|
||||||||||||||||||||
|
||||||||||||||||||||
|
||||||||||||||||||||
よく一緒に購入されている商品
商品の説明
内容説明
Travelling in Europe with her family, Daisy Miller, an exquisitely beautiful young American woman, presents her fellow-countryman Winterbourne with a dilemma he cannot resolve. Is she deliberately flouting social convention in the outspoken way she talks and acts, or is she simply ignorant of those conventions? When she strikes up an intimate friendship with an urbane young Italian, her flat refusal to observe the codes of respectable behaviour leave her perilously exposed. In Daisy Miller James created his first great portrait of the enigmatic and dangerously independent American woman, a figure who would come to dominate his later masterpieces.
Book Description
It was in Rome during the autumn of 1877; a friend then living there but settled now in a South less weighted with appeals and memories happened to mention -- which she might perfectly not have done -- some simple and uninformed American lady of the previous winter, whose young daughter, a child of nature and of freedom, accompanying her from hotel to hotel, had "picked up" by the wayside, with the best conscience in the world, a good-looking Roman, of vague identity, astonished at his luck, yet (so far as might be, by the pair) all innocently, all serenely exhibited and introduced: this at least till the occurrence of some small social check, some interrupting incident, of no great gravity or dignity, and which I forget I had never heard, save on this showing, of the amiable but not otherwise eminent ladies, who weren't in fact named, I think, and whose case had merely served to point a familiar moral; and it must have been just their want of salience that left a margin for the small pencil-mark inveterately signifying, in such connections, "Dramatize, dramatize!" The result of my recognizing a few months later the sense of my pencil-mark was the short chronicle of DAISY MILLER. -- Henry James
--このテキストは、 ハードカバー 版に関連付けられています。
--このテキストは、 ハードカバー 版に関連付けられています。
登録情報
|
この本のなか見！検索より
（詳細はこちら）
この本の別エディションの内容をブラウズ・検索
この本の別エディションの内容をブラウズ・検索
カスタマーレビュー
最も参考になったカスタマーレビュー
5 人中、5人の方が、｢このレビューが参考になった｣と投票しています。
形式:ペーパーバック
このレビューはペンギン版のペーパーバックで読んで書いた物です。
舞台はスイスの湖が綺麗な町ヴェヴェー。ここでウィンターボーンは自由奔放なアメリカ娘デイジー・ミラーとであう。デイジー・ミラーは、その奔放さゆえにまわりから良く思われてない。彼女に惹かれた主人公ウィンターボーンは、彼女はただ誤解をうけているだけだと、思いたがる…。
ウィンターボーンの心の揺れ動きが丁寧に描かれてとても面白い。
ヘンリー・ジェイムズは、複雑な文体で知られているが、この作品は比較的シンプルで読みやすい。
Amazon.com で最も参考になったカスタマーレビュー (beta)
Amazon.com:
66件のカスタマーレビュー
22 人中、22人の方が、｢このレビューが参考になった｣と投票しています。
A quick, interesting read
2010/3/18
形式:Kindle版|Amazonが確認した購入
Daisy Miller is everything a woman of that era should not be: flighty, flirtatious and strong-willed. I enjoyed this novella because you so infrequently see a lead female character of that era portrayed in quite such an unflattering light. While the plot is simple there are a few twists and turns. This is an interesting, fun read.
24 人中、23人の方が、｢このレビューが参考になった｣と投票しています。
"You had better not meddle with little American girls who are uncultivated."
2006/3/5
形式:ペーパーバック
One of Henry James's earliest novellas, Daisy Miller (1878) follows the activities of a wealthy, and brashly confident, young American woman as she audaciously challenges European society in Vevey, Switzerland, and in Rome, having fun, doing what pleases her, and leaving staid European society gasping in her wake. Daisy Miller, whose father is in the US and whose mother is her ineffectual "chaperone," is a free spirit in a society bound by unstated but rigid "rules," determined to do whatever she wants, whenever she wants, with whomever she chooses.
Frederick Winterbourne, an expatriate who has spent most of his life in Geneva, is attracted to Daisy, but his bonds with his stuffy aunt, Mrs. Cosgrove, and her friend, Mrs. Walker, both of whom govern ex-patriot society in Europe, leave him ill-equipped to deal with Daisy's flouting of society's conventions. When she is obviously attracted to Mr. Giovanelli, a singer/musician of no social standing, and when she is seen with him publicly in places that a "nice" girl would not grace at night, her reputation is threatened, and anyone associated with her is tainted. Winterbourne is uncertain how to protect her, while, not incidentally, protecting his own reputation.
