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商品の説明
内容説明
Anyone who knows R. Crumb's work as an illustrator knows of his passion for music, and also all those who collect his work prize the "Heroes of the Blues", "Early Jazz Greats", and "Pioneers of Country Music" trading card sets he created in the 1980s. Highlighting thirteen of the most popular cards in the series, this entertaining 16-month calendar is a must-have for Crumb aficionados, comics fans and music lovers alike. It includes 6 bonus postcards.
著者について
R. Crumb is the leading cartoonist in the American "underground commix" movement. He is the creator of Mr. Natural, the iconic "Keep on Truckin" T-shirt image, and Fritz the Cat. His book The R. Crumb Handbook was a Booksense bestseller. He lives in France.
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カスタマーレビュー
Amazon.com で最も参考になったカスタマーレビュー (beta)
Amazon.com:
36件のカスタマーレビュー
38 人中、38人の方が、｢このレビューが参考になった｣と投票しています。
Great Book, Great Price
2006/9/20
形式:ハードカバー
I'm just delighted with this book. It's nice to have all of Crumb's colorful jazz, blues and country portraits together for the first time in one place. Each portrait is accompanied by a short biography of the artist and usually a few tidbits about their records. It also comes with a 21 track CD featuring Jimmie Noone, King Oliver, The Memphis Jug Band, Dock Boggs, The East Texas Serenaders, Skip James and others. Filmmaker and musician Terry Zwigoff also contributes an introduction detailing how Crumb's involvement in the portraits (originally released as trading cards) came about.
All in all this is a good package for a novice or a hardcore music fan. Neither will be disappointed.
All in all this is a good package for a novice or a hardcore music fan. Neither will be disappointed.
29 人中、29人の方が、｢このレビューが参考になった｣と投票しています。
"So what is it you like about that old music?" *
2008/3/7
形式:ハードカバー|Amazonが確認した購入
Wow! Every so often you run across something that knocks your socks off. R. Crumb's Heroes of Blues, Jazz, & Country left me barefooted.
In the 1980s, Robert Crumb, whom Robert Hughes appropriately once called the "Breughel of the 20th century," created sets of trading cards featuring some of his favorite blues, jazz, and country musicians. (The plan was to include one card per LP sold by innovative record firm Yazoo.) This collection, edited by Terry Zwigoff, the same guy who directed the documentary "Crumb," pulls together the illustrations from all three sets. They're wonderful. The blues and country illustrations are drawn, and are vintage Crumb: crosshatched, brooding characters. The jazz illustrations are water-colored. They're identifiably Crumb, but have a definitely different feel to them.
Crumb is a fascinating genius. Although his art and comics tend to be avant-garde (a term he might well disdain) and iconoclastic, Crumb also has a real affinity for late 19th and early 20th century American culture. Part of this love for an earlier time, no doubt, stems from his intense dislike of the fast-paced, loud, and garish American culture he eventually fled in the 1990s (Crumb now lives in France). But part of it is that he thinks the music produced in the early 20th century represents folk art at its finest and purest, before music became an industry. Crumb began collecting old 78s when he was still a teenager, and his love for the older music has never waned.
And so to the piece de resistance of this book: the accompanying 21 cut CD. Crumb personally chose the pieces, and they're absolutely fantastic. Except for a couple of the blues and jazz musicians, all of the artists are virtually unknown except to the afficionado. But man oh man, are they wonderful. Skip James' rendering of "Hard Time Killin' Floor Blues" is a heart-breaker. Dock Boggs' "Sugar Baby" and Burnett & Rutherford's "All Night Long Blues" are haunting in their strange but beautiful ways. And no matter how bad things get, Bennie Moten's Kansas City Orchestra's "Kater Street Rag" will pick you up. My son and I have listened to the CD over and over and over, and we never get tired of it. He prefers the blues and jazz, I'm in love with the hillbilly blue grass cuts. But the whole CD--well, it just knocks your socks off.
Wow.
