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Gould delights in juxtaposing literature and science, the familiar and the unexpected. He chooses "Cordelia's dilemma" - her refusal to compete with her sisters in making loud protestations of love for their father, King Lear - as an analogy for "publication bias" - the reluctance of journals to publish boring negative results in favor of more interesting successful experiments. A positive result in a study of AIDS or cancer treatments wins headlines while later failures to duplicate those results are read by few. And most negative results never see publication at all. "Lear cannot conceptualize the proposition that Cordelia's silence might signify her greater love - that nothing can be the biggest something."
In this collection, Gould divides his essays into eight sections. "Heaven and Earth" includes his marvelous experience of the effect of a solar eclipse on the citizens of New York City, and in "Literature and Science," he ruminates on the moral lesson of Frankenstein and Hollywood's subversion of it.
"Origin, Stability, and Extinction" argues that the Cambrian explosion is even more the "key event" in the history of multicellular animals than previously believed, "Stability" includes "Cordelia's Dilemma," "Extinction" includes the title essay on Darwin's view that "all observation must be for or against some view."
"Writing About Snails" delves into women's Victorian writings (I'm reminded of the value of negative results), "The Glory of Museums" explores "Dinomania" and "The Disparate Faces of Eugenics" revisits the hilarious arguments of an eminent scientist who argued that cancer causes smoking.
"Evolutionary Theory, Evolutionary Stories," explores the arguments of Creationism and the origin of evolutionary science's best one liner (in answer to a question on the nature of the Creator) "an inordinate fondness for beetles," and "Linnaeus and Darwin's Grandfather" uses the whimsical observation of the "curious conjunction" of Linnaeus and Gustav III on a Swedish banknote to explore the scientist's classification theories (still used today) and his adherence to a religious Creationism.
Certain themes recur in these essays. Gould is a staunch evolutionist and defends Darwin's theories vigorously, even when pointing out mistakes and misconceptions. He takes Creationism seriously - as a threat to scientific reasoning. His interest in natural history extends to the history of human thinking about nature and science.
His essays are beautifully crafted, full of literary allusions, anecdotes and turns of wit but always to the point. He loves tracking down the precise source and context of oft-used quotes as much as he enjoys tracing the origin of flatworms, and manages to arouse his reader's interest in both. He is not a writer of wasted words. Best of all, Gould's essays are always as thought provoking as they are entertaining.
Some of the essays are short stories in their own right with a mystery central to the theme, others are alluring with detail only a professor might want to instill. Thought provoking, unpredictable trajectories, theoretical arguments all fit into the realm of Gould, who can be described as a cunning polemicist, self-indulgent or one of America's Living Legends, but never boring... maybe verbose, but I'll give him that for the detail he brings to his writing.
Dinosaur in a Haystack gives us a book written for the layperson, but a person with a proclivity toward a scientific bent would be of help. There are rigorous and numerous historical details, but Gould has a propensity to contextualize thoroughly, thus imparting the receptive reader, an intrinsic but intuitive knowledge.
If you want to be educated about natural history or phenomena, Gould's musing are right up your alley. Gould is one of todays leading evolutionary thinkers. This book is the product of one of the most fertile minds of our time.
I highly recommend reading this book... not that it is just accessible or stimulating... it is enlightening.
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