内容紹介
It’s been over half a year since Ellen Allien’s album “Dust” first saw the light of night. And since then it has been impossible to get away from the strangely glittering fairy dust that graced the album’s cover. On your skin, your clothes, in your nose, and above all, in your ears. “Dust” truly left its mark. Anyone that had anything to do with techno in 2010 couldn’t avoid experiencing Ellen’s most personal and without a doubt most mature reflection of her own being, a sparkling gem full of pop appeal and unexpected twists and turns. And why would they want to? It unites many facets into one although the album, which was produced together with Tobias Freund (whose projects include “tobias.”, “Pink Elln”, and “Sieg ber Die Sonne”), is extremely diverse and wide-ranging, it is also a coherent impression of a singular personality. A snapshot of an artist who was one of the first to begin hammering Berliner Techno into stone, and since then has worked tirelessly at molding and shaping its perfect form.
