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商品の説明
内容説明
The revised and expanded edition of "The Complete Printmaker" covers various aspects of fine printmaking and takes the reader step by step through the history and techniques of over forty-five print-making methods - from the traditional etching, engraving, lithography, and relief print processes to today's computer prints, Mylar lithography, copier prints, water-based screen printing, helio-reliefs, and monotypes. The book also includes a survey of issues and contemporary concerns in the printmakers world.
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Amazon.com で最も参考になったカスタマーレビュー (beta)
Amazon.com:
22件のカスタマーレビュー
60 人中、60人の方が、｢このレビューが参考になった｣と投票しています。
Process, process, process!
2004/10/31
形式:ペーパーバック|Amazonが確認した購入
This book is almost a catalog of every printmaking process around. It covers all the basics: intaglio, relief, screen prints, litho, and monoprint. It covers related technique, including embossed "dimensional" prints (aka "blind" prints), molded paper, and more. It devotes special attention to collographs, prints from textured or collage surface, and much too much more to describe.
Best, the tools, materials, and how-to of every process are described in a fair bit of detail. Because so many processes are listed, each one gets just a short section, nowhere near what a printmaker would need in practice. Still, the descriptions serve at least two purposes. First, they may entice an artist into learning more about a process.
Second, and more importantly for me, is that you don't have to be a printmaker to read this book and benefit from it. I'm a fan of fine prints, even though I don't make prints myself. I like to know what I'm looking at. I like to see a mark in a print and understand where it came from, how the artist's hand created it. By explaining each process, this book helps me understand the result of the process, and understand its effect on the finished product. Not everyone sees art that way, but it makes me feel somehow closer to the creator.
I recommend this to anyone who loves fine prints. Perhaps it's helpful to the printmaker looking for new techniques to try. It is certainly useful for the viewer, in understanding how the artist makes a vision come alive on paper.
//wiredweird
Best, the tools, materials, and how-to of every process are described in a fair bit of detail. Because so many processes are listed, each one gets just a short section, nowhere near what a printmaker would need in practice. Still, the descriptions serve at least two purposes. First, they may entice an artist into learning more about a process.
Second, and more importantly for me, is that you don't have to be a printmaker to read this book and benefit from it. I'm a fan of fine prints, even though I don't make prints myself. I like to know what I'm looking at. I like to see a mark in a print and understand where it came from, how the artist's hand created it. By explaining each process, this book helps me understand the result of the process, and understand its effect on the finished product. Not everyone sees art that way, but it makes me feel somehow closer to the creator.
I recommend this to anyone who loves fine prints. Perhaps it's helpful to the printmaker looking for new techniques to try. It is certainly useful for the viewer, in understanding how the artist makes a vision come alive on paper.
//wiredweird
58 人中、57人の方が、｢このレビューが参考になった｣と投票しています。
Excellent, explains everything you want to know
1999/6/21
形式:ペーパーバック
I have been studying basic printmaking techniques, for about a year , and have found this book to be an excellent guide. It has excellent explanations. Also advice on safety precautions & how to set up the studio. Also very helpful is a quite extensive list of suppliers of printmaking equipment and papers in the U.S.A. It is the most complete book of the many art books that I have read ever. It covers just about everything. Ideal for the artist with experience in printmaking but sufficiently easy to understand for the novice.
63 人中、58人の方が、｢このレビューが参考になった｣と投票しています。
DA-YAMN, but this book rocks my world.
2000/2/12
形式:ペーパーバック
Okay, well, maybe I'm a little passionate about the things I like, but I'm a Leo and that should be expected. I borrowed this book today from my AP Art teacher, my budding interest in printmaking beginning to develop, and I'm floored by the thorough descriptions of so many different printmaking processes. As printmaking is such a broad art form, I had never found a book that satisfies my desires to learn about intaglio, woodcut, monotype, screenprinting and book arts (including a few pages on letterpress printing!), let alone all the other printmaking forms. Highly recommended for anyone in search of a Printmaking Bible.
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