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The main plot line, concerning use of left-over Scud missiles to potentially deliver deadly viruses to major cities in the Southeastern U.S., consumes most of the book.
What I liked best was the secondary plot concerning two CIA agents operating in Cuba. They were well fleshed-out characters who added enough variety to the typical Grafton-Tarkington-Moravia plot to make this more than a formulaic add-on to this series.
You can still depend on Jake Grafton to supply laconic common-sense reactions to military and political situations, as others run in circles, scream, and shout.
One final point -- the final mini-chapter climax was both surprising and satisfying.
As with another reviewer, I also had to put aside the inconsistency with Fidel Castro being knocked off in an earlier Coonts book. Also, as the same reviewer suggested, the notion that this is a "Jake Grafton" book is slightly misleading, given the small percentage of the story that features him.
One of Mr. Coonts' strongpoints is that when he writes action sequences, the read can move very fast. His descriptiveness of flight and combat are also very strong. However, he seems to take forever to get to these assets in "Cuba". I felt the first two-thirds of the book were just short of interminable as he set up the various storylines. Then the assault on Cuba turned out to be quick and enjoyable reading; unfortunately, since it was such a small chunk of the book, it wound up being too short.
The enjoyment I had reading the last 100 or so pages almost made me rate this more positively, until I actually thought about how long it seemed to take to get there. It seemed to me that he could have balanced the action and plot development out a little better. After having almost all action and little to no plot development in his previous book, "Fortunes Of War", it seemed like he swung back too far in the other direction with this one.
I found a couple "loose ends" also in reading this that Mr. Coonts seemed to fail to address (unless he plans a return to this storyline). One was the issue of Castro's videotape. We read of one being interrupted and Castro dying before he can finish, with a small reference to two tapes being there. Then near the end of the story, we find that Castro completed one speech naming his successor, but the reader (unless I missed something) doesn't get any explanation for when/how it was made. Also, the resolution with the biological lab at the University of Havana seemed to have been left hanging; all we got was a mob and Vargas being arrested...that was it.
I wonder if perhaps Mr. Coonts pushed "Cuba" out too soon after finishing "Fortunes Of War". That would explain an effort that seems, well, subpar. I think he needs to spend a little more time working on a balanced story that is more along the lines of his earlier works (i.e. "Flight Of The Intruder", "The Red Horsemen", "Intruders") that were far more compelling and enjoyable. Those are works I would recommend strongly to those who are newcomers to Mr. Coonts' work; "Cuba" is not a good addition to his resume.