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The most beautiful recording ever made of the Adagio for Strings is at last on CD, thoughtfully coupled with some of the other recordings the young Thomas Schippers made for Columbia Masterworks--of the music of Barber and others--between 1960 and 1965, at the start of his all-too-brief career. Although he was never on personal terms with Barber, Schippers had the ability to put Barber's music across in just the right way, with the perfect blend of energy and lyricism, toughness and warmth, and, above all, the feeling that its sentiment was real, yet ineffably contained. The performance of the New York Philharmonic (in the Adagio, as well as in the
Second Essay for Orchestra, the
Overture to the School for Scandal,
Andromache's Farewell, and
Medea's Dance of Vengeance) is aglow with inspiration, and the sound is exceptionally vivid, with a palpable sense of presence and space.
--Ted Libbey