_____
* From R. Crumb's essay "To Be Interested in Old Music is To Be a Social Outcast!", The R. Crumb Coffee Table Art Book, p. 191. "You play old records for most people, and, if they listen at all, after the record's over they turn to you and say, 'So what is it you like ab out that old music?' You just want to throw up your hands."
In the 1980s, Robert Crumb, whom Robert Hughes appropriately once called the "Breughel of the 20th century," created sets of trading cards featuring some of his favorite blues, jazz, and country musicians. (The plan was to include one card per LP sold by innovative record firm Yazoo.) This collection, edited by Terry Zwigoff, the same guy who directed the documentary "Crumb," pulls together the illustrations from all three sets. They're wonderful. The blues and country illustrations are drawn, and are vintage Crumb: crosshatched, brooding characters. The jazz illustrations are water-colored. They're identifiably Crumb, but have a definitely different feel to them.
Crumb is a fascinating genius. Although his art and comics tend to be avant-garde (a term he might well disdain) and iconoclastic, Crumb also has a real affinity for late 19th and early 20th century American culture. Part of this love for an earlier time, no doubt, stems from his intense dislike of the fast-paced, loud, and garish American culture he eventually fled in the 1990s (Crumb now lives in France). But part of it is that he thinks the music produced in the early 20th century represents folk art at its finest and purest, before music became an industry. Crumb began collecting old 78s when he was still a teenager, and his love for the older music has never waned.
And so to the piece de resistance of this book: the accompanying 21 cut CD. Crumb personally chose the pieces, and they're absolutely fantastic. Except for a couple of the blues and jazz musicians, all of the artists are virtually unknown except to the afficionado. But man oh man, are they wonderful. Skip James' rendering of "Hard Time Killin' Floor Blues" is a heart-breaker. Dock Boggs' "Sugar Baby" and Burnett & Rutherford's "All Night Long Blues" are haunting in their strange but beautiful ways. And no matter how bad things get, Bennie Moten's Kansas City Orchestra's "Kater Street Rag" will pick you up. My son and I have listened to the CD over and over and over, and we never get tired of it. He prefers the blues and jazz, I'm in love with the hillbilly blue grass cuts. But the whole CD--well, it just knocks your socks off.
Wow.
_____
* From R. Crumb's essay "To Be Interested in Old Music is To Be a Social Outcast!", The R. Crumb Coffee Table Art Book, p. 191. "You play old records for most people, and, if they listen at all, after the record's over they turn to you and say, 'So what is it you like ab out that old music?' You just want to throw up your hands."
17 人中、17人の方が、｢このレビューが参考になった｣と投票しています。
Pictures plus music equals happiness
2007/2/21
形式:ハードカバー|Amazonが確認した購入
This is an excellent deal. The recordings are certainly esoteric, but I must be in the correct demographic (or something.) I like just about all of the music. I'm a kind of old-time music dilettante, so it's a great way for someone like me to check out some more obscure stuff.
As for the book... hard cover, heavy paper and just the right size to carry around (if so desired.)
Of course the main selling point of this book is the drawings. They are uniformly excellent. Someone with an obsessive personality may wish to collect the actual trading cards which are reproduced in this book, but this is a far more economical and practical means of collecting these drawings.
There is mention of Crumb's decision to use a different coloring technique for the jazz trading card set in the book's introduction. This means that some of Crumb's trademark cross-hatch shading is obscured by the overlay of color. Rather than being a detriment to the jazz drawings, it actually helps to give them a distinct character.
Anyway, buy this book. It's worth double the price.
As for the book... hard cover, heavy paper and just the right size to carry around (if so desired.)
Of course the main selling point of this book is the drawings. They are uniformly excellent. Someone with an obsessive personality may wish to collect the actual trading cards which are reproduced in this book, but this is a far more economical and practical means of collecting these drawings.
There is mention of Crumb's decision to use a different coloring technique for the jazz trading card set in the book's introduction. This means that some of Crumb's trademark cross-hatch shading is obscured by the overlay of color. Rather than being a detriment to the jazz drawings, it actually helps to give them a distinct character.
Anyway, buy this book. It's worth double the price.
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