I bought this paperback when it first came out and I really enjoyed it. Like so many of those old paperbacks, I either gave away or lost my copy. Happily, I bought the awesome collection of Michael's work that was published by Centipede Press, THE AUTOPSY AND OTHER TALES, and therein I discovered the entire text to this short novel. I was shocked on re-reading it to find that Michael wrote the book in a style very unlike his more modern voice. The opening paragraph sets the tone:
"All the dire occurrences which I now set myself to report had for their setting a lake in the New England region--a dam-created lake which I shall not name. Let it--in the full force of that archaic formula against evil--REMAIN NAMELESS."
Michael evokes a wonderful sense of macabre place, as must be done with such a book concerning a haunted and tainted region. That such a region -- and that which infiltrates it -- can be called "evil" is entirely consistent with Lovecraft's own fiction. S. T. Joshi's knee-jerk dismissal of this novel is his wonderful book, THE RISE AND FALL OF THE CTHULHU MYTHOS, is for me far too hostile. Lovecraft did convey a sense of the evilness of his cosmic Old Ones. They were not at all indifferent to the fate of humanity, as some would have us believe. Yog-Sothoth and the Whateley brood in "The Dunwich Horror" are actively plotting the extinction of humanity. This is indeed "evil," as we understand it in connection to humanity and its morals. (But then, Joshi also dismisses "The Dunwich Horror" as an "artistic failure," since it too evokes a sense of the evil that threatens humanity.)
THE COLOR OUT OF TIME captures that sense of evil superbly, It is a thing of cosmic disease that infiltrates and region and affects its horror. The creature is indeed an enemy to humanity, as Nyarlathotep, Yog-Sothoth and Cthulhu are enemies who thirst for human destruction and extinction. Shea's novel expertly catches this sense of cosmic threat. The introduction of the star-stones is always a bit problematic for me, they were so poorly used by Derleth and Lumley; but it must be remembered that it was Lovecraft himself who introduced this device, in AT THE MOUNTAINS OF MADNESS.
Those looking for a well-written novel of the Cthulhu Mythos, that has its roots in the wondrous fiction of H. P. Lovecraft, this is a book you may certainly enjoy.