Jim Leggitt?s Drawing Shortcuts shows how communicating with hand drawings combined with digital technology can be ingeniously simple, and this new edition makes an already popular technique even better. Completely expanded with new chapters and a wealth of supporting images, this Second Edition presents practical techniques for improving drawing efficiency and effectiveness by combining traditional hand drawing methods with the latest digital technology, including 3-D modeling with SketchUp. This book?s step-by-step approach will sharpen and streamline your techniques whether you draw for pleasure, school or your design profession.
This highly visual guide brings together the best of traditional and digital drawing techniques to help architects and designers generate sketches and presentation drawings quickly and effectively. It shows how to harness todays digital powerusing wire-frame perspectives, photographic underlays, digital cameras, copiers, and other computer toolsto speed up the drawing process and improve design communication. Whats more, it offers ample coverage of the basics such as composition, shading, and perspective, as well as step-by-step instructions for drawing people, trees, and cars. Full-color throughout, Drawing Shortcuts includes more than 300 illustrations and is filled with information to help readers make strategic decisions about drawing format, style, and more.
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Thirty-one students (two classes) proved to me this summer that Drawing Shortcuts works for learning how to make and render drawings in color quickly, effectively and relatively economically. The final projects reflect ten weeks of increasingly stronger skills and confidence in drawing/rendering abilities. Both graduate and undergraduate students with varied levels of computer expertise found value in the Drawing Shortcuts approach of "Let Technology Do Your Dirty Work".
Bottom line: a relaxed learning atmosphere in studio, fearless renderers willing to experiment with color media and striking final projects. The studio professors are commenting on the improvement in rendered drawings in their classes, too. Leggitt's methods are weaning students from a dependence on computer-generated images. The enhanced freehand drawing skills complement the computer drawing skills. Students now have many options for graphic expression which reflect their individual needs and desires.
I teach rendering classes for interior design students in the School of Building Arts at SCAD. We'll be using this book every quarter. Thanks, Jim Leggitt. But think about the chocolates with the second edition of the book!
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