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よく一緒に購入されている商品
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曲目リスト
| ディスク：1 | |||
|---|---|---|---|
| 1. Piano Concerto No. 1 In C Major, Op. 15: I. Allegro con brio | |||
| 2. Piano Concerto No. 1 In C Major, Op. 15: II. Largo | |||
| 3. Piano Concerto No. 1 In C Major, Op. 15: III. Rondo: Allegro | |||
| 4. Six Bagatelles, Op. 126: I. Andante Con Moto, Cantabile E Compiacevole | |||
| 5. Six Bagatelles, Op. 126: II. Allegro | |||
| 6. Six Bagatelles, Op. 126: III. Andante, Cantabile E Grazioso | |||
全10曲を見る
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| ディスク：2 | |||
| 1. Piano Concerto No. 3 In C Minor, Op. 37: I. Allegro con brio | |||
| 2. Piano Concerto No. 3 In C Minor, Op. 37: II. Largo | |||
| 3. Piano Concerto No. 3 In C Minor, Op. 37: III. Rondo: Allegro | |||
| 4. Piano Concerto No. 4 In G Major, Op. 58: I. Allegro moderato | |||
| 5. Piano Concerto No. 4 In G Major, Op. 58: II. Andante con moto | |||
| 6. Piano Concerto No. 4 In G Major, Op. 58: III. Rondo: Vivace | |||
| ディスク：3 | |||
| 1. Piano Concerto No. 5 In E Flat Major, Op. 73: I. Allegro | |||
| 2. Piano Concerto No. 5 In E Flat Major, Op. 73: II. Adagio un poco mosso | |||
| 3. Piano Concerto No. 5 In E Flat Major, Op. 73: III. Rondo: Allegro | |||
| 4. Piano Concerto No. 2 In B Flat Major, Op. 19: I. Allegro con brio | |||
| 5. II. Adagio: 2. Adagio | |||
| 6. Piano Concerto No. 2 In B Flat Major, Op. 19: III. Rondo: Molto allegro | |||
商品の説明
From Amazon.com
Each of these performances has its own profile. The orchestra plays incisively in the First Concerto, but Ashkenazy's plush lyricism doesn't make a good match either with the orchestra or with the music, and he makes one weird ritard in the first movement. The Second Concerto is uneventful, rather bland and pleasant. The Third Concerto seems to be the best performance of the lot, with dramatic playing by soloist and orchestra, but it's sabotaged by blurry recorded sound, the only serious problem with sound quality in the entire set. The Fourth Concerto is enlivened, at least intellectually, by Solti's approach, constantly revealing interesting unfamiliar details in the orchestral score. Ashkenazy's detachment makes this a frosty but fascinating experience. The "Emperor" is a good routine performance, nothing special. The Bagatelles aren't much of a bonus, since they're rather dully played. (Why not the "Choral" Fantasy?) There's nothing actively bad about this set, and it's reasonably priced. But Beethoven deserves better, and gets it from many performers, including the fascinating Uchida-Sanderling collaborations. --Leslie Gerber
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- ミュージック > クラシック > Decca
- ミュージック > クラシック > オーケストラ > シカゴ交響楽団
- ミュージック > クラシック > 交響曲・管弦楽曲・協奏曲
- ミュージック > クラシック > 作曲家別 > ハ行 > ベートーヴェン
- ミュージック > クラシック > 室内楽・器楽曲
- ミュージック > クラシック > 演奏者別 > ア行 > アシュケナージ
- ミュージック > 輸入盤
- ミュージック > 輸入盤 > Classical > Classical Instrumental > Composers > A-B > Beethoven
- ミュージック > 輸入盤 > Classical > Classical Instrumental > Performers > Conductors > Ashkenazy, Vladimir
- ミュージック > 輸入盤 > Classical > Classical Instrumental > Performers > Conductors > Solti, Sir George
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