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登録情報
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曲目リスト
| 1. Mass in G minor 'Madrid Mass': Kyrie |
| 2. Mass in G minor 'Madrid Mass': Gloria |
| 3. Mass in G minor 'Madrid Mass': Credo |
| 4. Mass in G minor 'Madrid Mass': Sanctus |
| 5. Mass in G minor 'Madrid Mass': Agnus Dei |
| 6. Stabat Mater: Stabat Mater dolorosa |
| 7. Stabat Mater: Quis est homo |
| 8. Stabat Mater: Quis non posset |
| 9. Stabat Mater: Eja mater, fons amoris |
| 10. Stabat Mater: Sancta mater |
| 11. Stabat Mater: Fac me vere tecum flere |
| 12. Stabat Mater: Juxta Crucem |
| 13. Stabat Mater: Inflammatus et accensus |
| 14. Stabat Mater: Fac, ut animae |
| 15. Stabat Mater: Amen |
| 16. Missa Breve 'La Stella': Kyrie |
| 17. Missa Breve 'La Stella': Gloria |
| 18. Missa Breve 'La Stella': Credo |
| 19. Missa Breve 'La Stella': Sanctus |
| 20. Missa Breve 'La Stella': Agnus Dei |
商品の説明
内容紹介
Although Domenico Scarlatti's success in the 18th century and continued fame after his death are due exclusively to his sonatas for harpsichord, he left a significant corpus of sacred music, most of which was composed when he was serving in the important ecclesiastical institutions Santa Maria Maggiore (1707-08), Cappella Giulia (1714-19), and Capella Patriarchal (1719-29). Most of these works for choir and organ continuo are written in the stylus antiquus, the imitative counterpoint that in the 18th century was still modeled on 16th century polyphony by Palestrina.
Product Description
Although Domenico Scarlatti's success in the 18th century and continued fame after his death are due exclusively to his sonatas for harpsichord, he left a significant corpus of sacred music, most of which was composed when he was serving in the important ecclesiastical institutions Santa Maria Maggiore (1707-08), Cappella Giulia (1714-19), and Capella Patriarchal (1719-29). Most of these works for choir and organ continuo are written in the stylus antiquus, the imitative counterpoint that in the 18th century was still modeled on 16th century polyphony by Palestrina.
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