Daisy Miller (Penguin Classics) [ペーパーバック]

Daisy Miller is everything a woman of that era should not be: flighty, flirtatious and strong-willed. I enjoyed this novella because you so infrequently see a lead female character of that era portrayed in quite such an unflattering light. While the plot is simple there are a few twists and turns. This is an interesting, fun read.

One of Henry James's earliest novellas, Daisy Miller (1878) follows the activities of a wealthy, and brashly confident, young American woman as she audaciously challenges European society in Vevey, Switzerland, and in Rome, having fun, doing what pleases her, and leaving staid European society gasping in her wake. Daisy Miller, whose father is in the US and whose mother is her ineffectual "chaperone," is a free spirit in a society bound by unstated but rigid "rules," determined to do whatever she wants, whenever she wants, with whomever she chooses.

Frederick Winterbourne, an expatriate who has spent most of his life in Geneva, is attracted to Daisy, but his bonds with his stuffy aunt, Mrs. Cosgrove, and her friend, Mrs. Walker, both of whom govern ex-patriot society in Europe, leave him ill-equipped to deal with Daisy's flouting of society's conventions. When she is obviously attracted to Mr. Giovanelli, a singer/musician of no social standing, and when she is seen with him publicly in places that a "nice" girl would not grace at night, her reputation is threatened, and anyone associated with her is tainted. Winterbourne is uncertain how to protect her, while, not incidentally, protecting his own reputation.

Developing his most famous theme, James considers the conflicts between American and European values and the naivete of the Americans and their spontaneity as it contrasts with the old world formality of the Europeans. Daisy, who is often foolishly nave, is also seen as brash and ego-centric, a young woman whose destiny cannot be avoided (or even predicted) because of the strength of her own, often wrong, willfulness.

James focuses on two characters here--both Daisy and Winterbourne--and though the story is told from Winterbourne's point of view, Daisy is often the more vibrant of the two characters. Though she is shallow and assertive, he is hidebound by convention, leaving both characters with limits in terms of reader identification. When a night-time dalliance leads to serious consequences for Daisy, the reader is neither surprised nor shocked.

Filled with trenchant observations about Americans and their differences from Europeans, the novel incorporates significant symbols--the Coliseum (associated with innocent Christian martyrs), malaria (to which Americans are particularly susceptible), Randolph (Daisy's rude and undisciplined 10-year-old brother, the ugliest of Americans), and Mrs. Cosgrove and Mrs. Walker (converts to the European way of life). Carefully observed and critical of American naivete, Daisy Miller is the "preface" to Portrait of a Lady and many of James's more fully developed novels. n Mary Whipple

This short novella is a brief story about a young american woman who travels Europe with her mother and young brother. Thru a chance she meets young British gentleman Winterbourne who is smitten by her beauty, but also amazed by her innocence and lack of restraint. Daisy comes from a rich family and from a world where she is permitted to be herself no matter what the price of her individuality may be. But she is also eager to make company in a new world and gain access to society. She craves entertainment, attention and stimulating company. What she is not realizing is the fact she is going about it the wrong way. Story is set in Europe, small town Vivey in Switzerland and Rome, Italy. As Daisy's young life unfold and ends tragically, one cannot but think that in either case there was no happy ending here. Her behaviour and galant carelessness were ticket to doom. Definitely fine story about class difference, cultural difference and tale that money cannot buy everything. One has to find subtle ways to get what she wants out of life.