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Classical Drawing Atelier
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内容説明
Ateliers have produced the greatest artists of all timeand now that educational model is experiencing a renaissance. These studios, a return to classical art training, are based on the nineteenth-century model of teaching artists by pairing them with a master artist over a period of years. Students begin by copying masterworks, then gradually progress to painting as their skills develop. Classical Drawing Atelier is an atelier in a bookand the master is Juliette Aristides, a classically trained artist. On every page, Aristides uses the works of works of Old Masters and today’s most respected realist artists to demonstrate and teach the principles of realist drawing and painting, taking students step by step through the learning curve yet allowing them to work at their own pace. Unique and inspiring, Classical Drawing Atelier is a serious art course for serious art students.
著者について
Juliette Aristides is the author of Classical Painting Atelier and Classical Drawing Atelier. She is the instructor of the Aristides Classical Atelier at the Gage Academy of Art in Seattle, Washington, where she lives. Her work is exhibited at the John Pence Gallery in San Francisco and can be seen at the Art Renewal Center.
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5つ星のうち 4.5
52件のカスタマーレビュー
111 人中、101人の方が、｢このレビューが参考になった｣と投票しています。
5つ星のうち 3.0
Approach With Caution....
2009/7/16
By Craig Banholzer
- (Amazon.com)
形式:ハードカバー
No question this is a beautiful book, and I often have my own copy open to enjoy the excellent reproductions of drawings by masters past and present. The text, especially the chapter on composition, is very thorough and persuasive.
The crux of my growing discontent with the book is the demonstration on how to copy an old master drawing, a drawing by Raphael. It's an impressive performance, accomplished, like most of the projects demonstrated in the book, using the straight line block-in method, and the final result is a near-exact duplicate of the original drawing. The problem is: Raphael didn't draw this way. Neither did Michelangelo, Pontormo, Rubens, Van Dyck, Rembrandt, Prud'hon or Ingres.
There is much which is of value in this book, but in order to understand drawing in a wider context, I would recommend, in addition, anything by Robert Beverly Hale, Burne Hogarth, George Bridgeman, John H. Vanderpoel, or Harold Speed. Also, I highly recommend "The Language of Drawing" by Sherrie McGraw, which is a pointed and subtle rebuttal to what some might see as the over-emphasis on accuracy in the methods taught in this book.
Drawing is a big subject, and no one book covers it all.
The crux of my growing discontent with the book is the demonstration on how to copy an old master drawing, a drawing by Raphael. It's an impressive performance, accomplished, like most of the projects demonstrated in the book, using the straight line block-in method, and the final result is a near-exact duplicate of the original drawing. The problem is: Raphael didn't draw this way. Neither did Michelangelo, Pontormo, Rubens, Van Dyck, Rembrandt, Prud'hon or Ingres.
There is much which is of value in this book, but in order to understand drawing in a wider context, I would recommend, in addition, anything by Robert Beverly Hale, Burne Hogarth, George Bridgeman, John H. Vanderpoel, or Harold Speed. Also, I highly recommend "The Language of Drawing" by Sherrie McGraw, which is a pointed and subtle rebuttal to what some might see as the over-emphasis on accuracy in the methods taught in this book.
Drawing is a big subject, and no one book covers it all.
69 人中、61人の方が、｢このレビューが参考になった｣と投票しています。
5つ星のうち 5.0
This book is the best on its subject
2006/12/6
By Adrian Cassar
- (Amazon.com)
形式:ハードカバー
I have quite a collection of art books that I keep as reverences and browse into every now and again. I bought this book as I taught that it might be good, and since I am always looking for `that knowledge' of fine art schools, but since I do not have the time and money to attend to classes, I try to study by myself. Few books ever give me the satisfaction of buying it, and most of the time I end up gathering some information which is either irrelevant or keep on reading the same text from book to book, with just a few words that make it different from all the others. But this one is sooooo different. I have found what I have been looking for in the last couple of years. Can't believe this book is so cheap!!! The pictures are massive, the knowledge is wicked and the style is simply out of this world! If you're into classic fine art, this book is a must, whether you re a beginner or a professional artist.
26 人中、25人の方が、｢このレビューが参考になった｣と投票しています。
5つ星のうち 5.0
Drawing in depth
2007/10/3
By William Polm
- (Amazon.com)
形式:ハードカバー|Amazon.co.jpで購入済み
This is a deep book, a kind of survey of essential drawing topics for the artist student, beginning or advanced. My impression is that Ms. Aristides covers the curriculum of her Atelier, explaining the theory behind the practices and learning accomplished there. At any rate, what she discusses she treats thoroughly and thoughtfully with valuable insights. For instance, I have read a number of excellent books on drawing, but hers is the first that defined for me the different meanings contained in straight lines verses curved lines. For me, a key insight. So I think the true value of this book, in addition to spelling out what her students do and learn, is the key artistic wisdom Ms. Aristides shares out of her experience and expert skills.
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5つ星のうち 4.5
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