が、｢このレビューが参考になった｣と投票しています。
a MUST for Hitchcock fans
2000/3/31
形式:ペーパーバック
Sterritt's book is somewhat modest compared to the many other tomes on cinema's Grand Wizard; he tackles only a dozen or so of the films in a few unassuming essays -- but he does a brilliant job, adding to the wealth of insights on such classics as "Shadow of a Doubt." His piece on "Psycho" is outrageous, claiming that it's actually a film about MONEY, and that money is equated with human excrement -- and he proves his case! (Marion flushes her calculations down the toilet; Cassidy says, "She sat there while I dumped it out"!) The introductory essay is also very insightful, esp. about Hitch's oversight of his own films. (Sterritt claims that H's cameos are signs that he is ever-present and always monitoring his creation.) I love Hitch, I have practically every book written about him and his work, and I can recommend this book unreservedly.
このレビューはお役に立ちましたか？
ご意見はクチコミでお聞かせください。
リストマニア
関連商品を探す
- 洋書 > Arts & Photography > Performing Arts
- 洋書 > Entertainment > Movies > History & Criticism
- 洋書 > Entertainment > Performing Arts
- 洋書 > Literature & Fiction > Genre Fiction > Movie Tie-Ins
- 洋書 > Nonfiction > Social Sciences
- 洋書 > Special Features > By Authors > Arts & Photography
- 洋書 > Special Features > all foreign books
同じキーワードの商品を探す
フィードバック
- カタログ情報、または画像について報告
- 著者からのコメント
- 出版社からのコメント
|
