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カスタマーレビュー
最も参考になったカスタマーレビュー
3 人中、3人の方が、｢このレビューが参考になった｣と投票しています。
形式:ペーパーバック
「楽譜の書き方」よりももっと突っ込んで記譜のルールを記している。連桁の傾き、符尾の長さ、休符の五線上の位置、五線外の位置、装飾音等の小さい音符のサイズ、加線、強弱記号や速度指示記号の縦位置等細かく記述されている。
この小さい本の前書きにもclarityが重要と強調している。ただの記譜のことじゃなくて音符を並べた後の見やすさを
言っている。こういったことは当然プロなら知っているはずだし。プロならこの本に書かれているルールとは違ったルールを
以て書くことだってあたりまえなのだろうと思う。しかし趣味レベルアマレベルのengraverなら、余程浄書の知識や自信があ
るのならともかくその傍らに持って置いて損は無い本だと思う。
楽譜上のほとんどすべての項目を網羅し説明している、小さいながらも簡易な説明にとどまらないボリュームのある本。
この小さい本の前書きにもclarityが重要と強調している。ただの記譜のことじゃなくて音符を並べた後の見やすさを
言っている。こういったことは当然プロなら知っているはずだし。プロならこの本に書かれているルールとは違ったルールを
以て書くことだってあたりまえなのだろうと思う。しかし趣味レベルアマレベルのengraverなら、余程浄書の知識や自信があ
るのならともかくその傍らに持って置いて損は無い本だと思う。
楽譜上のほとんどすべての項目を網羅し説明している、小さいながらも簡易な説明にとどまらないボリュームのある本。
Amazon.com で最も参考になったカスタマーレビュー (beta)
Amazon.com:
14件のカスタマーレビュー
29 人中、29人の方が、｢このレビューが参考になった｣と投票しています。
Where has this book been?
2001/12/25
形式:ペーパーバック|Amazonが確認した購入
About 95% of everything you need to know about the mechanics of score writing are in this book. If you score on computer, much of this is taken care of for you, but as you create final versions you want 'correct', this book is essential for the many manual placement items as well as stylistically being clear to the modern musician. I wish I'd had this 10 years ago.
I read this book from cover to cover and learned a lot. It is brief, to-the-point, and doesn't get distracted by addressing theory or orchestration. It's about the notation, pure and simple.
The book is small -- fits into your pocket easily. My single complaint is that the binding is rather cheap. I expect sooner or later pages will begin to come loose - an annoyance for a reference text. On the other hand, at under $10, I guess I can afford to just buy another copy.
28 人中、28人の方が、｢このレビューが参考になった｣と投票しています。
Useful, for the price, but very limited
2007/4/10
形式:ペーパーバック|Amazonが確認した購入
This is a useful, short dictionary, probably worth its modest price.
It is by no means a complete reference work on music notation. Instead, it covers most of the basics, and also a more-or-less random, small selection of less basic topics. This is not a guide for reading music; it is a handbook for people preparing notated scores and parts, whether by hand or by computer. It is unlikely to answer all the questions that would come up in notating any reasonably complicated piece of music. It will suffice, however, to notate a simple piece professionally, in either classical or pop/jazz style.
All of the entries accurately describe standard notational practice. Precise guidance is often given as to exact positioning and size, e.g. whether a given articulation is centered on a note stem or a note head, what angle of beam to use for different intervals, and where to place dots. The sections on topics like meter, rests, slurs, and ties are lucid and thorough.
On the other hand, precise guidance is often absent. For example, correct notation of the treble and bass clefs requires knowing that they are also, respectively, a "G" and an "F" clef, and should be positioned in a specific way to mark those pitches. The entry on "glissando" fails to explain how to notate the precise rhythm of a glissando (in the sense of its duration, and at what point in the measure it ends). The positioning of accidentals in chords of more than 3 notes is explained ambiguously, but not illustrated. No guidance at all is given on how to notate an interval of an altered unison (e.g., a B-flat/B-natural pairing.)
Little guidance at all is given on notating wind or percussion parts.
By contrast, several pages are given over to repetitive explanations of the various permutations of "D.C./D.S./coda/fine" combinations. Complete charts of key signatures in treble, bass, alto and tenor clefs use up more pages (even though the pattern is the same in every clef.) Oddities like flutter-pedaling on the piano damper and heel-toe technique on the organ pedals are illustrated. Overall, the choices of what to cover outside of the basics have a random feel.
Large print is used, which means less material is covered, but subtle details of notation are easily seen.
It is by no means a complete reference work on music notation. Instead, it covers most of the basics, and also a more-or-less random, small selection of less basic topics. This is not a guide for reading music; it is a handbook for people preparing notated scores and parts, whether by hand or by computer. It is unlikely to answer all the questions that would come up in notating any reasonably complicated piece of music. It will suffice, however, to notate a simple piece professionally, in either classical or pop/jazz style.
All of the entries accurately describe standard notational practice. Precise guidance is often given as to exact positioning and size, e.g. whether a given articulation is centered on a note stem or a note head, what angle of beam to use for different intervals, and where to place dots. The sections on topics like meter, rests, slurs, and ties are lucid and thorough.
On the other hand, precise guidance is often absent. For example, correct notation of the treble and bass clefs requires knowing that they are also, respectively, a "G" and an "F" clef, and should be positioned in a specific way to mark those pitches. The entry on "glissando" fails to explain how to notate the precise rhythm of a glissando (in the sense of its duration, and at what point in the measure it ends). The positioning of accidentals in chords of more than 3 notes is explained ambiguously, but not illustrated. No guidance at all is given on how to notate an interval of an altered unison (e.g., a B-flat/B-natural pairing.)
Little guidance at all is given on notating wind or percussion parts.
By contrast, several pages are given over to repetitive explanations of the various permutations of "D.C./D.S./coda/fine" combinations. Complete charts of key signatures in treble, bass, alto and tenor clefs use up more pages (even though the pattern is the same in every clef.) Oddities like flutter-pedaling on the piano damper and heel-toe technique on the organ pedals are illustrated. Overall, the choices of what to cover outside of the basics have a random feel.
Large print is used, which means less material is covered, but subtle details of notation are easily seen.
19 人中、17人の方が、｢このレビューが参考になった｣と投票しています。
Handy inexpensive reference book
2000/12/1
形式:ペーパーバック|Amazonが確認した購入
This is a handy little book, including many specifics on music notation, well worth the price. While it may not include everything on notation, its convenient format allows quick answers to many questions regarding formal music notation. I am using it in post-grad composition studies as a quick reference. I'd advise it for all music majors, and anyone with an interest in music writing.
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