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商品の説明
内容説明
A Companion to Rainer Werner Fassbinder is the first of its kind to engage with this important figure. Twenty-eight essays by an international group of scholars consider this controversial director's contribution to German cinema, German history, gender studies, and auteurship.
- A fresh collection of original research providing diverse perspectives on Fassbinder’s work in films, television, poetry, and underground theatre.
- Rainer Werner Fassbinder remains the preeminent filmmaker of the New German Cinema whose brief but prolific body of work spans from the latter half of the 1960s to the artist’s death in 1982.
- Interrogates Fassbinder’s influence on the seminal ideas of his time: auteurship, identity, race, queer studies, and the cataclysmic events of German twentieth century history
- Contributions from internationally diverse scholars specializing in film, culture, and German studies.
- Includes coverage of his key films including: Gods of the Plague (1970), Beware of a Holy Whore (1971), The Bitter Tears of Petra von Kant (1972), Martha (1973) (TV), World on a Wire (1973), Effi Briest (1974), Ali: Fear Eats the Soul (1974), Fox and His Friends (1975), Fear of Fear (1975), Chinese Roulette (1976), In a Year With 13 Moons (1978), Despair (1978), The Third Generation (1979), Berlin Alexanderplatz (1980) (TV), and Querelle (1982).
著者について
Brigitte Peucker is the Elias Leavenworth Professor of German and a Professor of Film Studies at Yale University. Peucker is the author of many essays on questions of representation in film and literature. Earlier books include Lyric Descent in the German Romantic Tradition (1987), Incorporating Images: Film and the Rival Arts (1995), and The Material Image: Art and the Real in Film (2007).
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2012/2/19
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The preeminent filmmaker of the New German Cinema, Rainer Werner Fassbinder died at the age of 37 in 1982. Written by leading experts, this account explores the subject in sophisticated, multi-dimensional and authoritative manner. It provides a perspective through which filmmaker emerges as more engagingly complex. Illustrated with black-and-white photographs. Must read.
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