Developing his most famous theme, James considers the conflicts between American and European values and the naivete of the Americans and their spontaneity as it contrasts with the old world formality of the Europeans. Daisy, who is often foolishly nave, is also seen as brash and ego-centric, a young woman whose destiny cannot be avoided (or even predicted) because of the strength of her own, often wrong, willfulness.
James focuses on two characters here--both Daisy and Winterbourne--and though the story is told from Winterbourne's point of view, Daisy is often the more vibrant of the two characters. Though she is shallow and assertive, he is hidebound by convention, leaving both characters with limits in terms of reader identification. When a night-time dalliance leads to serious consequences for Daisy, the reader is neither surprised nor shocked.
Filled with trenchant observations about Americans and their differences from Europeans, the novel incorporates significant symbols--the Coliseum (associated with innocent Christian martyrs), malaria (to which Americans are particularly susceptible), Randolph (Daisy's rude and undisciplined 10-year-old brother, the ugliest of Americans), and Mrs. Cosgrove and Mrs. Walker (converts to the European way of life). Carefully observed and critical of American naivete, Daisy Miller is the "preface" to Portrait of a Lady and many of James's more fully developed novels. n Mary Whipple
Frederick Winterbourne, an expatriate who has spent most of his life in Geneva, is attracted to Daisy, but his bonds with his stuffy aunt, Mrs. Cosgrove, and her friend, Mrs. Walker, both of whom govern ex-patriot society in Europe, leave him ill-equipped to deal with Daisy's flouting of society's conventions. When she is obviously attracted to Mr. Giovanelli, a singer/musician of no social standing, and when she is seen with him publicly in places that a "nice" girl would not grace at night, her reputation is threatened, and anyone associated with her is tainted. Winterbourne is uncertain how to protect her, while, not incidentally, protecting his own reputation.
Developing his most famous theme, James considers the conflicts between American and European values and the naivete of the Americans and their spontaneity as it contrasts with the old world formality of the Europeans. Daisy, who is often foolishly nave, is also seen as brash and ego-centric, a young woman whose destiny cannot be avoided (or even predicted) because of the strength of her own, often wrong, willfulness.
James focuses on two characters here--both Daisy and Winterbourne--and though the story is told from Winterbourne's point of view, Daisy is often the more vibrant of the two characters. Though she is shallow and assertive, he is hidebound by convention, leaving both characters with limits in terms of reader identification. When a night-time dalliance leads to serious consequences for Daisy, the reader is neither surprised nor shocked.
Filled with trenchant observations about Americans and their differences from Europeans, the novel incorporates significant symbols--the Coliseum (associated with innocent Christian martyrs), malaria (to which Americans are particularly susceptible), Randolph (Daisy's rude and undisciplined 10-year-old brother, the ugliest of Americans), and Mrs. Cosgrove and Mrs. Walker (converts to the European way of life). Carefully observed and critical of American naivete, Daisy Miller is the "preface" to Portrait of a Lady and many of James's more fully developed novels. n Mary Whipple
10 人中、9人の方が、｢このレビューが参考になった｣と投票しています。
Novella about manners and customs
2008/2/27
形式:ペーパーバック
This short novella is a brief story about a young american woman who travels Europe with her mother and young brother. Thru a chance she meets young British gentleman Winterbourne who is smitten by her beauty, but also amazed by her innocence and lack of restraint. Daisy comes from a rich family and from a world where she is permitted to be herself no matter what the price of her individuality may be. But she is also eager to make company in a new world and gain access to society. She craves entertainment, attention and stimulating company. What she is not realizing is the fact she is going about it the wrong way. Story is set in Europe, small town Vivey in Switzerland and Rome, Italy. As Daisy's young life unfold and ends tragically, one cannot but think that in either case there was no happy ending here. Her behaviour and galant carelessness were ticket to doom. Definitely fine story about class difference, cultural difference and tale that money cannot buy everything. One has to find subtle ways to get what she wants out of life.
これらのレビューは参考になりましたか？
ご意見はクチコミでお聞かせください。
リストマニア
|
|
関連商品を探す
- 洋書 > Literature & Fiction > Classics
- 洋書 > Literature & Fiction > Genre Fiction
- 洋書 > Literature & Fiction > Literary
- 洋書 > Literature & Fiction > World Literature > United States
- 洋書 > Special Features > By Authors > Literature & Fiction > Authors, A-Z > ( J ) > James, Henry
- 洋書 > Special Features > all foreign books
同じキーワードの商品を探す
フィードバック
- カタログ情報、または画像について報告
- 著者からのコメント
- 出版社からのコメント
|
