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Bringing to life the fabulous, colorful panorama of New Orleans in the first flush of the jazz era, this book tells the story of Buddy Bolden, the first of the great trumpet players--some say the originator of jazz--who was, in any case, the genius, the guiding spirit, and the king of that time and place.
In this fictionalized meditation, Bolden, an unrecorded father of Jazz, remains throughout a tantalizingly ungraspable phantom, the central mysteries of his life, his art, and his madness remaining felt but never quite pinned down. Ondaatje's prose is at times startlingly lyrical, and as he chases Bolden through documents and scenes, the novel partakes of the very best sort of modern detective novel--one where the enigma is never resolved, but allowed to manifest in its fullness. Though more 'experimental' in form than either The English Patient or In the Skin of a Lion, it is a fitting addition to the renowned Ondaatje oeuvre.
In this fictionalized meditation, Bolden, an unrecorded father of Jazz, remains throughout a tantalizingly ungraspable phantom, the central mysteries of his life, his art, and his madness remaining felt but never quite pinned down. Ondaatje's prose is at times startlingly lyrical, and as he chases Bolden through documents and scenes, the novel partakes of the very best sort of modern detective novel--one where the enigma is never resolved, but allowed to manifest in its fullness. Though more 'experimental' in form than either The English Patient or In the Skin of a Lion, it is a fitting addition to the renowned Ondaatje oeuvre.
内容（「BOOK」データベースより）
ジャズは、この男から始まった。少年サッチモを虜にした、ニューオリーンズの天才コルネット奏者、バディ・ボールデン。爆裂するコルネットを手に、狂気の淵へと疾走した苛烈な生涯を、妻や友人を語り手とする挿話、インタビュー、詩的断章等によって再現する。伝説と史実を巧みにコラージュした、『イギリス人の患者』(ブッカー賞)の作家によるドキュメント・ノヴェル。
--このテキストは、絶版本またはこのタイトルには設定されていない版型に関連付けられています。
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最も参考になったカスタマーレビュー
Amazon.com で最も参考になったカスタマーレビュー (beta)
Amazon.com:
21件のカスタマーレビュー
14 人中、13人の方が、｢このレビューが参考になった｣と投票しています。
Voices Calling Out To Me From Fog
1997/5/7
形式:ペーパーバック
I am a writer, a poet, a singer and musician. I first read "Coming Through Slaughter" seven years ago, and it has haunted me since. I have read many, many books but none have stayed with me like this one. Ondaatje shows us how it is possible to weave a narrative with pieces of song, faded photographs, snatches of conversation. This is the way Buddy Bolden should be remembered, felt as a phantom stretching through history. Ondaatje conveys New Orleans, and its rightful place in time as the birthplace of jazz, precisely. I've passed this book on to many others and am secretly gleeful that The English Patient has gathered all the attention, because Coming Through Slaughter deserves much more careful consideration, is not for the masses but for lovers of poetry, music, and history
45 人中、35人の方が、｢このレビューが参考になった｣と投票しています。
Fiction, not Fact
2000/3/26
形式:ペーパーバック
A good novel. This is not, however the true story of Buddy Bolden. I say this not as a critisism of talented writer Mr. Ondaatje, but rather of the dozens of people on-line who I have seen recomend this book to people for learing about Buddy Bolden. If you want to know the facts about the real life person named Buddy Bolden, read Donald Marquis' book "In Search Of Buddy Bolden". Mr.Ondaatje's novel is a work of fiction which uses the name of Buddy Bolden and a few events of his life, while deliberately ignoring others for dramatic effect (eg, the real Buddy Bolden wasn't a barber)in a setting and story which is mostly the product of Michael Ondaatje's creativity.
I wish I didn't have to say this. I appologize to those who already are clear on the difference between fact and fiction. I am simply exasperated after 5 years of people wrongly recomending this book to people interested in early jazz as information about Buddy Bolden.
For entertaining fiction, read a Michael Ondaatje novel. For the facts about Bolden, read Donald Marquis' book.
10 人中、9人の方が、｢このレビューが参考になった｣と投票しています。
Powerful Story of Decay
2002/7/3
形式:ペーパーバック|Amazonが確認した購入
Michael Ondaatje wrote this semi-biographical story of legendary jazz musician Buddy Bolden long before writing "The English Patient" and "Anil's Ghost". Ondaatje only writes two novels per decade, so it is both interesting and relatively easy to track his progress as an author. "Coming Through Slaughter" draws heavily on Ondaatje's poetic roots, as rhythmic sections of smooth unself-conscious dialogue alternate with straight narrative and passages of syncopated poetry. It is far shorter and contains more poetry than his later works -and this works well in a book about jazz. In this, it is less mature than "The English Patient", more rooted in a young man's poetic freeform and less in the disciplined construction of a novel. Perspectives shift from Bolden to his New Orleans friends, prostitutes, and the musicians around him who literally created jazz. Ondaatje has a unique style of piecing a novel together from disparate pieces like a jigsaw puzzle, pieces that don't always meet at the edges -at least until the whole is complete and the details slowly merge into a profound and intricate mosaic. This style, in its early stages, is on display here. Characters and themes emerge slowly. Ondaatje is a challenging author. You may be two pages into a scene and still not know quite who is talking, or about what, or when. But finally the rush of understanding as the scene fits logically into another that comes pages later.
Buddy Bolden, New Orleans cornet player, early jazz genius who dropped out of sight for two years and then made a triumphant if short-lived return, before dying in an asylum. This is the source. The facts about Bolden remain murky, and Ondaatje has created a life around him. It is a story as much about jazz, New Orleans, and decay as it is about the sad life of a single horn player.
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